Robert Delaney (composer) explained

Robert Mills Delaney, sometimes incorrectly spelled Delany (24 July 1903 – 21 September 1956) was an American composer and teacher. Born in Baltimore, Maryland, Delaney began studying the violin as a child in Hanover, Pennsylvania, with Walter Shultz. His musical education continued at the Combs College of Music, where he studied with Henry Schradieck and William Geiger.[1] In 1921, Delaney began undergraduate studies in music at the University of Southern California, but he left the school in 1922 to accompany his parents, Charles Roderic and Anna Louise (née Ritchie) Delaney, on a trip around the world. After returning from the trip, Delaney resumed his music studies but now in Europe: from 1925–1928, he attended the École Normale de Musique de Paris; the Sorbonne (as an auditor); and the Conservatoire Américain de Fontainebleu, France. While in France, he studied violin with Maurice Reuchsel, Lucien Capet, and Léon Nauwick and composition with Nadia Boulanger, Arthur Honegger, Gustav Holst, Ralph Vaughan Williams, and G. Francesco Malipiero.[2]

When he returned to the United States, Delaney obtained a position as a music instructor at the Santa Barbara Boys School in Carpenteria, CA (1928–1933); he also taught at State Normal College in Santa Barbara, CA, as an instructor of music and director of orchestra (1928–1929).[3] He enjoyed an active career as an educator, later teaching at the Concord Summer School of Music (1931–1935), Francis W. Parker School (Chicago) (1934–1935), and, ultimately, as Assistant Professor of Theory and Composition at Northwestern University (1945–1955).

Delaney was best known for his 1928 choral symphony, John Brown's Song, based on Stephen Vincent Benét's Pulitzer Prize winning poem "John Brown's Body." Delaney’s setting received its first performance at the Eastman School of Music in Rochester, NY, as part of the school’s American Composer’s Concert Series (15 December 1933).[4] That same year, the work was awarded a Pulitzer Traveling Scholarship[5] (N.B. The Pulitzer Traveling Scholarship in Music [1917–1942] predates the Pulitzer Prize for Music, which was instituted in 1943;[6] some sources have imprecisely stated that Delaney’s John Brown’s Song was awarded a Pulitzer Prize.[7] [8])

Delaney’s oeuvre includes several works for chorus or solo voice; compositions for large instrumental ensembles, including Don Quixote Symphony (1927), two Symphonic Pieces (1935, 1937), and a second Symphony (1942–1944); and a small body of chamber music, including three string quartets. For many of his vocal works, Delaney set texts written by his wife, Ellen Emerson (married 1934–1944), the great-granddaughter of Ralph Waldo Emerson.

Notes and References

  1. Claire Reis, Composers in America: Biographical Sketches of Living Composers with a Record of Their Works, 1912-1937 (New York: Macmillan, 1938), 84.
  2. https://www.esm.rochester.edu/sibley/specialcollections/findingaids/delaney/ ”Robert M. Delaney Collection,”
  3. https://www.gf.org/fellows/all-fellows/robert-mills-delaney/ “Robert Mills Delaney,”
  4. https://www.esm.rochester.edu/sibley/specialcollections/findingaids/delaney/ ”Robert M. Delaney Collection,”
  5. Timothy Jon Mahr, “An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra By Composers Awarded the Pulitzer Prize in Music 1943-1992, and a List of their Works for Chamber Wind Ensemble” (DMA diss., University of Iowa, 1995), 16, note. See also “Associated Press Man Gets $1,000 Pulitzer Award,” Brooklyn Daily Eagle, 2 May 1933, p. 14. “The Pulitzer Travelling Scholarship in Music, carrying a $1,500 award, was given to Robert Delaney of Santa Barbara School, Carpinteria, Calif.”
  6. Michael Alan Weaver, “Annotated Bibliography of Works by Pulitzer Prizewinning Composers for Solo Viola, Viola with Keyboard, and Viola with Orchestra,” (DMA diss., Florida State University, 2003), 9–10.
  7. Paula Hathaway Anderson-Green, A Hot-bed of Musicians: Traditional Music in the Upper New River (Knoxville: University of Tennessee Press, 2002), 115: "He wrote that he had asked Robert Delaney (1903-1956) to review the scores Bryan had submitted. Delaney, winner of the Pulitzer Prize [''recte'' Pulitzer Traveling Scholarship] for his choral symphony, John Brown's Song, based on "John Brown's Body," in 1933, studied at the ..."
  8. Teresa Jordan, Cowgirls: Women of the American West (Lincoln: University of Nebraska Press, 1992), 95: "But first she studied music in Boston and, at the age of twenty married composer Robert Delaney. After he won the Pulitzer Prize [''recte'' Pulitzer Traveling Scholarship] for his choral setting of Stephen Vincent Benét's John Brown's Body, Ellen and Robert moved to a remote area in northern California and lived in an old miner's cabin, fulfilling a mutual dream. Robert worked on a commissioned book of folksongs;"