Ruth Dworin is a feminist, women's activist, sound engineer, music producer and concert organizer based in Toronto, Canada. She is the owner of music production company Womynly Way Productions, an important contributor to the women's music scene in Toronto during the 1980s.
Dworin was introduced to feminism from a women's workshop at the Philadelphia Folk Festival.[1] She moved to Canada in the 1970s, settling in Toronto. Dworin was an important part of the women's festival scene in the United States, sitting on the board of directors of the Association of Women's Music and Culture.[2] She was actively involved in the women's cultural scene in Toronto in the 1980s and 1990s and was involved in the publication of The Other Woman and Broadside: A Feminist Newspaper. She viewed her involvement in music production as a political act, reflecting: "[m]aking culture is a way of shaping how people perceive the world and it's a powerful and relatively painless [activity]."[3]
Ruth Dworin founded music production company Womanly Way Productions in 1980. She organized concerts in Toronto and southern Ontario featuring women performers.[4] [5] She established an open door policy for her concerts, advertising in both queer and mainstream media.[6] This occasionally led to controversy within the lesbian and feminist communities.[7] In addition to music production, the company also offered workshops on sound and light editing.[8]
In an interview, Dworin noted:
...when I put on a concert, I'm trying to do two things. One is to provide the meeting place, the sustenance, the emotional support for the lesbian-feminist community. I know I need that! I wasn't getting enough of it in Toronto. But the other thing I'm trying to do is outreach – to attract the broader audience, to make some of the people politically aware.[9]In the 1980s, Dworin's company organized multiple one-day festival events featuring women. Some notable performers included Holly Near, Meg Christian, Alix Dobkin, Lucie Blue Tremblay, Lillian Allen, Cris Williamson and Heather Bishop.[10] She focused on making events accessible to differently-abled people, including the hearing-impaired, and those who use wheelchairs, as well as providing childcare at all events.
Some festivals she produced included:
Womynly Way Productions also put on joint events, including:
Some records related to Womynly Way Productions were collected by the University of Ottawa as part of the Canadian Women's Movement Archives.[12]
Dworin, along with Kathy Lewis and Lucia Kimber founded the Women's Music Archives in the fall of 1978.[13] The group's aim was "to collect and preserve, for herstorical listening and research purposes, all types of materials related to women's music."[14] This material was eventually deposited with the Sophia Smith Collection in 2004.
Dworin was also an avid collector of lesbian pulp fiction novels. This collection was featured in the 1991 documentary .[15] [16] In 2005 she donated her collection to York University Archives & Special Collections, along with her personal papers which contain recordings of the Michigan Womyn's Music Festival.[17] [18]