| Rooting for Love | |
| Type: | studio |
| Artist: | Lætitia Sadier |
| Cover: | Lætitia Sadier - Rooting for Love.png |
| Alt: | A photo of the top of a bare tree with a mirror of it consisting of the title repeating over and over in yellow coming out of the top, all in front of a clear blue sky. |
| Released: | 23 February 2024 |
| Genre: | Art rock |
| Length: | 41:45 |
| Label: | Drag City |
| Producer: |
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| Prev Title: | Modern Cosmology |
| Prev Year: | 2023 |
Rooting for Love is the fifth solo album by Stereolab singer Lætitia Sadier, released on 23 February 2024 by Drag City. The album was preceded by four singles.
The album was first mentioned on 15 October 2021, when Sadier released the single "New Moon". Per a press release, the album was due for release in 2022 by Drag City and Duophonic Super 45s. "New Moon" was recorded in London with Hannes Plattmeier, and came with a music video directed by Sadier and Tanya Small.[1]
The album was announced on 13 November 2023, with its release set for 23 February 2024 by Drag City. The announcement came with the album's lead single, "Une Autre Attente", and a music video directed by Spencer Bewley.[2] The third single, "Panser L'inacceptable", was released on 10 January 2024 with a music video co-directed by Sadier and Christopher Thomas Allen.[3] [4] The fourth single, "Who + What", was released on 5 February, with Sadier describing the song as a "transformational sonic balm to aid the evolution of Earth's traumatized civilizations".[5] [6]
Rooting for Love is Sadier's first solo album since 2017's Find Me Finding You, released under the name Lætitia Sadier Source Ensemble. It also follows Modern Cosmology, a collaborative album with Brazilian group Mombojó, which was released in May 2023.[7]
Work on Rooting for Love began in 2018 with the recording of "New Moon", which was inspired by Sadier's "big idea of fusing jazz chords with minimalism, like Terry Riley and Steve Reich." The project was put on hold in 2019 when Stereolab reunited, then continued with Sadier recording with a choir.[8]
The album has been called art rock, with elements of 1960s French pop, 1990s electronica, and Krautrock, all of which are familiar from Sadier's work with Stereolab.
The Arts Desks Joe Muggs called the album "just beautiful" and "shot through with numinosity, generosity, and the mathematical shapes form wonderful dream-like constellations." Spectrum Cultures Will Pinfold called the album "a good but not great example of Lætitia Sadier's solo work." The Quietuss "An antidote to the corporate pop that forces us to be joyful" which "offers a genuine alternative without being militant or hideously self aware."[9] The Faders Raphael Helfand wrote that Sadier's "incomparable voice is as crystalline and agile an instrument as it was" in 1990.[10] Mojos Irina Shtreis called the album "an alleviating statement from an artist whose curiosity and striving for development have remained a driving force."