Sally Kate May Explained

Honorific Prefix:Dr.
Sally Kate May
Alma Mater:Flinders University
Australian National University
Thesis Title:Karrikadjurren – Creating Community with an Art Centre in Indigenous Australia
Workplaces:University of Adelaide

Sally Kate May, usually cited as Sally K. May, (born in 1979) is an Australian archaeologist and anthropologist. She is an Associate Professor of Archaeology and Museum Studies at the University of Adelaide, Australia. She is a specialist in Indigenous Australian rock art and Australian ethnographic museum collections.

Education

May obtained an honours from Flinders University in 2001 under the supervision of Professor Claire Smith and Professor Mark Staniforth. Her thesis was titled The Last Frontier? acquiring the American-Australian Scientific Expedition Ethnographic Collection 1948.[1] She obtained a PhD in 2006 from the Australian National University, supervised by Professor Howard Morphy, Professor Jon Altman and Dr Luke Taylor. Her thesis, titled Karrikadjurren – Creating Community with an Art Centre in Indigenous Australia used archaeological and ethnographic methods to explore the ongoing significance of art-making in Aboriginal communities in Arnhem Land.[2] She carried out fieldwork collaboratively with artists from the Injalak Arts centre in Gunbalanya.

Career

After completing her PhD, May was employed as a lecturer in archaeology at Flinders University.[3] She was a Postdoctoral Research Fellow and a Chief Investigator on the Australian Research Council funded project "Picturing change: 21st Century perspectives on recent Australian rock art, especially that from the European contact period" which ran from 2008 to 2011 and was led by Professor Paul Taçon.[4] She was also a Chief Investigator on the ARC-funded project "Wellington Range rock art in a global context" which ran 2016–2018.[5] In 2009, she was appointed a lecturer at the Australian National University, and in 2017 she joined PERAHU as a senior research fellow.[6] She currently directs the project "Pathways: people, landscape, and rock art" which runs from 2018 to 2024.[7]

May is best known as a scholar of rock art, particularly so-called Contact rock art traditions in Australia.[8] She has also collaborated on research into rock art in China[9] and Europe.[10] More broadly, she has published monographs and edited collections concerning the archaeology of art,[11] the archaeology and history of Macassan traders in northern Australia,[12] and the history of collectors of Aboriginal Australian materials.[13]

May has been involved in the management of the world heritage listed Kakadu National Park, serving on the Kakadu research advisory committee and consulting as an outside expert on the park management plan.[14] [15]

May's collection of filmed oral histories and other materials from her previous and ongoing research around Gunbalanya, Injalak Hill and Kakadu is archived at AIATSIS.[16]

Selected publications

Books

Journal articles

Commissioned reports

External links

Notes and References

  1. The last frontier? : acquiring the American-Australian Scientific Expedition Ethnographic Collection 1948. 2000. 2000. Thesis. Sally Kate. May.
  2. May. Sally. 2005. Karrikadjurren : creating community with an art centre in Indigenous Australia. 10.25911/5d514ae1bc7da.
  3. Web site: Sally K May Books, Author Bio, Book Reviews & More at Alibris. m.alibris.com. 2019-11-06.
  4. Web site: Picturing change: 21st Century perspectives on recent Australian rock art, especially that from the European contact period.. Research Data Australia. 2019-11-06.
  5. Web site: Wellington Range rock art in a global context. Research Data Australia. 2019-11-06.
  6. Web site: Sally K. May (0000-0003-2805-023X). ORCID. orcid.org. 2019-11-06.
  7. Web site: Pathways: people, landscape, and rock art in Djok Country. ResearchGate. 2019-11-06.
  8. May. Sally K.. Johnston. Iain G.. Taçon. Paul S. C.. Sanz. Inés Domingo. Goldhahn. Joakim. February 2018. Early Australian Anthropomorphs: Jabiluka's Dynamic Figure Rock Paintings. Cambridge Archaeological Journal. 28. 1. 67–83. 10.1017/S095977431700052X. 164788888. 0959-7743.
  9. Taçon. Paul S. C.. Gang. Li. Decong. Yang. May. Sally K.. Hong. Liu. Aubert. Maxime. Xueping. Ji. Curnoe. Darren. Herries. Andy I. R.. February 2010. Naturalism, Nature and Questions of Style in Jinsha River Rock Art, Northwest Yunnan, China. Cambridge Archaeological Journal. 20. 1. 67–86. 10.1017/S0959774310000053. 10072/38856. 46978830. 1474-0540. free.
  10. Book: https://www.taylorfrancis.com/books/e/9781315434339/chapters/10.4324/9781315434339-12. From the Form to the Artists: Changing Identities in Levantine Rock Art (Spain). Domingo Sanz. Inés. Fiore. Dánae. 2013. Archaeologies of Art: Time, Place, and Identity. 10.4324/9781315434339. 2019-11-06. May. Sally K.. Routledge. 9781315434339.
  11. Book: Archaeologies of Art: Time, Place, and Identity. Sanz. Inés Domingo. Fiore. Dánae. May. Sally K.. 2016-07-01. Routledge. 9781315434315.
  12. Book: Macassan History and Heritage. Clark. Marshall. May. Sally K.. Sally K. May. Marshall. Clark. 2013. ANU Press. 9781922144973. 10.22459/mhh.06.2013 . free .
  13. Book: May, Sally K.. Collecting Cultures: Myth, Politics, and Collaboration in the 1948 Arnhem Land Expedition. 2009-11-16. Rowman Altamira. 9780759113145.
  14. Web site: Kakadu National Park management plan 2016-2026. 2016.
  15. Web site: Walk the Talk: Cultural Heritage Management in Kakadu National Park. Winderlich. S.. 2015.
  16. Web site: Sally K. May collection - Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). link.aiatsis.gov.au. 2019-11-06.