Sakumi Yoshino | |
Birth Date: | 19 February 1959 |
Birth Place: | Ōsaka Prefecture, Japan |
Nationality: | Japanese |
Occupation: | Manga artist Literary critic |
was a Japanese manga artist and literary critic. She became known for her shōjo manga in Bouquet magazine in the 1980s and 1990s. In the late 1990s, she also started drawing seinen manga and publishing essays on film, manga and literature.
Yoshino was born in 1959 in Osaka. She developed a passion for drawing while in elementary school and became an avid manga reader, becoming especially fond of shōjo manga and artists from the Year 24 Group such as Moto Hagio, Ryoko Yamagishi and Yumiko Oshima. Initially, Yoshino did not aspire to become a manga artist or work for a company after high school. When a classmate of hers began a career as a professional manga artist, however, she decided to give it a try as well.
Yoshino had an independent start in the industry, occasionally providing temporary assistance to other manga artists but not regularly, and did not attend art school. Her first work as a professional manga artist was the short story "Utsu Yori Sō ga Yoroshii no!", which appeared in the January 1980 issue of Bouquet.[1] [2] A few years into her career, she developed a passion for drawing rather than just seeing it as a way to make ends meet and moved to Tokyo to fully focus on her career in 1985.[3] She was one of the most prominent artists working for Bouquet in the 1980s and 1990s, creating series such as Shōnen wa Kōya wo Mezasu and Juliet no Tamago for the magazine.
When the editorial team of Bouquet changed and the magazine was eventually shut down at the end of the 1990s, Yoshino switched from Shueisha to publishing with Shogakukan. With Shogakukan, she drew short stories and series both for the magazine Petit Flower and its successor Flowers, both of which had a similar target group of young women as the magazine she previously worked with, and the seinen manga magazine Big Comic Spirits, which had adult men as its main target group. In 2002, she created the cover illustration for the first issue of Flowers.[4] She also became an active film and literature critic, publishing essays and predictions of horse racing. Her book-related essay manga Yoshino Sakumi Gekijō ran for 20 years in a literary magazine.
In 2003, Yoshino approached the seinen magazine Monthly Ikki, which then had recently become a standalone monthly magazine, to draw the series Period. She felt that Monthly Ikki would allow her to write what she wanted as the manga revolved around the theme of violence in different forms.
Yoshino died in 2016 at the age of 57 due to illness. A few days after her death, the June issue of Flowers published her short story "Itsuka Midori no Hanataba ni" posthumously and an interview with her as part of the magazine's 15th anniversary.[5]
Yoshino considers manga artists Yumiko Oshima and Moto Hagio as her greatest influences. Similar to these two artists, mother-daughter relationships are a recurring theme for Yoshino.[6]
Yoshino preferred drawing short stories and episodic series such as Itaike na Hitomi over continuous series as she was fatigued by committing to character development and solving issues coming up in the story line. Her preference for short stories was also due to their capacity to incorporate sudden and violent breaks in storytelling, which allowed her to conclude a manga abruptly the need for extensive justification.
While her work for female readers features an irregular panel layout, she arranges panels in separate squares in her work for seinen magazines.
Yoshino's work has been translated into Chinese and Korean and will be translated into French in 2024.[7] Her short story Kioku no Gihō was adapted into a live-action film in 2020.
