| Women and Children First | |
| Type: | studio |
| Artist: | Van Halen |
| Cover: | Van Halen - Women and Children First.jpg |
| Alt: | The band members posing together and leaning in toward the camera at a worm's eye view |
| Recorded: | December 1979 – February 1980 |
| Studio: | Sunset Sound, Hollywood, California |
| Genre: |
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| Length: | 33:35 |
| Label: | Warner Bros. |
| Producer: | Ted Templeman |
| Prev Title: | Van Halen II |
| Prev Year: | 1979 |
| Next Title: | Fair Warning |
| Next Year: | 1981 |
Women and Children First is the third studio album by American rock band Van Halen, released on March 26, 1980, on Warner Bros. Records. Produced by Ted Templeman and engineered by Donn Landee, it was the first Van Halen album not to feature any cover songs, and is described by critic Stephen Thomas Erlewine as "[the] record where the group started to get heavier, both sonically and, to a lesser extent, thematically."
The opening track, "And the Cradle Will Rock..." begins with what sounds like a guitar, but is actually a phase shifter-effected Wurlitzer electric piano played through Eddie Van Halen's 1960s model 100-watt Marshall Plexi amplifier.[1]
Like the two preceding albums, Women and Children First was recorded in Hollywood at Sunset Studios, within about two weeks. The album features more studio overdubs and less emphasis on backing vocals, partly because two of the songs, "In a Simple Rhyme" and "Take Your Whiskey Home", had already been written and recorded in a 1974 Cherokee Studios demo, before Michael Anthony had joined them, albeit both with some differences lyrically and musically. Two other songs had also been played live earlier: "Fools" as early as 1975, while "Loss of Control" debuted in 1977.
"Could This Be Magic?" contains the only female backing vocal ever recorded for a Van Halen song; Nicolette Larson sings during some of the choruses. The rain sound in the background is not an effect; it was raining outside, and the band decided to record the sound in stereo using two Neumann KM84 microphones, and added it to the track.[2]
The album contains a track at the end of "In a Simple Rhyme," a brief instrumental piece entitled "Growth," beginning at 4:19. While "Growth" faded out on the original vinyl LP and cassette, it was given a cold ending at full volume on the compact disc. At the time the band was considering starting what would become their next album, Fair Warning, with a continuation of "Growth," but did not. "Growth" was a staple of the band's live shows with Roth and often used as the start of their encores.
Several outtakes from these sessions exist, including an unreleased instrumental often referred to as "Act Like It Hurts," which was the title Eddie Van Halen originally wanted for "Tora! Tora!". "Act Like It Hurts" was also the source of a riff used for "House of Pain," released on 1984.
The first single from the album was the keyboard-driven "And the Cradle Will Rock..." Although the single was not as successful as previous release "Dance the Night Away" or the cover of "You Really Got Me," the album itself was well-received, went platinum within a year and further entrenched the band as a popular concert draw. The song "Everybody Wants Some!!" was also a concert staple through the 1984 tour, and continued to be played by David Lee Roth after he left Van Halen.
The vinyl LP version included a poster of a photograph by Helmut Newton featuring Roth chained to a fence.[3]
Reviews for Women and Children First were generally favorable. David Fricke for Rolling Stone highlights the songs, "Romeo Delight", "Everybody Wants Some!!", and "Loss of Control", calling them "works of high-volume art". Fricke praises the band, calling them "exceptionally good players".[4] Both Fricke and Robert Christgau compare Eddie's guitar work to Jimi Hendrix. Christgau gives the album a B rating, stating, "[Eddie] earns the Hendrix comparisons, and he's no clone—he's faster, colder, more structural." In a retrospective review for AllMusic, Stephen Thomas Erlewine rated the album 4.5 stars out of 5. Erlewine calls the album, "mature, or at least... a little serious", noting "there's a bit of a dark heart beating on this record".
Kerrang! magazine listed the album at number 30 among the "100 Greatest Heavy Metal Albums of All Time",[5] and Rolling Stone listed the album at number 36 in their list of "The 100 Greatest Metal Albums of All Time".[6]
Van Halen
Additional musicians
Production
| Chart (1980) | Position | |
|---|---|---|
| Dutch Albums (Album Top 100)[8] | 38 | |
| US Billboard 200[9] | 51 |
Book: Ted Templeman: A Platinum Producer's Life In Music. Ted. Templeman. Greg. Renoff. 306–10. ECW Press. Toronto. 2020. 9781770414839. 1121143123.