| S. V. Ranga Rao | |
| Birth Name: | Samarla Venkata Ranga Rao |
| Birth Date: | 3 July 1918 |
| Birth Place: | Nuziveedu, Madras Presidency, British India (now Andhra Pradesh, India) |
| Death Date: | 18 July 1974 (aged 56) |
| Death Place: | Madras, Tamil Nadu, India |
| Other Names: | SVR, Viswa Nata Chakravarthi |
| Occupation: | Actor, Producer, Director |
| Awards: | Rashtrapati Award International Honor |
| Signature: | Svr signature.jpg |
Samarla Venkata Ranga Rao (3 July 1918 - 18 July 1974), popularly known as SVR, was an Indian actor and filmmaker who primarily worked in Telugu and Tamil films. He is regarded as one of the finest actors in the history of Indian cinema.[1] He is known by the epithet "Viswa Nata Chakravarthi" [2] and was the earliest known character actor in South Indian cinema to achieve a star status.[3] In a career spanning nearly three decades, Ranga Rao garnered various national and international honours.[4]
Ranga Rao was a method actor known for his natural acting style, portraying complex social, biographical, and mythological characters. Some of his most iconic roles include 'Nepala Manthrikudu, a tantric in Pathala Bhairavi (1951), Yama in Sati Savitri (1957), Ghatothkacha in Maya Bazaar (1957), Mayasura in Bhookailas (1958), and Bhoja in Mahakavi Kalidasu (1960).[5] In 1964, he won the Best Actor Award at the third Afro-Asian Film Festival held in Jakarta for his portrayal of Kichaka in Nartanasala (1963),[6] becoming the only Indian actor to have ever received the honour.[7] [8] His other notable performances include roles as Duryodhana in Pandava Vanavasam (1965), Hiranyakasipu in Bhakta Prahlada (1967), and Ravana in Sampoorna Ramayanam (1971).[9] [10]
Ranga Rao's notable films as a character actor include Mana Desam (1949), Palletoori Pilla (1950), Devadasu (1953), Bangaru Papa (1954), Raju Peda (1954), Thodi Kodallu (1957), Chenchu Lakshmi (1958), Pelli Naati Pramanalu (1958), Nammina Bantu (1959), Gundamma Katha (1962), Sarada (1962), Aatma Bandhuvu (1962), Annai (1962), Karpagam (1963), Naanum Oru Penn (1963), Bobbili Yuddham (1964), Bandhavyalu (1968), Prema Nagar (1971), Dasara Bullodu (1971), Pandanti Kapuram (1972), Vasantha Maligai (1972), Thatha-Manavadu (1973), and Andaru Dongale (1974).[11]
In his honour, the Government of Andhra Pradesh instituted the S. V. Ranga Rao Award for Best Character Actor, which is presented annually to recognize outstanding performances in character roles.
Ranga Rao was born in Nuziveedu in erstwhile Krishna District of Andhra Pradesh in 1918 in a Telugu Zamindari family of Kapu caste.[12] [13] His father, Samarla Koteswara Rao, was an excise inspector at Nuzvidu, and his mother's name was Smt. Lakshmi Narasayamma.[9] [10] His grandfather was working as a doctor in the town. He had relatives scattered in East Godavari district. His grandfather, Kotayya Naidu, lived in Chengalpattu, Tamil Nadu.
His mother, Lakshmi Narasayamma, a staunch devotee of Lord Venkateswara, named the boy after him. Ranga Rao was sent to Madras, where he completed his schooling at Hindu College. He also studied in Eluru and Visakhapatnam. At an early age of 12, he showed interest in stage acting. He ventured into acting after completing his bachelor's degree in sciences.[14]
S. V. R. got an invitation from one of his relatives, B. V. Ramanandam, to play the lead actor in his film Varoodhini (1947). He immediately abandoned the job, and left for Salem to join the celluloid world. However, the film didn’t do well at the box office.
