| Saintes-Maries-de-la-Mer | |
| Commune Status: | Commune |
| Image Coat Of Arms: | Blason de la ville de Saintes-Maries-de-la-Mer (13).svg |
| Arrondissement: | Arles |
| Canton: | Arles |
| Insee: | 13096 |
| Postal Code: | 13460 |
| Mayor: | Christelle Aillet[1] |
| Term: | 2021 - 2026 |
| Intercommunality: | CA Arles-Crau-Camargue-Montagnette |
| Coordinates: | 43.4528°N 4.4286°W |
| Elevation M: | 4 |
| Elevation Min M: | 0 |
| Elevation Max M: | 6 |
| Area Km2: | 374.61 |
Saintes-Maries-de-la-Mer (in French pronounced as /sɛ̃t maʁi də la mɛʁ/, also Les Saintes-Maries-de-la-Mer, lit.: "(the) Saint Marys of the Sea", locally Les Saintes, Provençal Occitan: Li Santi Mario de la Mar), is the capital of the Camargue (Provençal Occitan Camarga) in the south of France. It is a commune in the Bouches-du-Rhône department by the Mediterranean Sea. It covers the second-largest area of all communes in Metropolitan France, smaller only than that of neighbouring Arles.
The town is situated in the Rhône river delta, about 1 km east of the mouth of the Petit Rhône distributary. The commune comprises alluvial land and marshland, and includes the Étang de Vaccarès, a large lagoon. The main industry is tourism. Agriculture is also significant, and ranchers have raised horses and cattle unique to the Camargue; some of the bulls are used for Spanish-style bull-fighting and for the bloodless course camarguaise. There is bus service to Arles, 38 km away.
The village was noted as Ra (see below) in the 4th century AD by the Roman geographer Rufus Festus Avienus. In the 6th century, the archbishopric of Arles was active and created a monastery or church in the town, named St. Mary, a favorite of the fishermen. The village became known as Notre-Dame-de-Ratis (Our Lady of the Boat - Râ being used in ratis, or boat) in reference to the three Marys arriving by boat. (Droit, 1963, 19). The name was later changed to Notre-Dame-de-la-Mer (Our Lady of the Sea, a synonym for the Virgin Mary).
The current Church of the Saintes Maries de la Mer was built from the 9th to the 12th century, as a fortress and a refuge. It can be seen from 10 km away. It has a fresh water well inside, for when the villagers had to take shelter from raiders. In the 9th century, the town suffered raids from the Mediterranean Sea by the Vikings and later from the Saracens. In the 15th century, someone discovered the relics of Mary of Clopas and Mary Salome, who were said to have arrived there by sea (together with Mary Magdalene). The 500th anniversary of this event was celebrated in the 20th century by Pope John XXIII.
In 1720, the town was spared by the plague. During the anti-clerical fervor of the French Revolution, the church was partially destroyed and the stones recycled.
In 1838, the town was renamed Saintes-Maries-de-la-Mer, after the three Maries of its Catholic and local history. Shortly afterward, the pilgrimage (see below) was instituted. A narrow-gauge railway line to Arles operated from 1892 until 1953.
In 1888, Van Gogh made several paintings of the seascape and the town. In the early 20th century, the town was a literary and artistic center, with visits inter alios from such figures as American writer Ernest Hemingway and Spanish painter Picasso. The vicinity was used as a setting for various films.
Since the second half of the 20th century, the population has increased. Retired people and holiday accommodation largely supplanted the fishermen and farmers, with a corresponding political shift to the right in elections.
See also: The Three Marys and Church of the Saintes Maries de la Mer. Saintes-Maries-de-la-Mer, an ancient town in the marshes of the Camargue, where the Rhône meets the Mediterranean Sea, is named after The Three Marys — in French, Marie Madeleine, Marie Salomé and Marie de Cléophas — a group of three women closely linked to Jesus, as according to the gospels they came to his sepulchre three days after the Crucifixion and were the first witnesses of his Resurrection. The designation "de-la-Mer" (of the sea) derives from a medieval tradition that after Jesus' Resurrection, The Three Marys escaped the Christian persecution in Judaea and travelled across the sea by boat, living in the Camargue the rest of their lives and helping to bring Christianity to France.[2]
The three saints Mary Magdalene, Mary Salome and Mary of Clopas are believed to be the women who were the first witnesses to the empty tomb at the resurrection of Jesus. After the Crucifixion of Jesus, the Marys were said to set sail from Alexandria, Egypt with their uncle Joseph of Arimathea. According to a longstanding French legend, they either sailed to or were cast adrift - arriving off the coast of what is now France, at "a sort of fortress named Oppidum-Râ". The location became known as "Our Lady of the Boat" (French: Nôtre-Dame-de-Ratis) - Râ being used in ratis, or boat).[3] The name was later changed to Notre-Dame-de-la-Mer. In 1838, it was changed to Les Saintes-Maries-de-la-Mer.
Today, aside from being a working class summer beach destination with a picturesque Romanesque fortress-church, Church of the Saintes Maries de la Mer, Saintes-Maries-de-la-Mer is known in France for the celebrations it holds for each Mary's feast, in May and October. The feast days in May draw large numbers of Roma Catholics and others from France and beyond — typically 25,000-40,000 people all together — to the town for a week. The high points at that feast include a ritual when a painted reliquary chest, said to contain the bones of the Saintes Maries, is ceremoniously lowered from its high perch to the altar for veneration, and when the crypt is left open so that the statue of another figure, the Roma's own Saint Sarah, can be honored. On successive days, Romas and a large crowd process statues of Sara and the Saintes Maries from the church to the beach, carrying them right into the sea.
The dark-skinned Saint Sara of the Roma pilgrimage is said to have possibly been the Egyptian servant of the three Marys. In another version, Sara was a local woman who welcomed the three Marys on their arrival. A statue of Sarah is in the crypt of the church, which also encloses a 4th-century BC taurobolic altar once dedicated to the cult of the Indo-Iranian god Mithras,[4] although a likely Celtic origin is claimed.[5]