Title | Year | Notes | Refs | |
---|---|---|---|---|
Groovy Night (グルービーナイト) | 1981 | Serialized in Bouquet Published by Shueisha in 1 vol. | [8] | |
Gekka no Ichigun (月下の一群) | 1982–1983 | Serialized in Bouquet Published by Shueisha in 3 vol. | [9] | |
Happy Age | 1984–1985 | Published by Shueisha in 2 vol. | [10] | |
Shōnen wa Kōya wo Mezasu (少年は荒野をめざす) | 1985–1987 | Serialized in Bouquet Published by Shueisha in 6 vol. | [11] | |
Juliet no Tamago (ジュリエットの卵) | 1988–1989 | Serialized in Bouquet Published by Shueisha in 5 vol. | [12] | |
La Masquera | 1990 | Published by Shueisha in 1 vol. | [13] | |
Itaike na Hitomi (いたいけな瞳) | 1990–1993 | Serialized in Bouquet Published by Shueisha in 8 vol. | [14] | |
Eccentrics | 1993–1994 | Published by Shueisha in 4 vol. | [15] | |
Boku Dake ga Shitteiru (ぼくだけが知っている) | 1994–1998 | Serialized in Bouquet and Bouquet Deluxe Published by Shueisha in 5 vol. | [16] | |
Renaiteki Shunkan (恋愛的瞬間) | 1996 | Serialized in Bouquet Published by Shueisha in 5 vol. | [17] | |
Yoshino Sakumi Gekijō (吉野朔実劇場) | 1996–2016 | Essay manga Serialized in Hon no Zasshi Published by Hon no Zasshisha in 11 vol. | ||
Tōko (瞳子) | 2001 | Serialized in Weekly Big Comic Spirits Published by Shogakukan in 1 vol. | [18] | |
Period | 2003–2014 | Serialized in Monthly Ikki Published by Shogakukan in 5 vol. | [19] | |
Tōmei Ningen no Shissō (透明人間の失踪) | 2003 | Serialized in Flowers Published by Shogakukan in 1 vol. | [20] |
Title | Year | Notes | Refs | |
---|---|---|---|---|
Ōsama no Dinner (王様のDINNER) | 1985 | Short story collection published by Shueisha in 1 vol. | [21] | |
Tenshi no Koe (天使の声) | 1988 | Short story collection published by Shueisha in 1 vol. | [22] | |
Gūrudo wo Kiki Nagara (グールドを聴きながら) | 2000 | Short story collection published by Shogakukan in 1 vol. Includes "Gūrudo wo Kiki Nagara", "haRmony", "Kodomo wa Nakanai", "Shu" and "Dry Ice" | ||
Kuribayashi Kanae no Hanzai (栗林かなえの犯罪) | 2001 | Short story collection published by Shogakukan in 1 vol. Includes "Kuribayashi Kanae no Hanzai", "Daremoinai Nohara de", " Pinhōru Keibu - Tennen no Tenmado", "Private Virus" | [23] | |
Kioku no Gihō (記憶の技法) | 2002 | Short story collection published by Shogakukan in 1 vol. | [24] | |
Itsuka Midori no Hanataba ni (いつか緑の花束に) | 2016 | Short story collection published by Shogakukan in 1 vol. Includes "Mother", "Itsuka Midori no Hanataba ni", "Ryū no Otsukai", "Unmei no Hito", "Hana no Yōdatta" | [25] |
Title | Year | Notes | Refs | |
---|---|---|---|---|
"Utsu Yori Sō ga Yoroshii no!" (ウツよりソウがよろしいの | ) | 1980 | Short story published in Bouquet | |
"Tasogare Complex" (たそがれコンプレックス) | 1980 | Short story published in Bouquet | ||
"Henjin in the Onshitsu" (変人 in the 温室) | 1980 | Short story published in Bouquet | ||
"Kin'iro no Rakuyō no Furishikiru…" (金色の落葉のふりしきる…) | 1980 | Short story published in Bouquet | ||
"Yuki no Niwa yori Mezameyo" (雪の庭よりめざめよ) | 1981 | Short story published in Bouquet Deluxe | ||
"Papillon Road" (パピヨン・ロード) | 1981 | Short story published in Bouquet | ||
"Tristan" | 1983 | Short story published in Bouquet Deluxe | ||
"Ōsama no Dinner" (王様のDINNER) | 1984 | Short story published in Bouquet Deluxe | ||
"Zanmu" (残夢) | 1985 | Short story published in Bouquet Selection | ||
"Tenshi no Koe" (天使の声) | 1988 | Short story published in Bouquet | ||
"Suika" (水瓜) | 2007 | Short story published in Flowers | ||
"Itsuka Midori no Hanataba ni" (いつか緑の花束に) | 2016 | Short story published in Flowers |