S. V. R. left Madras Presidency and reached Jamshedpur, where he took up the job as a budget assistant with the Tata company. However, his love for theatre began to bloom multifold. At this juncture, he married Badeti Leelavathi on 27 December 1947. In the days that followed, S. V. R. was given an opportunity to appear in Palletoori Pilla (1950), produced by B. A. Subba Rao. Shavukaru (1950) earned him recognition as a fine actor.
His role as the antagonist 'Nepala Manthrikudu, a tantric in Pathala Bhairavi (1951) was a turning point in his career. The film became a breakthrough for both Ranga Rao and the lead actor N. T. Rama Rao. Pathala Bhairavi was the only south Indian film screened at the first International Film Festival of India.[15] [16] [17] Ranga Rao also starred in the enduring classics Mayabazar (1957) and Nartanasala (1963), featured in the CNN-IBN's list of "100 greatest Indian films of all time".[18]
In a career spanning nearly three decades, he acted in over 160 films 109 in Telugu and 53 in Tamil. He was one of the earliest stars to feature in commercials and his ad for the popular cigarette brand Berkeley, was extremely popular.
Ranga Rao married Leelavati, daughter of Badeti Venkata Ramayya and Koteswaramma on 27 December 1947. They have three children: two daughters, Vijaya and Prameela and a son, Koteswara Rao.
Ranga Rao wanted to launch his son into films and shot a few portions. But the film didn’t take off for unknown reasons. He was a pet-lover, owned two German Shepherds at his residence. Ranga Rao was a poet and also wrote short stories for a few publications and nurtured a love for cricket, painting, hunting.
Ranga Rao suffered from heart attack at Hyderabad in February 1974. He was admitted in (Osmania General Hospital).Doctors suggested him to have "bypass surgery".and also adviced to quit drinking & acting for sometime and take rest. But rangarao neglected doctors words.unfortunately he suffered from Another heart stroke on 18 July 1974 at Madras it proved fatal and the actor died before any medical treatment could be administered.
Government of Andhra Pradesh instituted an award in his memory, presented every year to the best character acting performance, known as the S. V. Ranga Rao Award for Best Character Actor.
A bust-size bronze statue of Ranga Rao was unveiled by popular actor Chiranjeevi at Tummalapall Kalakshetram in Vijayawada in 2010.[19] In 2018, N. Chandrababu Naidu, then Chief Minister of Andhra Pradesh unveiled a 12.5 feet bronze statue of Ranga Rao at Kalaparru on the outskirts of Eluru and announced that the state government was planning to establish a museum on Ranga Rao in Eluru.[20]
Srivathsan Nadadhur of The Hindu wrote of him during his birth centenary in 2018 as follows, "S V Ranga Rao’s diction, towering on-screen persona, impressive quirks to his character-sketches, the ability to draw inspiration from society and literature have cemented his ‘irreplaceable’ stature over the years."
CV Aravind of The News Minute wrote of him in 2018, "SV Ranga Rao was ranked on par with the superstars of the 1950s, 60s and 70s such as N. T .Rama Rao, Nageswara Rao, M. G. Ramachandran, and Sivaji Ganesan. Ranga Rao was one of the earliest to be hailed as a ‘method’ actor and a substandard performance from him was simply out of the question. Rated as one of the most dignified and cooperative stars, he was held in high regard by the acting fraternity."
