Romuléon (Miélot) Explained

The Romuléon is a fifteenth-century French text by Jean Miélot, telling the history of Rome from its legendary foundation by Romulus and Remus up to the emperor Constantine.[1]

Origins

The Romuléon was translated into French beginning in 1460 by Jean Miélot, an author in the service of Philip the Good, Duke of Burgundy. Miélot was assigned the role ‘de translater, escrier et historier les livres de Monseigneur’ (‘to translate, write out and "historiate" (either to narrate or adorn) the books of my Lord,’ i.e., the duke).[2] His Latin source was a work, also called the Romuleon, compiled in Florence between 1361 and 1364, by Benvenuto da Imola.[3] The preface of this Latin work states that the compilation was taken up at the request of Gomez Albornoz, the governor of Bologna. This source in turn was based on a number of classical texts, including Livy's Ab Urbe Condita and the Lives of Suetonius. Miélot's translation should not be confused with a second French Romuléon translation, undertaken by Sébastien Mamerot in 1466.[4]

Manuscripts

The Romuléon is extant in seven manuscripts (one incomplete), all of them illuminated:[5]

Commissioned for Edward IV. While the hand is very similar to that of David Aubert, it was not written by him.[10]

The largest interest in the Miélot Romuléon was in the circle that had first prompted its translation, surrounding Philip the Good in the 1460s and early 1470s, and five out of the six remaining complete copies originate in this circle.[12] The copy made for Edward IV (London, BL Royal 19. E. v) is therefore an outlier, being produced a decade later. It is part of a larger acquisition of manuscripts from the Netherlands that Edward made at this time, over the course of only a very few years, c. 1479–1480.[13] Edward may have become interested in owning a copy of Romuléon as part of a program of imitation of Louis de Gruuthuse, whom he visited in 1470.[14] Indeed, we know that Louis owned a copy, since it is one of those now extant, presently residing in Turin. Edward's acquisition of the Romuléon was, furthermore, part of a wider interest in texts on history and, in particular, Roman history.[15]

Sources

Notes and References

  1. McKendrick 1994, pp. 151, 156
  2. Cast 1974, p. 166
  3. McKendrick 1994, p. 151
  4. Duval 2000, p. xiii
  5. Chart is based on McKendrick 1994, pp. 167-68
  6. McKendrick 1994, p. 153
  7. McKendrick 1994, pp. 157, 163
  8. McKendrick 1994, pp. 152, 153
  9. McKendrick 1994, p. 154
  10. McKendrick 1994, p. 159
  11. McKendrick 1994, p. 152
  12. McKendrick 1994, p. 157
  13. McKendrick 1994, p. 161
  14. Kekewich 1971, p. 482
  15. McKendrick 1994, p. 165