Sally Michel Avery Explained

Sally Michel Avery
Birth Name:Sally Michel
Birth Date:27 July 1902
Birth Place:Brooklyn, New York, U.S.
Education:New York's Arts Students League
Children:March Avery

Sally Michel Avery (; Michel; July 27, 1902 – January 9, 2003) was an artist and illustrator who created modernist paintings of abstracted figures, landscapes, and genre scenes capturing personal moments of everyday life. She was the co-creator of the "Avery style", wife and collaborator of artist Milton Avery, and mother of artist March Avery.[1] Throughout their lives, Michel and Avery shared their studio space together, painting side by side, critiquing each other's work, and developing a shared style which includes the use of abstracted subjects, expressionistic color fields, and harmonious but unusual colors juxtapositions.[2] Michel's work is the collections of the Metropolitan Museum of Art, the National Gallery of Art (Corcoran Collection), the Pennsylvania Academy of Fine Arts, the Wadsworth Atheneum, and the Israel Museum, among others.[3] [4]

Early life

Born in Brooklyn, Michel knew from around the time she was five or seven years old that she had the drive and desire to become an artist.[5] She began working immediately as a freelance illustrator after high school creating fashion illustrations for Macy's and was a contributor to the family column You and Your Child in the New York Times Magazine for over twenty years. While working, Michel also took evening classes at New York's Arts Students League.[6]

In 1924 Michel joined her peers in Gloucester, Massachusetts, a relaxing and picturesque locale where she went to focus on developing her artwork outside of illustration. Here, Michel got to know her soon-to-be husband, Milton Avery, who was in awe of her dedication to her art.[7] They married and Avery moved to New York to be with Michel in 1926 where they would eventually live together in the top floor apartment at 294 West 11th Street, Manhattan. Michel served as the primary source of income for their small family from the 1920s-1950s, throughout the Great Depression, earning as much as $35 an hour for her commercial work in illustration.[8]

Career

Michel continued to paint in her free time and shared space in the studio alongside her husband, Milton Avery, often working on smaller 18 x 20 inch canvases. The two critiqued one another as they developed what would be known as the Avery style, an artistic reflection on the importance of family and empathy to the hardships of the Great Depression. With Michel's encouragement as Avery's manager, studio mate, and wife, his career took off during the 1950s. Michel and her family chose to travel and paint almost every summer, visiting Massachusetts, Vermont, Florida, Canada, Mexico and Europe.[9]

While Michel was driven to advance her husband's career with curators, collectors, and art dealers, she only showed her own work on rare occasions during her lifetime and often downplayed her own talents. She was considered a colleague, travelled with, and actively participated developing the artistic language of expressionism and figural abstraction through discussions with friends and fellow artists Mark Rothko, Adolph Gottlieb, Barnett Newman, and husband Avery. Michel also visited New York City's galleries each Saturday, acquainting herself and Avery with friends Marsden Hartley, Louis Eilshemius, and Stuart Davis.

Style and legacy

Sally Michel and Milton Avery share a vocabulary of artistic styles that included an interest in the harmony and atmospheric effects of color on abstracted, but familiar subjects.[10]

Michel and Avery were inspired by the American Tonalism movement, American Folk Art of the 1800s, and the art of the avant-garde, especially the "Wild Beast" Fauves Henri Matisse, Raoul Dufy, and Andre Derain. Through mutual respect and personal discussions, The Averys and their style was influential to the development of friends Rothko, Gotlieb, and Newman's styles in Abstract Expressionism.

Residencies

Selected exhibitions

Selected collections

Notes and References

  1. Hobbs. Robert. 1987. Sally Michel: The Other Avery. Woman's Art Journal. 8. 2. 3–14. 10.2307/1358160. 0270-7993.
  2. News: Smith. Roberta. 2003-01-26. Sally Michel Avery, 100, Illustrator and Artist. en-US. The New York Times. 2021-05-18. 0362-4331.
  3. News: January 27, 2003. Sally Michel Avery. Artist, illustrator, widow of painter. 30. The Gazette. Newspapers.com. July 2, 2020.
  4. News: January 28, 2003. Sally Michel Avery, 100, illustrator. 19. The News and Observer. Newspapers.com. July 2, 2020.
  5. Web site: Sally Michel Avery, Horse Show, 1979. 2021-05-18. Taylor Graham. en.
  6. Web site: A Life's Landscape. 2021-05-24. Sheridan Road Magazine. en-CA.
  7. Ratcliff. Carter. May 2018. Love Story. Art & Antiques. 62–69.
  8. Web site: Division. Columbia University Libraries Digital Program. 2010. Columbia University Libraries: Oral Histories Portal: Collection Overview. 2021-05-26. oralhistoryportal.library.columbia.edu. en-US.
  9. Web site: 2019-08-31. "The Poetry of Sheer Loveliness": Milton Avery, Sally Michel and March Avery. 2021-05-24. artcritical. en.
  10. Southgate. Therese. 2003. The Cover. American Medical Association. 290. 13.
  11. Web site: Sally Michel: Rhythms of Light and Color D. Wigmore Fine Art. 2021-05-19. www.dwigmore.com.
  12. Book: Wolf, Tom. The Optimistic Art of Sally Michel. D. Wigmore Fine Art, Inc. 2017. New York, NY. 30.