| Year | Film | Character | Language | Notes | |
|---|---|---|---|---|---|
| 1947 | Varudhini | Telugu | Debut Film | ||
| 1949 | Mana Desam | Telugu | |||
| 1950 | Bhale Papa | Blind person | Telugu | ||
| 1950 | Palletoori Pilla | Taatha | Telugu | ||
| 1950 | Shavukaru | Sunnapu Rangadu | Telugu | ||
| 1950 | Tirugubatu | Telugu | |||
| 1951 | Akasaraju | Telugu | |||
| 1951 | Navvite Navaratnalu | Telugu | |||
| 1951 | Pathala Bhairavi | Nepala Mantrikudu | TeluguTamil | 1st International Film Festival of India | |
| 1952 | Daasi | Badrinath | Telugu | ||
| 1952 | Kalyanam Panni Paar | Tamil | |||
| 1952 | Palletooru | Ganapati | Telugu | ||
| 1952 | Pelli Chesi Choodu | Zamindar Veeyanna | Telugu | ||
| 1953 | Bratuku Theruvu | Zamindar | Telugu | ||
| 1953 | Chandirani | Prachandudu | Telugu | ||
| 1953 | Chandirani | Prachandudu | Tamil | ||
| 1953 | Devdas | Tamil | |||
| 1953 | Devadasu | Zamindar Narayana Rao | Telugu | ||
| 1953 | Jatakam | Telugu | |||
| 1953 | Jatakaphalam | Telugu | |||
| 1953 | Pardesi | Rangadu | Telugu | ||
| 1953 | Pempudu Koduku | Telugu | |||
| 1953 | Poongothai | Tamil | |||
| 1953 | Rohini | Tamil | |||
| 1953 | Sangham | Telugu | |||
| 1954 | Annadata | Telugu | |||
| 1954 | Anta Manavalle | Jagannatham | Telugu | ||
| 1954 | Bangaru Papa | Kotayya | Telugu | National Film Award for Best Feature Film in Telugu | |
| 1954 | Chandraharam | Tamil | |||
| 1954 | Chandraharam | Dhoomakethu | Telugu | ||
| 1954 | Chakrapani | Telugu | |||
| 1954 | Rajee Naa Pranam | Telugu | |||
| 1954 | Rajee En Kanmani | Rich man | Tamil | ||
| 1954 | Raju Peda | King | Telugu | ||
| 1954 | Thuli Visham | Naga Nadu King VeeraMarththandan | Tamil | ||
| 1955 | Anarkali | Akbar | Telugu | ||
| 1955 | Guna Sundari Katha | King Ugrasena | Telugu | ||
| 1955 | Jayasimha | Rudrasimha | Telugu | ||
| 1955 | Missamma | Gopalam | Telugu | ||
| 1955 | Missiamma | Gopalan | Tamil | ||
| 1955 | Santanam | Rangayya | Telugu | ||
| 1956 | Charana Daasi | Raghavaiah | Telugu | ||
| 1956 | Chintamani | Telugu | |||
| 1956 | Kanakatara | Telugu | |||
| 1956 | Naan Petra Selvam | Tamil | |||
| 1956 | Mathar Kula Manickam | Tamil | |||
| 1957 | Allauddin Adhbhuta Deepam | Jaffer, the magician | Telugu | ||
| 1957 | Allavudeenum Arputha Vilakkum | Tamil | |||
| 1957 | Maya Bazaar | Telugu | |||
| 1957 | Maya Bazaar | Ghadotgajan | Tamil | ||
| 1957 | Pathini Deivam | Tamil | |||
| 1957 | Repu Neede | Telugu | |||
| 1957 | Raja Raja Narendrudu | Telugu | |||
| 1957 | Sati Savitri | Yamudu | Telugu | ||
| 1957 | Soubhagyavathi | Maha Bhairavan, Bad Magician | Tamil | ||
| 1957 | Engal Veettu Mahalakshmi | Lawyer Ganapathi | Tamil | ||
