| Sambizanga | |
| Director: | Sarah Maldoror |
| Screenplay: | Mário Pinto de Andrade Maurice Pons Sarah Maldoror |
| Starring: | Domingos de Oliveira Elisa Andrade |
| Cinematography: | Claude Agostini |
| Editing: | George Klotz |
| Studio: | Isabelle Films |
| Distributor: | New Yorker Films (United States) Animatógrafo (Portugal) |
| Runtime: | 97 minutes |
| Country: | Portuguese Angola France People's Republic of the Congo |
| Language: | Portuguese Kimbundu Lingala |
Sambizanga is a 1972 film directed by Sarah Maldoror and written by Maldoror, Mário Pinto de Andrade, and Maurice Pons, based on the 1961 novella The Real Life of Domingos Xavier by José Luandino Vieira. Set in 1961 during the onset of the Angolan War of Independence, it follows the struggles of Angolan militants involved with the Popular Movement for the Liberation of Angola (MPLA), an anti-colonial political movement. Maldoror co-wrote the screenplay with her husband, who was a leader within the MPLA. Sambizanga was the first feature film produced in Angola and by any Lusophone African country. Maldoror was the first woman to make a feature film in Africa.[1]
The film is set in the titular Sambizanga, a working-class neighbourhood in Luanda where a Portuguese prison was located in which many Angolan militants were tortured and killed. On 4 February 1961, the prison was attacked by MPLA forces.[2]
Domingos Xavier, a revolutionary, is arrested by Portuguese colonial officials. He is taken to the prison in Sambizanga, where he is threatened with torture and death if he does not give the officials the names of his fellow dissidents. During his imprisonment, Domingos' wife Maria goes from prison to prison, trying to find out what has happened to her husband, unaware of the extent of his involvement in the anti-colonial struggle. Unbeknownst to her, Domingos is killed in prison.[3] [4]
Sambizanga was based on a 1961 novella by José Luandino Vieira, a white Angolan writer born in Portugal who had served a 11-year prison sentence for his work in the anti-colonial struggle in Angola.
Sambizanga was shot on location in the People's Republic of the Congo over a seven-week period.[5]
Many of the actors in the film were non-professionals who were involved in African anti-colonial movements such as the MPLA and the African Party for the Independence of Guinea and Cape Verde (PAIGC).[6] Domingos de Oliveira, who played Domingos Xavier, was an Angolan exile living in the Congo; while Maria was played by Elisa Andrade, an economist from Cape Verde.
Sambizanga was released in Portugal on 19 October 1974 following the Carnation Revolution and was also released in Angola the same year following its independence.[7]
Writing in The Village Voice, Michael Kerbel compared Sambizanga to Soviet Russian filmmaker Sergei Eisenstein's 1925 film Battleship Potemkin in terms of its political significance.[8] Writing in 2012 for The Guardian, Mark Cousins named the film as one of the ten best African films, describing it "as bold, as well-lit as Caravaggio paintings".[9]
Nwachukwu Frank Ukadike praised Sambizanga for its feminist themes, writing that it "gives female subjectivity special attention, as it pertains to revolutionary struggles... the feminist aspect of the film becomes apparent... as it is aimed at giving credibility to women's participation".[10]
Maldoror won the Tanit d'Or at the 1972 Carthage Film Festival. Sambizanga also screened at the 1973 Berlin International Film Festival.[11]
In 2021, Sambizanga was restored by the African Film Heritage Project, an initiative created by the Film Foundation's World Cinema Project, the Pan-African Federation of Filmmakers, and UNESCO, with the blessing of Maldoror's family.[12]