| Triumvirat | |
| Years Active: | 1969–1980, 2002 |
| Background: | group_or_band |
| Origin: | Cologne, West Germany |
| Genre: | Progressive rock, symphonic rock |
| Label: | Harvest, Capitol |
| Past Members: | Hans-Jürgen Fritz Hans Bathelt Werner "Dick" Frangenberg Hans Georg-Pape Helmut Köllen Barry Palmer Dieter Petereit Curt Cress David Hanselmann Mattias Holtmann Werner Kopal Arno Steffen |
| Website: | www.triumvirat.net |
Triumvirat was a West German progressive rock band from Cologne in then-West Germany. They became, during the 1970s, a key figure in Eurock, the progressive rock of continental Europe whose German variant is called krautrock. The name Triumvirat comes from the Latin word triumvirate, which refers to a group of three powerful individuals.
Members of the original band were Hans-Jürgen Fritz (aka Jürgen Fritz) on keyboards, Werner Frangenberg on bass and vocals, and drummer-percussionist-lyricist Hans Bathelt. However, that line-up would be in a constant state of flux over the band's career, with each album featuring at least one different member.
The band was often criticized for the similarity of their sound to British band Emerson, Lake and Palmer, something that band members may have had in mind when they wrote the song "Lucky Girl" for their Illusions on a Double Dimple album, perhaps in response to one of ELP's greatest hits "Lucky Man".
The group was formed in 1969 in Cologne, Germany. They became known by playing chart hits in local clubs around town. Heavily influenced by the musical style of The Nice and Emerson, Lake and Palmer, they incorporated some of these bands' songs into their repertoire, like Rondo (The Nice) and Hoedown (ELP). They eventually abandoned cover versions and started composing their own music, still with a strong Keith Emerson influence for keyboard sounds that is most evident in the prominent use of the Hammond organ. At the height of their glory, the band was often called a clone of ELP by the specialized press, not only because of the similarity of their music and the sound of their keyboards, but also because of keyboardist Fritz's virtuosity and classical training.
In 1972, the trio sent a demo to the EMI Group, and signed their first recording contract. The group then produced their first album, Mediterranean Tales in 1972, consisting of two full-side suites. Just before entering the studio, bassist Frangenberg had left the band, to be replaced by Hans-Georg Pape to handle bass duties as well as vocals, with notable exceptions on the song Eleven Kids, sung by Fritz, who also delivers two verses in the song Broken Mirror.
Bassist-singer Pape left the band to get married. He was replaced by Helmut Köllen, a young guitarist-bassist-singer and Fritz's cousin. Köllen was already working with the band as a sound technician.
They returned to the studio in 1974 to produce their second album, Illusions on a Double Dimple with the Cologne Opera House Orchestra, Kurt Edelhagen's brass section and Karl Drewo's saxophone for the Mister Ten Percent suite, as well as a chorus composed of Ulla Wiesmer, Brigitte Thomas, and Hanna Dölitzsch. The resulting album showcased the work of both bassists, with Pape playing bass on most of side one's Illusions on a Double Dimple suite, and Köllen playing bass and guitar on side two's Mister Ten Percent suite. Köllen handled vocals for the entire album.
Arguably their most accomplished release musically, the album was listed at position 45 in Rolling Stones 2015 list of 50 Greatest Prog Rock Albums of All Time.[1]
They undertook a European and American tour at the end of 1974 and into 1975, opening for Fleetwood Mac in the United States. The set consisted of an excerpt from Mediterranean Tales "Across the Waters" suite followed by the Illusions on a Double Dimple album in its entirety.
In 1975, the trio began recording their third album, Spartacus, a retelling of the story of the famed Roman slave and Thracian gladiator in the year 73 BC. The lyrics were written by drummer Hans Bathelt, with the help of keyboardist Fritz and the album was released on EMI / Electrola, distributed in America by Capitol Records. The album debuted at number 27 on the Billboard album chart.
The US tour of Spartacus included many dates opening for Supertramp. Triumvirat was very well-rehearsed, and often out-shone Supertramp on the tour. They also had an element of fun in their live shows that was rare for a prog band.
