| Saint Ralph | |
| Director: | Michael McGowan |
| Producer: | Teza Lawrence Andrea Mann Seaton McLean |
| Starring: | Adam Butcher Campbell Scott |
| Music: | Andrew Lockington |
| Editing: | Susan Maggi |
| Runtime: | 98 minutes |
| Country: | Canada |
| Language: | English |
| Gross: | $1,410,952[1] |
Saint Ralph is a 2004 Canadian comedy-drama film written and directed by Michael McGowan. Its central character is a teenage boy who trains for the 1954 Boston Marathon in the hope a victory will be the miracle his mother needs to awaken from a coma.
The film premiered at the 2004 Toronto International Film Festival and was given a theatrical release in 2005.
Ralph Walker is a teenager attending a Catholic school in Hamilton, Ontario. His father was killed in World War II and his mother is hospitalized with an unidentified illness. Ralph is naturally prone to mischief and often finds himself an outcast among his classmates. He tries to emulate the conduct of grown ups, and is caught smoking cigarettes and masturbating by headmaster Father Fitzpatrick. Already labeled a troublemaker, Ralph is forced to join the school's cross country team to relieve him of his "excess energy".
When Ralph's mother falls into a coma, he is told it will take a miracle for her to survive. When running coach Father Hibbert, a former world class marathoner who was forced to quit running when he injured his knee, claims it would be a miracle if a member of his team won the Boston Marathon, Ralph decides to train for it in the hope his victory would fulfill the miracle needed to save his mother's life.
At first, Ralph cannot even keep up with his teammates in practice. He reads books to learn about running, uses the new techniques, and gradually improves. Father Hibbert decides to train him despite disapproval from Father Fitzpatrick. Ralph begins to win the respect of his classmates, and eventually earns the attention of the local media when he wins a prestigious regional race.
When Father Fitzpatrick learns Ralph intends to run the Boston Marathon, he threatens to expel him if he participates, as well as remove Father Hibbert from the priesthood should he try to interfere. Both Ralph and his mentor must then decide how deeply they believe in miracles, and what is possible when a person risks everything without promise of success.
Both he and Father Hibbert defy Father Fitzpatrick and decide to go to Boston. Ralph ends up winning second place after a close race with the previous year's winner and gives the medal to his mother who wakes up from her coma.
The film was shot on location in Cambridge, Hamilton, and Toronto.
The song "Hallelujah" by Leonard Cohen is performed by Gord Downie.
After premiering at the Toronto International Film Festival, the film was shown at the Portland International Film Festival, the Festival du Film d'Aventures de Valenciennes and the Paris Film Festival before opening in Canada on April 8, 2005.
In his review in The New York Times, Stephen Holden said, "This crude, inspirational tear-jerker is as sweet as a bowl of instant oatmeal smothered in molasses."[2] Sean Axmaker of the Seattle Post-Intelligencer thought the "conventionally heartwarming underdog drama doesn't miss a cliche." He continued, "The climactic race footage is well directed... and the understated period detail adds to the charm, but the route is painfully familiar and the obstacles are as contrived as the clunky performances. The exception is Scott, whose sensitive turn as a priest inspired by Ralph's conviction and commitment gives the film a touch of grace at the cost of revealing McGowan's drab direction of every other actor. Yet there is something inherently rousing in the finale, no matter how hackneyed, as if his conviction ultimately holds its own against the cliches."[3]
In the Austin Chronicle, Marrit Ingman rated the film two stars and called it "very conventional in its characterizations and narrative." He added, "The movie does have two things going for it (besides Tilly in a nurse’s uniform). One is its brisk, sunny aplomb. It zips right along in cheerful montages and abbreviated scenes, divided by intertitles announcing the feasts of saints. The second is Butcher, who seems to be something like the masculine Amanda Bynes of Canada: goofy and authentically youthful but remarkably assured onscreen... The film isn't going to catapult Butcher to international stardom, but he holds his own in it and helps to sell its curious logic."[4]