Robert de la Rocha explained

Roberto Isaac "Beto" de la Rocha
Birth Name:Roberto Isaac de la Rocha
Birth Date:26 November 1937
Birth Place:Wilmar, California, U.S.[1]
Alma Mater:California State University, Long Beach
Occupation:Painter, graphic artist, muralist
Children:Zack de la Rocha

Roberto Isaac "Beto" de la Rocha (pronounced as /es/; born November 26, 1937) is a Mexican-American painter, graphic artist, and muralist. He was part of the Chicano art collective Los Four for a few years. De la Rocha was also influential in re-establishing the traditional Mexican celebration of the Day of the Dead in Los Angeles. He is the father of Rage Against the Machine vocalist and lyricist Zack de la Rocha.

Career

In 1973, he joined the influential Chicano art collective Los Four. The group, composed of Carlos Almaraz, Frank E. Romero, Gilbert "Magu" Luján, and de la Rocha,[2] was responsible for numerous murals and public art installations in the Los Angeles area. According to Luján, he and de la Rocha emphasized "indigenous and local" aspects of Chicano art, while the other two members were more interested in the European tradition. The group was also one of the first to draw mainstream attention to Chicano art, exhibiting at the Los Angeles County Museum of Art in 1974.[3] According to Judithe Hernández, the first female member of Los Four, de la Rocha was also a "brilliant printmaker", much whose imagery was drawn from "his [very fragile] mental state".[4]

Reestablishing the Day of the Dead in Los Angeles

De la Rocha was also influential in establishing the traditional Mexican celebration of the Day of the Dead in Los Angeles, when he, along with Chicano artist Gronk and a few others, led a procession from Evergreen Cemetery up First Street in Eastside Los Angeles. Luján later said that de la Rocha "should be given credit for initiating this process—almost single-handedly. And what he did, he didn't get funding or he didn't ask permission from anybody, he just went and did it."[5] According to The American Prospect, he was also the art editor of the United Farm Workers publication El Malcriado.[6] In 1974, de la Rocha, along with the other founding members of Los Four, was featured in a documentary entitled Los Four/Murals of Aztlan.[7] In 1999, de la Rocha was featured in a joint showing with Los Angeles artist John Zender at La Luz gallery in Long Beach, California.[8]

Notes and References

  1. http://authorities.loc.gov/cgi-bin/Pwebrecon.cgi?AuthRecID=2056067&v1=1&HC=1&SEQ=20070112001615&PID=14776 Library of Congress Subject Heading authority
  2. Web site: Messerli. Douglas. May 13, 2017. Reimagined Landscapes: Frank Romero's Los Angeles. February 22, 2021. Hyperallergic. en-US.
  3. http://www.aaa.si.edu/index.cfm/fuseaction/Items.ViewItem/ItemID/5616/item_start_record/1/records_per_page/9/item_total_records/39/filter_type/Collection/filter_key/5563 Smithsonian Archives of American Art
  4. Web site: Oral history interview with Judithe Hernández, 1998 Mar. 28, Archives of American Art, Smithsonian Institution . July 29, 2011.
  5. Web site: Oral history interview with Gilberto Sanchez Luján, 1997 Nov. 7-17, Archives of American Art, Smithsonian Institution . July 29, 2011.
  6. Web site: Greif . Mark . Revolution Number 9 . American Prospect . January 17, 2000 . February 18, 2007 .
  7. Web site: Los Four/Murals of Aztlan (imdb entry) . . 1974 . July 29, 2011.
  8. Web site: John Zender Biography . July 29, 2011.