Robert Goldsand (March 17, 1911September 16, 1991) was an Austrian-American classical pianist.
Goldsand was born in Vienna, Austria-Hungary, in 1911, the son of artisan Jakob Goldsand and his wife Helene. He began musical studies at age four on the violin, but discovery of his talent for the piano, and consequent concentration on that instrument, began within a year. A student of Camella Horn, Joseph Marx, Emil von Sauer, and Moriz Rosenthal, Goldsand launched his performing career at age 10, in November 1921, with a concert in Vienna. Thereafter, he engaged in European and South American tours. http://www.lib.umd.edu/PAL/IPAM/IPAMgoldsand.html His US debut came in 1927 at Town Hall in New York City.[1] His father Jakob died in 1929, and his mother Helene, who had accompanied Robert on several trips to the United States, died in 1937.
Upon leaving Vienna to flee the Nazis — his parents were both Jewish — he settled in the United States in 1939, where he gave concerts and took a teaching position at the Cincinnati Conservatory. In 1949, at the invitation of the Chopin Centennial Committee, he performed a complete cycle of that composer's recital repertoire in six concerts. In 1951, Goldsand joined the faculty at the Manhattan School of Music http://www.msmnyc.edu/ouralumni/archives/default.asp, where he continued to teach until 1990. https://query.nytimes.com/gst/fullpage.html?res=9D0CE6DA173BF934A2575AC0A967958260# His concert repertoire was vast and included music ranging from the Baroque period with J.S. Bach's Goldberg Variations through works of major 19th-century composers such as Beethoven, Liszt, Chopin, Schumann, and Schubert. He also performed music of virtuoso performer-composers like Godowsky and Schulz-Evler; and such 20th-century composers as Hindemith. https://web.archive.org/web/20101201085808/http://www.wyastone.co.uk/nrl/gpiano/8811c.html
Goldsand taught many students during his long tenure at the Manhattan School including Suezenne Fordham https://www.amazon.com/review/R455MMHPD2T86, Neil Galanter, Harris Goldsmith https://web.archive.org/web/20071109111008/http://www.observer.com/node/39385, Donald Isler, Anne Koscielny http://www.matthay.org/bios2002.shtml, Thomas Schumacher http://esm.rochester.edu/faculty/?id=128, and Ralph Votapek http://www.ivoryclassics.com/releases/72007/. According to Henry Edmundson, a student for one year not long before Goldsand's death, Goldsand was "a stickler for tradition" and demanded that the student adhere to Goldsand's way of playing a piece. http://www.seed.slb.com/en/scictr/watch/musicians/teacher.htm Harris Goldsmith recalls Goldsand as a "pianistic charmer" with "debonair technical ease," citing an instance when Goldsand demonstrated with his left hand how to obtain the desired legato in the coda of Chopin's fourth ballade. https://web.archive.org/web/20101201085808/http://www.wyastone.co.uk/nrl/gpiano/8811c.htmlGoldsand's passion for Beethoven had a major influence on his pupils, particularly in the case of Dr. Kevin Moore, a prominent professor of piano at Onondaga Community College in upstate New York. Dr. Moore has performed all 32 of Beethoven's piano sonatas, in local performances to the public, which have become immensely popular.
He died of diabetes in a Danbury, Connecticut nursing home, in 1991.