Russ Lossing | |
Birth Date: | 1960 |
Birth Place: | Ohio, U.S. |
Origin: | Columbus, Ohio, U.S. |
Genre: | Jazz |
Occupation: | Musician, composer, arranger |
Instrument: | Piano, keyboards |
Years Active: | 1970s–present |
Website: | russlossing.com |
Russ Lossing (born 1960) is an American jazz pianist, composer, improviser, arranger, educator, and scholar.
Lossing was born in Ohio in 1960,[1] and is from Columbus, Ohio.[2] He had classical piano lessons from the age of 5 and began studying jazz aged 13 in Columbus at the Jazz and Contemporary Workshop with Dave Wheeler. He obtained a Bachelor of Music in piano at Ohio State University in 1986. Meetings with composer John Cage had a big effect:
We only had two occasions to get together and talk, but any time spent with him was utterly valuable. He read through my scores we played piano together. His thing was creating, not emulating: don't copy; trust YOURSELF. I was already going in this direction but this experience, listening to Cage's concepts and philosophy in this setting, made so much sense.
Lossing has been part of the New York jazz scene since 1986. In 1988 he earned a Master of Music from the Manhattan School of Music. He has led or co-led numerous bands, including: his own trio with Masa Kamaguchi and Billy Mintz; Three-Part Invention with bassist Mark Helias and trumpeter Ralph Alessi; and duos with saxophonist Tim Berne, drummer Gerry Hemingway, and guitarist Ben Monder. Others are: trio with Paul Motian and Ed Schuller (Dreamer and As It Grows); trio with Mat Maneri and Mark Dresser (Metal Rat); trio with John Hebert and Jeff Williams (Phrase 6); quartet with Loren Stillman, John Hebert and Eric McPherson (Personal Tonal); King Vulture with Adam Kolker, Matt Pavolka and Dayeon Seok; and duos with saxophonist Loren Stillman, bassist John Hebert (Line Up,Hatology), and saxophonist Michael Adkins.
Lossing played with drummer Paul Motian over a period of 12 years and recorded Drum Music, a solo piano tribute album to him in 2011.[3] The JazzTimes reviewer of Drum Music commented that "his two-fisted takes on 'Fiasco', 'Dance' and 'Drum Music' capture the great drummer's unpredictable and audacious rhythmic pulse. Lossing's stark re-imaginings of [... other Motian pieces] all vibrate with a new spirit of exploration."[4]
Lossing has composed over 400 pieces of music. In 2015, he founded the record label Aqua Piazza.
Scott Yanow, reviewing Lossing's As It Grows, commented that the pianist "is influenced by modern classical music to an extent but his playing is not unremittingly atonal. Instead, he leaves his impressionistic music open to all possibilities, mostly emphasizing dramatic ideas and unexpected silences."[5]
Lossing said of his own style: "Much 20th century composition is about interval play, especially Bartok and Schoenberg's. The 12-tone thing helped him to get his ideas onto paper, but it was always about the intervals. I'm a jazz pianist but my harmonic approach is based on this concept – finding new sounds and new expressions among the intervals."
An asterisk (*) indicates that the year is that of release.
Year recorded | Title | Label | Personnel/Notes | |
---|---|---|---|---|
1990 | Blue Alien | Soho No How | Trio, with Ed Schuller (bass), Peter LeMaitre (drums) | |
1999* | Change of Time | OmniTone | Trio, with Adam Kolker (tenor sax, bass clarinet), John Hébert (bass) | |
2000* | Dreamer | DoubleTime | Trio, with Ed Schuller (bass), Paul Motian (drums) | |
2000 | Metal Rat | Clean Feed | Trio, with Mat Maneri (viola), Mark Dresser (bass) | |
2002 | As It Grows | HatOLOGY | Trio, with Ed Schuller (bass), Paul Motian (drums) | |
2004 | Phrase 6 | Fresh Sound | Trio, with John Hébert (bass), Jeff Williams (drums) | |
2005 | All Things Arise | HatOLOGY | Solo piano | |
2006 | Line Up | HatOLOGY | Duo, with John Hébert (bass) | |
2007 | Oracle | HatOLOGY | Trio, with Masa Kamaguchi (bass), Billy Mintz (drums) | |
2009 | Personal Tonal | Fresh Sound | Quartet, with Loren Stillman (alto sax), John Hébert (bass) Eric McPherson (drums) | |
2011 | Drum Music: Music of Paul Motian | Sunnyside | Solo piano | |
2012 | Eclipse: Solo Piano Improvisations | Aqua Piazza | Solo piano | |
2018? | Whispers and Secrets | Fresh Sound | Co-led with Adam Kolker (sax); with Masa Kamaguchi (bass), Billy Mintz (drums)[6] | |
2019? | Motian Music | Sunnyside | Trio, with Masa Kamaguchi (bass), Billy Mintz (drums)[7] | |
2020? | Metamorphism | Sunnyside | Quartet, with Loren Stillman (alto sax), John Hébert (bass), Michael Sarin (drums)[8] |
Year recorded | Leader | Title | Label | |
---|---|---|---|---|
1997 | Cosmos | Soul Note | ||
2003 | Gin Bon | FSNT | ||
2003 | How Sweet It Is | Nagel-Heyer | ||
2003 | Arabesque Records AJ0164 | Abacus | ||
2007 | Rotator | hatOLOGY | ||
2008 | Live in Coimbra | Cleanfeed | ||
2010 | Flaneur | hatOLOGY (released Jan 2018) | ||
2011* | Consort in Motion | Kind of Blue | ||
2012* | Acrobat: Music for, and by, Dmitri Shostakovich | Sunnyside | ||
2012* | Leaf House | Fresh Sound New Talent | ||
2013* | and Samuel Blaser | One from None | Fresh Sound New Talent | |
2013 | A Mirror to Machaut | Songlines | ||
2013 | Anton Webern Project | Whirlwind | ||
2014 | Dragon Father | FSNT | ||
2014* | Chorale | SteepleChase | ||
2015 | Spring Rain | Whirlwind | ||
2017* | Heart Knows | Fresh Sound New Talent | ||
2018 | Early in the Mornin | OutNote Records |