| 1957 | Thodi Kodallu | Kutumba Rao | Telugu | National Film Award for Best Feature Film in Telugu | |
| 1957 | Vinayaka Chaviti | Narakasurudu | Telugu | ||
| 1958 | Bhookailas | Maayasura | Telugu | ||
| 1958 | Bommala Pelli | Telugu | |||
| 1958 | Chenchu Lakshmi | Hiranyakashipa | Tamil | ||
| 1958 | Chenchu Lakshmi | Hiranyakashipu | Telugu | ||
| 1958 | Kadan Vaangi Kalyanam | Tamil | |||
| 1958 | Annaiyin Aanai | Tamil | |||
| 1958 | Bommai Kalyanam | Veeramuthu | Tamil | ||
| 1958 | Kudumba Gouravam | Tamil | |||
| 1958 | Pelli Naati Pramanalu | Bheemasena Rao | Telugu | National Film Award For Best Feature Film in Telugu | |
| 1958 | Sabaash Meena | Appadorai | Tamil | ||
| 1958 | Anbu Engey | Masilamani Mudaliar | Tamil | ||
| 1958 | Thirumanam | Damodharam | Tamil | ||
| 1958 | Sarangadhara | King Narendra | Tamil | ||
| 1959 | Mangalya Balam | Telugu | |||
| 1959 | Appu Chesi Pappu Koodu | Diwan Bahadur Mukunda Rao | Telugu | ||
| 1959 | Aval Yar | Tamil | |||
| 1959 | Bhakta Ambarisha | Telugu | |||
| 1959 | Jayabheri | Vijayananda Ramagajapati | Telugu | ||
| 1959 | Kalaivanan | Tamil | |||
| 1959 | Krishna Leelalu[23] | Kamsa | Telugu | ||
| 1959 | Raja Sevai | Tamil | |||
| 1959 | Manjal Mahimai | Tamil | |||
| 1959 | Rechukka Pagatichukka | Telugu | |||
| 1959 | Vazhkai Oppantham | Tamil | |||
| 1960 | Nammina Bantu | Telugu | 8th San Sebastián International Film Festival National Film Award for Best Feature Film in Telugu | ||
| 1960 | Bhatti Vikramarka | Maantrikudu | Telugu | ||
| 1960 | Deepavali | Narakasurudu | Telugu | ||
| 1960 | Devanthakudu | Telugu | |||
| 1960 | Harishchandra | Harischandra Maharaju | Telugu | ||
| 1960 | Irumputhirai | Tamil | |||
| 1960 | Mahakavi Kalidasu | Bhoja Raju | Telugu | National Film Award for Best Feature Film in Telugu | |
| 1960 | Mamaku Tagga Alludu | Telugu | |||
| 1960 | Naan Kanda Sorgam | Tamil | |||
| 1960 | Padikkadha Medhai | Tamil | |||
| 1960 | Pattaliyin Vetri | Tamil | |||
| 1960 | Parthiban Kanavu | King Narasimhavarman | Tamil | ||
| 1960 | Petra Manam | Tamil | |||
| 1960 | Vidivelli | Tamil | |||
| 1964 | Velugu Needalu | Rao Bahadur Venkataramaiah | Telugu | [24] | |
| 1961 | Ellam Unnakkaga | Tamil | |||
| 1961 | Kalasivunte Kaladu Sukham | Telugu | |||
| 1961 | Kappalottiya Thamizhan | Tamil | |||
| 1961 | Kumudham | Public Prosecutor, Shanthi's father | Tamil | ||
| 1961 | Krishna Prema | Telugu | |||
| 1961 | Pangaaligal | One of the 3 Partners | Tamil | ||
| 1961 | Pelli Thambulam | Telugu | |||
| 1961 | Sati Sulochana | Telugu | |||
| 1961 | Usha Parinayam | Banasura | Telugu | ||
| 1962 | Atma Bandhuvu | Father | Telugu | ||
| 1962 | Bandha Pasam | Tamil | |||
| 1962 | Dakshayagnam | Daksha | Telugu | ||
