| Pre-Nominals: | Malika-e-Mauseeqi |
| Roshan Ara Begum | |
| Post-Nominals: | SI PP |
| Birth Name: | Waheed-un-Nisa |
| Birth Date: | 1917 |
| Birth Place: | Calcutta, Bengal Presidency, British India |
| Years Active: | 1926 - 1982 |
| Style: | Thumri • Khayal • Ghazal |
| Television: | PTV Pakistani television |
| Malika-e-Mauseeqi (Queen of Music) The Queen of Classical Music | |
| Spouse: | Chaudhry Ahmed Khan (husband) |
| Children: | 2 |
| Parents: | Abdul Haq Khan (father) Chanda Begum (mother) |
| Relatives: | Abdul Karim Khan (co-founder of Kirana gharana of classical music) |
| Awards: | Pride of Performance Award by the President of Pakistan (1960) Sitara-e-Imtiaz (Star of Excellence) Award by the Government of Pakistan (1962) |
Roshan Ara Begum (Urdu: {{Nastaliq|رَوشن آرا بیگم) (1917 - 6 December 1982) was a vocalist belonging to the Kirana gharana (singing style) of Hindustani classical music.[1] [2] She is also known by her honorific title Malika-e-Mauseeqi (The Queen of Music) and The Queen of Classical Music in both Pakistan and India.[1]
Born in the Indian city of Kolkata in undivided India. She was the daughter of Abdul Haq Khan and Chanda Begum, and the cousin of Ustad Abdul Karim Khan, also of the Kirana gharana.[1]
Possessing a rich, mature and mellifluous voice that could easily lend itself to a wide range of intricate classical music pieces, her singing features a full-throated voice, short and delicate passages of sur, lyricism, romantic appeal and swift taans. All these flourishes were combined in her unique style that reached its peak from 1945 to 1982. Her vigorous style of singing was interspersed with bold strokes and layakari. She had control over a wide range of ragas. Melody was considered the most important feature of her singing.[1]
Born in Calcutta in 1917 CE, Roshan Ara Begum visited Lahore during her teens to participate in musical soirées held at the residences of affluent citizens of Chun Peer in Mohalla Peer Gillaanian at Mochi Gate, Lahore, British India (now in Pakistan).[1] During her occasional visits to the city, she also broadcast songs from the then All India Radio station in Lahore and her professional name was announced as Bombaywali Roshan Ara Begum. She had acquired this popular nomenclature because she shifted to Mumbai, then known as Bombay, in the late 1930s, to live near her cousin Abdul Karim Khan, from whom she took lessons in Hindustani classical music for 15 years.[1] [2]
Roshan Ara begum was also invited to Royal Courts by the Nawabs and Princes at their courts there she would sing songs.
In the 1930s, Roshan Ara was selected due to her singing as at that time, heroines were also required to be trained in singing. She worked in four films in Hindi, Urdu and Punjabi languages as the leading lady.[2]
A senior police officer in Bombay and a music lover, Chaudhry Ahmed Khan, approached her with an offer of marriage in 1944. Roshan Ara Begum consulted her tutor, Ustad Abdul Karim Khan, about it. She finally accepted the marriage offer on one condition that she would not have to give up her music after marriage. Her husband kept his promise and she continued to sing throughout her life. In Mumbai, she lived in a sprawling bungalow with her husband Chaudhry Ahmed Khan.[3]
Melody was considered the most important feature of her singing.[1] [3]
Migrating to Pakistan in 1948 after the partition of India, Roshan Ara Begum and her husband settled in Lalamusa, a small town in Punjab, Pakistan from which her husband hailed. Although far away from Lahore, the cultural centre of Pakistan, she would travel back and forth to participate in music, radio and television programmes.[1] [3]
A widely respected classical music patron of Pakistan, Hayat Ahmad Khan approached her and convinced her to become one of the founding members of All Pakistan Music Conference in 1959. To promote classical music, this organization continues to hold annual music festivals in different cities of Pakistan even today.[2] [4]
She was called "Malika-e-Mauseeqi" (Queen of Music) in Pakistan.[1] [3] She would wake up early in the morning and start her 'riyaz' (musical practice) after her morning religious prayers. She decided to adopt a boy and a girl since she herself remained childless.[3] [2]
Roshan Ara Begum also sang some film songs, mostly under music composers like Anil Biswas, Feroz Nizami and Tassaduq Hussain, for films such as Pehali Nazar (1945), Jugnu (1947), Kismet (1956), Roopmati Baaz Bahadur (1960) and Neela Parbat (1969).[5]
Classical musicians Bade Fateh Ali Khan, Amanat Ali Khan of Patiala gharana and Ustad Salamat Ali Khan of Sham Chaurasia gharana used to listen to her recordings for their own enjoyment.[3]
Roshan Ara Begum was the cousin of Abdul Karim Khan. Later she married Chaudhry Ahmed Khan and settled with him in Lalamusa, Punjab,Pakistan where she adopted two children.[2]
She died due to cardiac arrest in Pakistan at Lahore on 6 December 1982 at the age of 65.[6]
Roshan Ara Begum received the Sitara-e-Imtiaz Award or (Star of Excellence) Award in 1962 and the Pride of Performance Award in 1960 from the President of Pakistan. She was the first female vocalist to be awarded the Sitara-e-Imtiaz.[3]
| Year | Award | Category | Result | Title | Ref. | |
|---|---|---|---|---|---|---|
| 1960 | Pride of Performance | Award by the President of Pakistan | Herself | |||
| 1962 | Sitara-e-Imtiaz | Award by the President of Pakistan | Herself | |||
| 1970 | EMI Silver Disc Awards | Best Ghazal Singer | Herself | [7] |