Roger Mathew Grant is a music theorist specializing in the eighteenth century. He also works as a dramaturge, for example with Canadian filmmaker Bruce LaBruce on a film version of Arnold Schoenberg's "Pierrot Lunaire." Grant teaches at Wesleyan University.[1]
According to a recent interview, Grant believes that "during the eighteenth century, debates within musical aesthetics re-scripted the role that performing musicians play in the creation and communication of affect."[2]
In 2015 and 2016, Grant collaborated on a "radical reinterpretation" of Mozart's The Magic Flute in an installation at NYU's 80 Washington Square East Gallery with Jonathan Berger, Susanne Sachsse, Vaginal Davis, and Jamie Stewart.[3]
Grant served as musical producer for Pierrot Lunaire (2014), a film by Bruce LaBruce and winner of the Teddy Jury Award, Berlinale International Film Festival.