| 1962 | Padithal Mattum Podhuma | Tamil | |||
| 1962 | Deivathin Deivam | Tamil | |||
| 1962 | Muthu Mandapam | Tamil | |||
| 1962 | Nichaya Thaamboolam | Ranganathan | Tamil | ||
| 1962 | Sarada | Tamil | National Film Award for Best Feature Film in Tamil | ||
| 1962 | Gaali Medalu | Paanakaalu | Telugu | ||
| 1962 | Gundamma Katha | Ramabhadraiah | Telugu | ||
| 1962 | Kaathiruntha Kangal | Tamil | |||
| 1962 | Manchi Manasulu | Telugu | |||
| 1962 | Manithan Maravillai | Tamil | |||
| 1962 | Padandi Munduku | Telugu | |||
| 1962 | Sri Srikakula Andhra Mahavishnuvu Katha | Suchandrasena Maharaju | Telugu | ||
| 1962 | Tiger Ramudu | Telugu | |||
| 1962 | Annai | Tamil | National Film Award for Best Feature Film in Tamil | ||
| 1962 | Visha Binduvu | Telugu | |||
| 1962 | Kavitha | Tamil | |||
| 1963 | Annai Illam | Tamil | |||
| 1963 | Iruvar Ullam | Tamil | |||
| 1963 | Kalyaniyin Kanavan | Kalyani's Father | Tamil | ||
| 1963 | Kungumam | Punniyakodi / James / Sambasivam | Tamil | ||
| 1963 | Needhikkuppin Paasam | Tamil | |||
| 1963 | Karpagam | Tamil | National Film Award for Best Feature Film in Tamil | ||
| 1963 | Narthanasala | Keechakudu | Telugu | Best Actor - 3rd Afro-Asian Film Festival, Jakarta National Film Award for Second Best Feature Film | |
| 1963 | Thobuttuvulu | Telugu | |||
| 1963 | Naanum Oru Penn | Tamil | Filmfare Award for Best Film – Tamil National Film Award for Best Feature Film in Tamil | ||
| 1964 | Bobbili Yudham | Tandra Paparayudu | Telugu | ||
| 1964 | Kai Kodutha Deivam | Tamil | |||
| 1964 | Main Bhi Ladki Hoon | Hindi | |||
| 1964 | Murali Krishna | Father of Murali | Telugu | ||
| 1964 | Ramudu Bheemudu | Telugu | |||
| 1964 | Server Sundaram | Tamil | |||
| 1964 | Pachai Vilakku | Tamil | |||
| 1965 | Enga Veetu Pillai | Father of Saroja Devi | Tamil | ||
| 1965 | Kakkum Karangal | Tamil | |||
| 1965 | Aadabrathuku | Telugu | |||
| 1965 | Naadi Aada Janme | Telugu | |||
| 1965 | Pandava Vanavasam | Duryodhanudu | Telugu | ||
| 1965 | Vaazhkai Padagu | Rajan Father | Tamil | ||
| 1965 | Paditha Manaivi | Tamil | |||
| 1966 | Aata Bommalu | Telugu | |||
| 1965 | Sati Sakkubai | Telugu | |||
| 1965 | Thodu Needa | Telugu | |||
| 1966 | Chilaka Gorinka | Telugu | |||
| 1966 | Kumari Penn | Grandfather of Shyamala | Tamil | ||
| 1966 | Selvam | Tamil | |||
| 1966 | Thedi Vandha Thirumagal | Tamil | |||
| 1966 | Thattungal Thirakkappadum | Church Father | Tamil | ||
| 1966 | Mohini Bhasmasura[25] | Bhasmasura | Telugu | ||
| 1966 | Adugu Jaadalu | Dr. Krishna | Telugu | ||
| 1966 | Ramu | Telugu | |||
| 1967 | Pesum Dheivam | Tamil | |||
| 1967 | Bhakta Prahlada | Tamil | |||
| 1967 | Bhakta Prahlada | Hiraynakashipudu | Telugu | Nandi Award for Best Feature Film | |
