Rosa Lachenmeier Explained

Rosa Lachenmeier (born March 13, 1959) is a Swiss painter and photographer whose work has been widely exhibited. She lives and works in Birsfelden near Basel.

Life

Growing up in Basel, she came into contact with art at an early age (Museums in Basel, Art Basel). During college, she took drawing classes at the Schule für Gestaltung Basel (Basel School of Design). From 1979 to 1983 she studied at the University of Art and Design (Hochschule für Gestaltung und Kunst Basel) in Basel. In addition to her main studies, she attended lectures on film history, which she completed with the exhibition Architektur für die Nacht – Kino-Architektur 1990 in the Swiss Architecture Museum.[1] From 1985 to 2018 she taught as a lecturer at the Schule für Gestaltung Basel. Since 1985 she has participated as a visual artist in exhibitions and art fairs. From 1993 regular stays and exhibitions in Amsterdam.

Work

In her art work, Rosa Lachenmeier mainly combines painting and photography, setting new accents in the fields of collage.[2] Immediately after her studies, she explored the possibilities of using everyday objects such as vinyl records, plates or shirts as image carrier for her paintings. With her screen objects in the late 1980s, she reflected on media conditions of our time and with the focus on a global view on the earth she asked questions about our constantly changing perception.[3] In the 1990s, she devoted herself to the artist's book as the bearer of an artistic concept, sometimes as a dialogue of word and image, sometimes as a visual sequence of pictorial metamorphoses. These artist's books are distributed by Printed Matter, Inc.[4] in New York and Boekie Woekie in Amsterdam, both artist-operated and artist-specialized stores.

Rosa Lachenmeier became known for her architecture-related painting, which she summarizes under the title Modular Painting.[5] In doing so, she arranges groups of paintings of different formats over and over again, depending on the architectural circumstances. Another focus is on groups of works dedicated to individual cities.[6] On her forays, she captures her impressions with the camera at different times of day and night from different perspectives, so that there are always new perspectives. This results in condensed, cinematic compositions of photography and painting.

Exhibitions

Special Location

In the Special Location series, Rosa Lachenmeier shows her works in exceptional locations such as the interior of a bridge in Cologne (Subkulinaria, 2008) or in the historic ship named Willi (since 2015).[7] [8] Apart from the art world, she presents her works in a new context: The contemporary art pieces are shown in exciting contrast to the historic surroundings. The relation of the exhibitions to the respective location is essential.

Selection of exhibitions

Regular solo and group exhibitions in the gallery AdK, Actuele Kunst in Amsterdam since 1998[9] and in the gallery Mäder, Basel from 2001 until the closing of the gallery 2017.

Publications

Catalogs

Artist's books

Collections

Works by Rosa Lachenmeier are in the following collections:

References

  1. Rosa Lachenmeier and Werner Jehle: Architektur für die Nacht – Kino-Architektur, ed. Swiss Architecture Museum (exhibition catalog), Basel 1990, .
  2. Roland Nachtigäller, Burkhard Leismann (Hrsg.): Ruhe-Störung – Streifzüge durch die Welten der Collage. Kunstmuseum Ahlen und MARTa Herford, 2013, p. 197.
  3. Robert Schiess: Rosa Lachenmeier – Weltbilder. BookART, Basel 1992. p. 5–13.
  4. Printed Matter bookstore at Dia: We ship Books around the World. Catalog Spring 1991, New York, p. 15.
  5. Susanne Buckesfeld: Rosa Lachenmeier, Anarchie und System. Galerie Mäder, Basel 2009,, p. 9–12.
  6. Heinz Stahlhut, Patrick Marcolli: Rosa Lachenmeier ...and then we take Berlin. Galerie Mäder, Basel 2014, .
  7. Nana Badenberg, Roswitha Frey: Magic – Rosa Lachenmeier, Kunst im Schiff Willi, Basler Rheinhafen, August 2015. Basel 2015.
  8. Viola Hildebrand-Schat, Erhard Metz: Bridges – Brücken, Rosa Lachenmeier, Special Location, Kunst im Schiff Willi, Weseler Werft, Frankfurt am Main 2016.
  9. Aart van Zoest: Galerie AdK 10 jaar, ed. gallery AdK Actuele Kunst, Amsterdam 2008, p. 52–55.
  10. Heinz Stahlhut: Kunst-Stoff Plastik. Hans Erni Museum (ed.), Lucerne 2020, p. 38, 44.
  11. Alexander Sarasin: Rosa Lachenmeier / Martin Oeggerli, Hidden Paradise. Sarasin Art, 2019 Basel
  12. Maria Leitmeyer, Klaus Fresenius: Rosa Lachenmeier, Stadtleben – Citylife, ed. Kunstverein Speyer, Speyer 2017.
  13. Roland Nachtigäller, Burkhard Leismann (ed.): Ruhe-Störung – Streifzüge durch die Welten der Collage. Kunstmuseum Ahlen und MARTa Herford, 2013, p. 197.
  14. 40 Jahre Ausstellungen, In Bildern die Welt erfahren, ed. Galerie Lände in Kressbronn a.B., 2013, p. 44–45.
  15. art Karlsruhe 2008, one artist, Internationale Messe für klassische Moderne und Gegenwartskunst, exhibition catalog, Karlsruhe 2008, p.156-157
  16. Realität und Geheimnis, Acht Künstlerinnen, exhibition catalog, gallery Epikur, Wuppertal 2006, p. 22-25.
  17. art frankfurt 2004, exhibition catalog, Messe Frankfurt 2004, p.114.
  18. Peter Frank, Judith Hoffberg: Multiple World: An International Survey of Artists’ Books, ed. Atlanta College of Art Gallery, Atlanta 1994, p. 132.
  19. Peter Huemer: Copy Book Art international. Galerie Maerz, Linz 1996. p. 68–69.
  20. Peter Frank, Judith Hoffberg: Multiple World: An International Survey of Artists’ Books, Atlanta College of Art Gallery, Atlanta 1994, p. 132.
  21. Viola Hildebrand-Schat: Kunst verbucht. Mirabiblia, Forschungsbeiträge zum Künstlerbuch, Hrsg. Ulrich Ernst und Monika Schmitz-Emans, Ch. A. Bachmann Verlag, Berlin 2015,, p. 91–96
  22. Joan Flasch Artists´ Book Collection, Chicago Website
  23. The Artists' Book Collection of the Banff Center, Paul D. Fleck Library & Archives, Website
  24. Room with a View – the Bouwfonds art collection, Fons van Meijgaarden, Hoevelaken Niederlande 2006,, p. 158.

External links

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