Rudi Tas Explained

Rudi Tas in Dutch; Flemish pronounced as /ˈrydi ˈtɑs/ (born 1957 in Aalst, Belgium) is a Flemish award-winning composer of choral music, chamber music, orchestral music, conductor and organist. He studied at the Royal Conservatory of Brussels and Ghent.[1] [2] [3] [4] In october 2017 he was elected as a member of the Royal Flemish Academy of Belgium for Science and the Arts.

His work is performed by Jan Michiels, Luk Vaes (piano), Symfonieorkest van Vlaanderen, VRT-Kamerkoor (Vic Nees), Mireille Capelle (sopraan), Ensemble ‘Spiegel’, Musa Horti (Peter Dejans), Stijn en Steven Kolacny, Paul Klinck, Johannes Moser (cellist), Susan Lamb, Edward Dusinberre, Pieter Wispelwey, Dale Warland Singers (US), Westminster Choir (Joe Miller), Commotio Oxford (Matthew Berry), University Chamber Singers (Julia Thorn), Ars Nova Singers (Thomas Ed. Morgan), Capella Amsterdam (Daniel Reuss), Salt Lake Vocal Artists (Brady Allred), Metropolitan Chorus of Tokyo and Voce Fidelis (Japan, Ko Matsushita), New Dublin Voices (Bernie Sherlock) a.o.

Style

Tas combines modern compositional techniques with more traditional techniques or stylistic idioms such as tonality, neo-romanticism or neo-impressionism. A cantabile quality is always given pride of place. Rudi Tas’ music is permeated by influences from the past, from traditional and contemporary musical language. Traditional and contemporary elements are reconciled to one another in a seemingly natural way, resulting in a personal musical idiom with a convincing eloquence. His striving to strike a perfect balance between reason and emotion is supported by solid structures and a flexible, expressive but controlled lyricism. Within this polystylistic compositional approach, the eclectic element also continues to play a crucial role.[1] [3] 'The way in which Rudi Tas directs his career is based on a deep respect for tradition and solid knowledge of the more recent composing techniques. He chooses rather a more classic or a more contemporary style according to each individual commission. In his most important works he fuses these two polar opposites, which is only made possible by a solid professionalism and stylistic consciousness.’This is how Vic Nees characterises the position of composer Rudi Tas in the musical landscape of Flanders. Respect for traditions, stylistic knowledge, pragmatism, economy of means, eclecticism, professionalism, a proper balance between emotion and form.

Prizes

The number of works by Tas that have won awards, both nationally and internationally, is remarkable.

Representative works

External links

Notes and References

  1. Web site: MATRIX New Music Centre - article by Delphine Mandart. 5 February 2011.
  2. Web site: Flanders music (includes extensive discography) - article by Delphine Mandart. 5 February 2011.
  3. Web site: Belgian Centre for Music Documentation (CeBeDeM) - article by Delphine Mandart. 5 February 2011.
  4. Web site: Rudi Tas in de kijker (Katelijne Thewissen). 13 February 2011. dead. https://web.archive.org/web/20120928202708/http://home.scarlet.be/~rt029164/geschriften/Interview_G.pdf. 28 September 2012.
  5. Web site: Laudatio AGEC-prijs Rudi Tas. 20 February 2022.
  6. Web site: De AGEC-prijs voor de Vlaamse componist Rudi Tas. 13 February 2011. dead. https://web.archive.org/web/20120928202608/http://home.scarlet.be/~rt029164/geschriften/Agec_prijs_G.pdf. 28 September 2012.
  7. Web site: String Quartet (Koen Uvin). 13 February 2011. dead. https://web.archive.org/web/20120928202617/http://home.scarlet.be/~rt029164/geschriften/String_Quartet_G.pdf. 28 September 2012.
  8. Web site: Integral Work List Rudi Tas. 25 September 2023 .
  9. Web site: "Nieuwe koormuziek in Vlaanderen, een analytisch en sociologisch onderzoek" (Natalie Goossens). 13 February 2011.
  10. Web site: "De poëtische koormuziek van Rudi Tas" (Koen Uvin). 13 February 2011. dead. https://web.archive.org/web/20120928202551/http://home.scarlet.be/~rt029164/geschriften/Koormuziek_RT.pdf. 28 September 2012.
  11. Web site: Vier motetten voor gemengd koor a cappella (Vic Nees). 13 February 2011. dead. https://web.archive.org/web/20120928202624/http://home.scarlet.be/~rt029164/geschriften/Vier_Motetten_G.pdf. 28 September 2012.
  12. Web site: G. Schirmer Inc. Associated Music Publishers Inc.. 13 February 2011.
  13. Web site: Minnesota Public Radio. 13 February 2011.
  14. Web site: Ballet for voices (Luc Anthonis). 13 February 2011. dead. https://web.archive.org/web/20120928202647/http://home.scarlet.be/~rt029164/geschriften/Ballet%20for%20Voices.pdf. 28 September 2012.
  15. Web site: Salve Regina for soprano, violin, 3 choir-soloists and mixed choir. 13 February 2011. dead. https://web.archive.org/web/20120928202631/http://home.scarlet.be/~rt029164/geschriften/Salve%20Regina_tekst.pdf. 28 September 2012.
  16. Web site: International Choral Composition Competition Japan.
  17. Web site: Symphonia da Requiem (Koen Uvin). 13 February 2011. dead. https://web.archive.org/web/20120928202639/http://home.scarlet.be/~rt029164/geschriften/Symphonia_da_Requiem_G.pdf. 28 September 2012.
  18. Web site: Symphony nr 2 'Silent Tears' (Koen Uvin). 13 February 2011. dead. https://web.archive.org/web/20120928202656/http://home.scarlet.be/~rt029164/geschriften/Silent%20Tears_G.pdf. 28 September 2012.