| 1967 | Chadarangam | Telugu | Nandi Award for Best Feature Film | ||
| 1967 | Rahasyam | Telugu | |||
| 1967 | Punyavathi | Telugu | |||
| 1967 | Thaikku Thalaimagan | Father of Malathi | Tamil | ||
| 1967 | Kan Kanda Deivam | The Landlord | Tamil | ||
| 1968 | Bandhavyalu | Telugu | Nandi Award for Best Feature Film | ||
| 1968 | Bandhipotu Dongalu | Bandipotu Malludora | Telugu | ||
| 1968 | Lakshmi Nivasam | Telugu | |||
| 1968 | Chinnari Papalu | Telugu | |||
| 1968 | Poovum Pottum | Professor Raja Rathinam | Tamil | ||
| 1969 | Nam Naadu | Dharmalingham | Tamil | ||
| 1969 | Sivandha Mann | Tamil | |||
| 1969 | Kula Vilakku | Tamil | |||
| 1969 | Kuzhandhai Ullam | Tamil | |||
| 1969 | Mooga Nomu | Telugu | |||
| 1970 | Sambarala Rambabu | Telugu | |||
| 1970 | Jagath Jetteelu[26] | Major Raghunath | Telugu | ||
| 1971 | Dasara Bullodu | Bhushaiah | Telugu | ||
| 1971 | Debbaku Tha Dongala Mutha | Telugu | |||
| 1971 | Praptham | Tamil | |||
| 1971 | Thenum Paalum | Tamil | |||
| 1971 | Irulum Oliyum | Tamil | |||
| 1971 | Aathi Parasakthi | Dhakshan | Tamil | ||
| 1971 | Anuradha[27] | Bhushaiah | Telugu | ||
| 1971 | Prem Nagar | Zamindar | Telugu | ||
| 1971 | Sampoorna Ramayanam | Ravana | Telugu | ||
| 1971 | Vidhyarthigale Ithile Ithile | Principal | Malayalam | ||
| 1972 | Bala Bharatam | Bheeshma | Telugu | ||
| 1972 | Iddaru Ammayilu | Lawyer Narayan Rao | Telugu | ||
| 1972 | Kathula Rattayya | Telugu | |||
| 1972 | Koduku Kodalu | Telugu | |||
| 1972 | Pandanti Kapuram | Head of the family | Telugu | ||
| 1972 | Papam Pasivaadu | Venugopal | Telugu | ||
| 1972 | Vasantha Maligai | Tamil | |||
| 1972 | Vazhaiyadi Vazhai | Tamil | |||
| 1973 | Anbu Sagodharargal | Elder Brother | Tamil | ||
| 1973 | Devudu Chesina Manushulu | Telugu | |||
| 1973 | Bangaru Babu | Raghavaiah | Telugu | ||
| 1972 | Thatha-Manavadu | Grandfather Rangayya | Telugu | Nandi Award for Best Feature Film | |
| 1973 | Minor Babu | Telugu | |||
| 1973 | Samsaram Sagaram | Telugu | Nandi Award for Best Feature Film | ||
| 1974 | Andaru Dongale | Chanti Babu | Telugu | ||
| 1974 | Bangaru Kalalu | Telugu | |||
| 1974 | Chakravakam | Dharma Rayudu | Telugu | ||
| 1974 | Galipatalu | Ganganna and Manganna | Telugu | ||
| 1974 | Inti Kodalu | Telugu | |||
| 1974 | Premalu Pellilu | Telugu | |||
| 1974 | Pillai Selvam | Tamil | |||
| 1974 | Sivakamyin Selvan | Tamil | Last film in Tamil | ||
| 1975 | Mallela Manasulu[28] | Ramachandraiah | Telugu | ||
| 1975 | Yashoda Krishna | Kamsa | Telugu | Last film in Telugu | |
| 1988 | Yamudiki Mogudu | Balu's father | Telugu | Portrait | |
| 1990 | Athisaya Piravi | Balu's father | Tamil | Portrait (reprised) |