| Robert D. Ray - Artist | |
| Birth Date: | 24 October 1924 |
| Birth Place: | Denver, Colorado |
| Death Place: | Taos, New Mexico |
| Nationality: | American |
| Alma Mater: | University of Southern California |
| Known For: | Painting, printmaking, sculpture |
| Style: | Abstract |
| Movement: | Modernism |
Robert Ray (October 24, 1924 – March 29, 2002) was an American artist, active in the middle to late twentieth century.
Robert Donald Ray was born in Denver, Colorado in 1924; one of two sons raised by Irene and Carl J. Ray, Sr. Ray graduated from Denver East High School and enrolled at Drake University. His studies were interrupted by World War II, during which he enlisted in the Navy, serving in South Pacific and Japan. After the war, he completed his studies in visual art at the University of Southern California in Los Angeles, graduating cum laude with a Bachelor of Fine Arts in 1950. He then received a MFA degree from the Centro de Estudios Universitarios in 1952.[1] Following graduation, and travel to Europe, Ray moved to Taos in 1954.[2]
Over the course of his career, Ray worked in a wide variety of media. In 1968, Ray's work was described by Robert A. Ewing, former curator of Fine Arts Museum of Santa Fe, New Mexico in the following words: "There is in his work the magic of a court jeweler working with materials of our time. Whether it be the masterfully controlled intricacy of drawing or the compelling power of sculpture in which one discovers surprises from the natural world in combination with elements as unexpected as shattered glass, there is a delight and timelessness in the Southwestern Odyssey of Robert Ray."[3]
As stated by Phaedra Greenwood in a review of a retrospective show near the conclusion of Ray's life: "Rarely has a one-person show displayed such a range in wood, metal, glass and oil on linen, timeless abstracts polished to a gem like finish. He's a minimalist of the highest order; nothing is wasted or overdone. Each piece is a classic statement of elegance, tension and pure essence."[4]
Ray's early work consisted of graphite, ink, wood-cut prints and oil, and ranged from portraits to abstract prints to still-life and semi-representational landscapes. Shortly after arriving to Taos in 1954, Eulalia Emetaz invited Ray to show in her Galeria Escondida (The Hidden Gallery) in Taos, which led to a two-year residency grant from the Wurlitzer Foundation, 1954–1956."[5] During this time, Ray painted numerous portraits including The Honorable Dorothy Brett which helped Ray to establish a local following. "[A]fter I did Dorothy Brett's portrait, others wanted one, I'm sorry that Frieda Lawrence died just before I was going to paint her. And Georgia (O'Keefe) couldn't sit still long enough; she was better suited to photography".[6]
Writing in Prize Winning Oil Paintings and Why they Won the Prize, author Margaret Harold quotes David Gebhard, director of the Roswell Museum and Art Center:
Ray represents an interesting case in current American painting, in that he generally retains reference to subject matter, although he is by no means a representational painter... [H]is major asset is in his tactile quality, and the subtle aspect of his color. These two aspects are combined to produce a really 'Classic' quality in all of his painting which I have experienced.[7]
Ray earned his first award in "The Midwest Third Biennial Exhibition" held at the Joslyn Art Museum, 1954.[8] This showing was followed by awards in Brooklyn, New York; Dallas, Texas; Columbia, South Carolina; and the Museum of New Mexico.[9] In 1959, Ray was selected in "Painting - New Talent in the U.S.A." by the magazine Art in America.[10] Ray also maintains the distinction of being the only artist to exhibit in each of the "Taos Moderns" annual exhibitions held.[11] [12] [13] [14] [15] In 1961, Ray was described locally as "one of the outstanding young artists in America today,"[16] and in 1964, Ray exhibited artwork in the Southwestern America presentation at the World's Fair in New York.[17] Ray won further recognition in 1969 for sculpture (Wood & Glass),[18] and 1972 in graphics.[19]
In 1961, Ray stated his view on art sales:
the best method [to determine art pricing] is through auction, except for a living artist's works; the contemporaries must sell through supply and demand.[20]
Having established a strong reputation in the 1950s and 1960s, Ray shifted focus to his role as an artisan and citizen of Taos, serving on "just about every art related board in Taos that ever existed."[21] As summarized by Robert Ellis, Harwood Museum Director, in a 2000 retrospective:
Robert Ray, since arriving in Taos in 1954, has played a vital role both as an artist and as a resident. Over the years the Taos community and the Harwood have benefitted from Bob's many years of service on the non-profit boards that include the Little Theater Board (he also designed stage sets), The Taos Art Association, Taos Public Library, and the Taos School of Music (currently).[22]
Following retrospective shows in 1999[23] and 2000,[24] Ray resumed a prolific pace of painting, creating numerous series of representational and abstract watercolors prior to his death in 2002.
Ray's work was part of a notable collection of artwork held by Edwin Bewley of Taos. The collection included works by Pablo Picasso, Andy Warhol, John French Sloan, Childe Hassam, Käthe Kollwitz, select works from the Taos Moderns and the Taos Society of Artists.[28]
The Helene Wurlitzer Foundation collection of artwork in her home consisted of works by Andrew Dasburg, Emil Bisttram, Robert D. Ray, Tom Benrimo, Clay Spohn, Earl Stroh, Ernest Blumenshein, O.E. Berninghaus and Leon Gaspard[29]
Other collections include:
From 1954 to 1958, Ray was affiliated with La Galeria Escondida (Taos, NM). Between 1958 and 1964, Ray was affiliated locally and nationally with the Charles Feingarten Gallery (Chicago, IL), the Esther Robles Gallery (Los Angeles, CA), Bolles Gallery (San Francisco, CA), Fifth Avenue Gallery (Ft. Worth, TX), The Bon Marche National Gallery (Seattle, WA). From 1964 until 2002, Ray affiliated nearly exclusively with local galleries; Mission Gallery (1964-1992), Bareiss Gallery (1999), New Directions Gallery (2000-2002). Ray also enjoyed long associations with Taos Artist Association sponsored Stables Gallery (1959-1989), Leone Kahl and The Harwood Foundation.[32]