| Salomy Jane | |
| Director: | Hugh Ford |
| Music: | Robert Hood Bowers |
| Setting: | Calaveras County, California circa 1855 |
| Place: | Liberty Theatre |
| Orig Lang: | English |
| Subject: | Romance amidst the Redwoods |
| Genre: | Melodrama |
Salomy Jane, is a 1907 play by Paul Armstrong. It was loosely based on the short story Salomy Jane's Kiss by Bret Harte, but also pulled in characters from other Harte works.[1] It has four acts and five scenes, taking place over sixteen hours in Calaveras County, California around 1855.[2]
The play was produced by Liebler & Company, with staging by Hugh Ford, sets by Gates and Morange, incidental music by Robert Hood Bowers, and electrical effects by the Kliegl Brothers.[3] It starred Eleanor Robson, with H. B. Warner, Holbrook Blinn, and Ada Dwyer.[4] It ran on Broadway from January through May 1907, returned in September 1907 for a month then went on tour.[5]
Paul Armstrong later expanded his drama into a screenplay for a 1914 silent film.[6]
Lead
Supporting
Featured
Walk-on
Off-stage
The play was never published; this synopsis is based on newspaper reviews from 1907. Act I (Afternoon, meeting place of the Vigilantes in the Redwoods.) The vigilantes have called a meeting about some stagecoach robbers that held up and wounded Yuba Bill. At the meeting Larrabee and Madison Clay confront each other, but are separated and warned by Seth Low not to start a feud in California. Salomy Jane urges would-be beau Rufe Waters to avenge her honor upon Baldwin, but he hesitates. Later Baldwin is found dead, and Rufe secretly tells Salomy Jane that he slew him. She then allows him to put a ring on her finger. Anna May wanders in with a bangle that Yuba Bill recognizes from the robbery. The vigilantes now know they are hunting Red Pete. As they go out, Salomy Jane encounters the Man, and learns he was avenging his sister when he slew Baldwin. She brings him food and lets him go.
Act II (Evening, exterior of Red Pete's shack.) Yuba Bill tells Lize Heath that her husband Red Pete was one of the robbers who held up his stagecoach. Yuba Bill figures that means Red Pete will be abandoning her, since he is known to the vigilantes. But the vigilantes bring Red Pete and the young Man, who was also caught, into the clearing, so Pete can say goodbye to his family. Lize, despite Red's abuse of her, rails against vigilante justice until Pete stops her. Both men are to be hung for robbery, but Pete says the Man had nothing to with it. The vigilantes start to free him, when Rufe accuses him of Baldwin's murder. They decide to hang him, and Seth Low invites Salomy Jane to say goodbye to the young fellow who has no one else. Salomy Jane, impressed by the Man's stoicism and sense of honor, kisses him in front of the gathering. As they depart with their captives, Jack Marbury quietly slips some gold coins into Lize's apron while she sobs unaware.
Act III (Night, exterior of Madison Clay's home.) Returning home, Salomy Jane and her father learn Red Pete was hung, but the young stranger escaped. Col. Starbottle warns Madison that Larrabee is goning to ambush him. Starbottle, like Yuba Bill and Jack Marbury, are all trying to court Salomy Jane. She fends off the older men with humor, and tells Jack Marbury she likes but doesn't love him. However, she is scathing with Rufe when he reproaches her for kissing the Man: "When you hang, I'll kiss you too". Later, Salomy is awakened by a noise outside the cabin. Taking her father's shotgun with her in case its Larrabee, she finds the Man. He tells Salomy Jane he's come back to thank her. When Rufe comes by, stalking the Man, Salomy disguises him with her father's hat and duster. The disguise doesn't fool Jack Marbury, who holds the Man at gunpoint. Salomy Jane persuades Jack to let him go.
Act IV (Scene 1: Dawn, same as Act III.) Larrabee, mistaking the Man for Madison Clay tries to shoot him, but is himself shot by the Man using Madison's shotgun. Roused by the shots, neighbors come running. Salomy tries to hide the gun, but Madison see her with it and tells everyone he shot Larrabee. Soon Madison, Salomy, and the Man are all fugitives. Madison leads the vigilantes in one direction, to give Salomy time to get a horse.
