Romuald's Cave Explained

Romuald's Cave
Native Name:Romualdova pećina
Map Size:240 px
Relief:yes
Location:Eastern slope of the Lim channel
Region:Istria County, Croatia
Epochs:Upper Palaeolithic
Cultures:Aurignacian
Occupants:Early modern human

Romuald’s Cave (Croatian: Romualdova pećina) is a cave in the western part of Istria County, Croatia, that contains the oldest known cave paintings in southeast Europe,[1] as well as traces of both animal and human Upper Paleolithic habitation. Although the cave has been excavated since late 19th century, the paintings were only found in 2010, by Professor Darko Komšo, while the findings were published in Antiquity in 2019.[2]

Background

Romuald's Cave is located on the eastern slopes of the Lim channel, at an altitude of 106m (348feet). Beginning with the end of 19th century, it was excavated multiple times by various archaeologists. It gained notability in the 1980s with the work of Professor Mirko Malez, who was the first to note the existence of Upper Paleolithic stone tools. Subsequent research revealed further stone tools and animal remains from Pleistocene and Holocene, as well as ceramics, fauna and human skeletal remains from both the Bronze and Iron Age.[3]

Five basic layers can be differentiated in the cave's stratigraphy:[4]

Paintings

A total of 44 paintings were found in Roumald's Cave. The paintings, all of which were made with red pigment, stretch between NaNm (-2,147,483,648feet) from the entrance, and are divided into four panels: three on the left and one on the right wall. 28 out of 44 paintings are located on the left panel L2, which also contains all four of the cave's figurative depictions. Two badly preserved depictions are anthropomorphic, depicting humans, one of which appears to have an erection.[5]

Two of the four figurative depictions are of animals: a bison and an ibex. As the bison was extinct in southern Europe by 13.3 to 12 thousand BP, it sets the terminus post quem for the cave art. The U-shaped horns, on both sides of the bison's head, are a convention specific to the Early Upper Paleolithic and can be found in cave art across Europe. The ibex is likewise a common depiction in Upper Paelolithic iconography. The red stain covering both the head and the front of the ibex are a convention of cave art in western Europe, especially those which pre-date the Magdalenian period.[6]

Dating

The dating of the cave paintings was based on three factors: the style of the paintings themselves, the dating of evidence of human habitation at the cave entrance, and radiocarbon dating of three charcoal samples near the paintings.

There is a noted difference in dates obtained from the habitation traces at the cave entrance, and from those obtained through radiocarbon dating of the charcoal samples. The chronology of dates at the cave entrance is dated to 34 to 31.5 thousand BP, while two of the charcoal samples return a date of 17 thousand BP, and one charcoal sample returning a date of 12.7 thousand BP. With the disparity of present evidence, two possible chronological hypotheses are possible for the cave art: they can either be dated to the Early Upper Paleolithic (34-31 thousand BP), or to the Epigravettian (17 thousand BP), although one of the dates gotten through the radiocarbon dating would then have to be assumed as contaminated.[7]

See also

Notes and References

  1. Ruiz-Redondo . Aitor . Komšo . Darko . Maidagan . Diego Garate . Moro-Abadia . Oscar . Gonzalez-Morales . Manuel Ramon . Jaubert . Jacques . Karavanić . Ivor . Expanding the horizons of Palaeolithic rock art: the site of Romualdova Pećina . Antiquity . April 2019 . 93 . 368 . 310 . 10.15184/aqy.2019.36 . 17 January 2021.
  2. Web site: Zrinić Terlević . Sandra . PRONAĐENA HRVATSKA ALTAMIRA! U Romualdovoj pećini otkrivene 44 SLIKARIJE NA KOJIMA SU DIVOKOZA, BIZON I LJUDI STARE VIŠE OD 30.000 GODINA Pogledajte fotografije i VIDEO . glasistre.hr . 17 January 2021.
  3. Janković . Ivor . Komšo . Darko . Arheološka istraživanja u Limskom kanalu 2014. i 2015. Lokaliteti Romualdova pećina i Abri Kontija 002, Pećina kod Rovinjskog Sela, Lim 001 i podvodni pregled Limskog kanala . Histria archaeologica: Časopis Arheološkog muzeja Istre . 2016 . 46 . 46 . 8 . 17 January 2021.
  4. Komšo . Darko . Hrvatsko stijensko slikarstvo, s naglaskom na otkriće paleolitičkih stijenskih slikarija u Romualdovoj pećini u Istri . Subterranea Croatica . 2019 . 17 . 2 . 8–11 . 17 January 2021.
  5. Komšo . Darko . Hrvatsko stijensko slikarstvo, s naglaskom na otkriće paleolitičkih stijenskih slikarija u Romualdovoj pećini u Istri . Subterranea Croatica . 2019 . 17 . 2 . 13–14 . 17 January 2021.
  6. Ruiz-Redondo . Aitor . Komšo . Darko . Maidagan . Diego Garate . Moro-Abadia . Oscar . Gonzalez-Morales . Manuel Ramon . Jaubert . Jacques . Karavanić . Ivor . Expanding the horizons of Palaeolithic rock art: the site of Romualdova Pećina . Antiquity . April 2019 . 93 . 368 . 305–306 . 10.15184/aqy.2019.36 . 17 January 2021.
  7. Ruiz-Redondo . Aitor . Komšo . Darko . Maidagan . Diego Garate . Moro-Abadia . Oscar . Gonzalez-Morales . Manuel Ramon . Jaubert . Jacques . Karavanić . Ivor . Expanding the horizons of Palaeolithic rock art: the site of Romualdova Pećina . Antiquity . April 2019 . 93 . 368 . 308–309 . 10.15184/aqy.2019.36 . 17 January 2021.