| Rock n' Roll Prophet | |
| Type: | Album |
| Artist: | Rick Wakeman |
| Cover: | Rock 'n Roll Prophet Plus.jpg |
| Released: | December 1982[1] |
| Recorded: | 1979 |
| Studio: | Mountain, Montreux, Switzerland |
| Genre: | Progressive pop, synth-pop, novelty |
| Label: | Moon |
| Producer: | Rick Wakeman |
| Prev Title: | 1984 |
| Prev Year: | 1981 |
| Next Title: | Cost of Living |
| Next Year: | 1983 |
Rock n' Roll Prophet is a 1982 album by English musician Rick Wakeman. The album was recorded at Mountain Studios in Montreux, Switzerland,[2] and was released by Moon Records.
As well as playing keyboards, Wakeman provided lead vocals for three tracks ("I'm So Straight I'm a Weirdo", "Maybe '80" and "Do You Believe in Fairies")[3] - the only album on which his singing appears besides Rhapsodies, which features his singing on the opening song "Pedra De Gavea".[4] Due to his association with progressive rock (being the antithesis of then-popular punk rock), Wakeman wanted the album to be released under a pseudonym - his suggestion being "KUDOS". It was, however, released under his own name, which he called "a big mistake".
The album was re-released in 1991 by President Records as Rock 'n' Roll Prophet Plus, containing four bonus tracks. These tracks were recorded at Wakeman's own[5] Bajanor Studios on the Isle of Man, and were mixed by Stuart Sawney. The re-release was mastered at Abbey Road Studios.[6]
Rock 'n' Roll Prophet has gained largely negative reviews, with comments describing the album as "goofy", "novelty" and "crap".[7] McGlinchey does, however, recognise that the album was largely produced as a tongue-in-cheek project and that "the humour on [the] release is intentional".
AllMusic described the album as sounding similar to The Buggles, with Wakeman corroborating their influence by stating that the album was an attempted spoof. Wakeman's vocals are also described as "serviceable but not strong" - with the instrumentals "not up to [his] highest standards". Ground and Sky likened the album to "someone gleefully pressing the self-destruct button on whatever credibility they previously had managed to accrue as a music artist."
Wakeman, however, has commented that he likes the analogue sounds and production on the album, and that the album was "little ahead of its time [and] a little off the wall".
All tracks composed by Rick Wakeman