(Scene 2: Dawn, at the Corral of Madison Clay.) At the corral Salomy Jane tells the Man to pick out a horse for their escape. They are caught by Rufe, who holds them at gunpoint. The Man calls Rufe's bluff, knowing he doesn't have to nerve to fire. He further frightens Rufe by saying he'll strangle him like he did Baldwin. Rufe fades away and the couple make their escape. (Curtain)
Liebler & Company was a partnership between investor Theodore A. Liebler and producer-manager George C. Tyler. After Robson's success in Merely Mary Ann, they leased the Liberty Theatre for the 1906–1907 season, in order to showcase her in several new plays.[8] These were Nurse Marjorie by Israel Zangwill; Susan in Search of a Husband by Eugene Presbray, based on a Jerome K. Jerome story;[9] and The Girl Who Has Everything by Clyde Fitch. According to Tyler's 1934 memoir, none of the three was very successful, so he commissioned Paul Armstrong to write another.[10] Armstrong completed Salomy Jane in one week.
| Role | Actor | Dates | Notes and sources |
|---|---|---|---|
| Salomy Jane | Eleanor Robson | Jan 19, 1907 - May 18, 1907 | |
| The Man | H. B. Warner | Jan 19, 1907 - May 18, 1907 | The day after the play closed Warner married Mrs. Fred R. Hamlin, widow of a theatrical manager.[11] |
| Col. Starbottle | Reuban Fax | Jan 19, 1907 - May 18, 1907 | |
| Yuba Bill | Ralph Delmore | Jan 19, 1907 - May 18, 1907 | |
| Jack Marbury | Holbrook Blinn | Jan 19, 1907 - May 18, 1907 | |
| Rufe Waters | Earl Browne | Jan 19, 1907 - May 18, 1907 | |
| Madison Clay | James Seeley | Jan 19, 1907 - May 18, 1907 | |
| Phil Larrabee | Henry Harmon | Jan 19, 1907 - May 18, 1907 | |
| Red Pete | Stephen Wright | Jan 19, 1907 - May 18, 1907 | |
| Seth Low | Hoarce Vinton | Jan 19, 1907 - May 18, 1907 | |
| Willie Smith | Donald Gallaher | Jan 19, 1907 - May 18, 1907 | Gallaher, age 11, told an interviewer he wanted to be a civil engineer, not an actor.[12] |
| Lize Heath | Ada Dwyer | Jan 19, 1907 - May 18, 1907 | |
| Mary Ann Heath | Frances Golden Fuller | Jan 19, 1907 - May 18, 1907 | Fuller, about 10 years old during the production, had memorized all of Eleanor Robson's lines. |
| Anna May Heath | Ruth Abbott Wells | Jan 19, 1907 - May 18, 1907 | |
The play had no tryouts; its first public performance was its Broadway premiere at the Liberty Theatre on January 19, 1907. This was a Saturday, so the producers announced ahead of time there would be no matinee that day.[13] [14] Eleanor Robson had top billing. Producer Tyler said the premiere was nearly derailed when playwright Paul Armstrong became tipsy on champagne and gave a third act curtain speech.[15] Armstrong gave the audience a narcissistic version of the play's writing that had the first-nighters starting to snicker, but redeemed himself by abruptly ending the speech proclaiming he owed it all "to the great soul of Bret Harte".
The New York Times critic thought the first two acts went smoothly, but the melodrama lost its punch in the third through obviousness, while the fourth act was weak.[16] The Brooklyn Daily Eagle reviewer singled out the playwright's use of a backstory in the first act to explain Salomy Jane's reason for kissing the stranger.[17] They also cited the playwrights characterization, saying the play "is melodrama with human beings in it instead of theatrical stock figures".
One month after the premiere, The Brooklyn Times reported "attendance at the Liberty Theatre is nightly increasing and seats are already at a premium".[18] Beginning February 27, 1907, Wednesday matinees at the Liberty Theatre were devoted to a revival of Merely Mary Ann, with Eleanor Robson and Ada Dwyer reprising their roles in that 1903 hit, and H. B. Warner playing the male lead.
These matinees led to a minor contremps when Paul Armstrong protested the playing of Merely Mary Ann in conjunction with Salomy Jane, claiming long tradition would ascribe weakness to a new work if an older play supported it.[19] George C. Tyler replied that Armstrong's contract with Liebler & Company was for an indefinite period and the playwright couldn't expect Miss Robson to go on playing Salomy Jane forever and nothing else.[20]
The initial Broadway run of Salomy Jane finished at the Liberty Theatre on May 18, 1907.[21] It would return September 2, 1907 as the first of several works in repretory, previous hits of Eleanor Robson such as Merely Mary Ann and Nurse Marjorie.