After the album release, Helmut Köllen left to pursue a solo career. He began recording his first solo album with the help of Fritz on keyboards and Hans Bathelt for lyrics on one of the songs, The Story of Life. He did return to the band, who had already composed new songs, but this return was cut short, among other reasons because the new songs no longer suited his tone of voice. He then dedicated himself to his new solo career, which was also cut short when he unfortunately died on May 3, 1977 at 27 years old, making him a member of the 27 Club. He was listening to a demo tape of his future solo album on his car radio in his garage while the engine was running and died from carbon monoxide poisoning. His completed album would be released posthumously two years later after his death under the title You Won't See Me on the Harvest Records label and dedicated to his parents.
The Köllen album included a Beatles song (the title-track), which he was fond of, and another whose lyrics were written by Triumviurat's drummer, The Story of Life. Musicians present on the album include, among others, Hans-Jürgen Fritz on keyboards, Brigitte Witt on choirs who would later take part in the New Triumvirate band, as well as Helmut's sister, Elke Köllen also on chorus. Matthias Holtmann played drums while Köllen handled guitar, bass and vocals. Köllen also featured as a guest on songs by the group Jail, including a single called Julie in 1976. Shortly after his death, the German group Birth Control recorded and published a song in tribute to the bassist, entitled We All Thought We Knew You, on their album Increase produced in 1977.
Triumvirat replaced Köllen with British singer Barry Palmer and calling on their original bassist Werner Frangenberg to record their next album Old Loves Die Hard, released in 1976. The album's American cover would be the last to feature the iconic white rat that had become the group's mascot since their second album. Other markets featured a text-only cover.
In 1977, bassist Frangenberg and drummer-lyricist Hans Bathelt left the band, which called on Curt Cress on drums (from the German band Passport) and bassist Dieter Petereit for the album Pompeii. After temporary legal quarrels between the keyboardist Hans-Jürgen Fritz and the drummer Hans Bathelt concerning the name of the group, the album was released under the new name of New Triumvirat. It would be the last album to contain prog-rock; the rest of their discography would not be the same style. This was the main reason for the departure of drummer and lyricist Hans Bathelt, dissatisfied with the direction taken by Hans-Jürgen Fritz and pressure from the record company, which pushed the group towards a more commercial pop music sound.
The next album released in 1978, À la Carte, had little or nothing to do with the band of previous years, due to the pressures of the record company that wanted more sales from the group. As the last original member, the other musicians on the album being merely contract players, Fritz did not feel able to protest, and the result was this album that sold less than the previous ones. Changes of personnel for this album comprised Barry Palmer's replacement on vocals by David Hanselmann, Werner Kopal taking bassist Dieter Petereit's place, and Curt Cress giving way to drummer Matthias Holtmann.
The band's last album Russian Roulette was released in 1980, with Toto members Steve Lukather on guitar and bass and drummer Jeff Porcaro (who had also played with Steely Dan) plus other studio musicians. But the album dissatisfied keyboardist Fritz who subsequently disbanded the group.
In 1987, Barry Palmer produced a maxi-single titled Shimmering Gold (Max Version) / Shimmering Gold (Single Version) / Cold Nights, co-produced by Hans-Jürgen Fritz and Andreas Martin Krause; Fritz also wrotes the lyrics of Shimmering Gold, which the music was composed by Eugen Römer. It was published on Titan Records.
In 1989, Hans-Jürgen Fritz released an album that consists of a soundtrack for a movie titled Es ist nicht leicht, ein Gott zu sein, in english it was called It's Hard to Be a God, on the CBS Records label. The last song, "Hard to Be a God", was sung by Grant Stevens, the rest of the album being instrumental. The film was by Peter Fleischmann, based on a screenplay by Peter Fleischmann and Jean-Claude Carrière, with Edward Zentara and Werner Herzog. Then in 1990, he released his only solo album, again on Columbia Records in Europe, and Sony in America, in the Millennium collection, entitled Dreams of Amadeus with Ralf Hildenbeutel, in which the music is based on Mozart themes.
Since 2002, according to the band's official website, Triumvirat had to be back with a project called The Website Story, which they recorded in 1999, with songs written in partnership with Fritz and John Miles; the project remains unpublished for lack of interest from record companies.
In 2012, EMI released the Essential compilation with songs from their seven albums. Note that all their albums, including their latest Russian Roulette have been reissued in 2002 with additional titles, previously only available in singles, special mention for Illusions on a Double Dimple which is adorned with a different cover.