Rickie Solinger Explained
Rickie Solinger (born 1947) is an independent historian, curator, and lecturer whose work focuses on reproductive politics, welfare politics, politics of incarceration, race and class, and motherhood.[1] She is the author of Wake Up Little Susie: Single Pregnancy and Race before Roe v. Wade, The Abortionist: A Woman Against the Law, Beggars and Choosers: How the Politics of Choice Shapes Adoption, Abortion, and Welfare in the U.S., Pregnancy and Power: A Short History of Reproductive Politics in America, Reproductive Politics: What Everyone Needs to Know, and, with co-author Loretta Ross, "Reproductive Justice: An Introduction," as well as articles about reproductive politics and welfare politics. Solinger curates art exhibitions associated with the themes of her books; the shows travel to college and university galleries around the country aiming to interrupt the curriculum.[2]
Life and career
She earned her Ph.D. in History from The Graduate Center of the City University of New York.[3]
She is a founding member of Women United for Justice, Community, and Family, a Boulder, Colorado-based cross-class coalition of women committed to welfare justice. She has served on the Boulder County Welfare Review Committee and frequently speaks and writes in the community and elsewhere on matters of poverty, welfare, and economic justice.[4]
Works
Books
| Title | Year | Award |
|---|
| Wake Up Little Susie: Single Pregnancy and Race before Roe v. Wade | 1992 | Lerner-Scott Award[5] |
| The Abortionist: A Woman Against the Law | 1994 | |
| Beggars and Choosers: How the Politics of Choice Shapes Adoption, Abortion, and Welfare in the U.S. | 2001 | |
| Pregnancy and Power: A Short History of Reproductive Politics in America | 2005 | |
| Reproductive Politics: What Everyone Needs to Know | 2013 | |
| Reproductive Justice: An Introduction (Co-author with Loretta Ross) | 2017 | | |
Scholarly articles
| Title | Year |
|---|
| "The Girl Nobody Loved: Psychological Explanations for White Single Pregnancy in the Pre-Roe v. Wade Era, 1945-1965", Frontiers: A Journal of Women Studies | 1990 |
| "'Race and ‘Value’: Black and White Illegitimate Babies in the U. S., 1945-1965", Gender and History | 1992 |
| "'A Complete Disaster’: Abortion and the Politics of Hospital Abortion Boards, 1950-1970", Feminist Studies | 1993 |
| "Poor and Pregnant in the United States: 1950s, 1970s, 1990s", Social Justice | 1994 |
| “Dependency and Choice: The Two Faces of Eve”, Social Justice | 1998 |
| "Poisonous Choice", Bad Mothers | 1998 |
| "...But No Faith in the People.", Social Justice | 2001 |
| "The First Welfare Case: Money, Sex, Marriage, and White Supremacy in Selma, 1966, A Reproductive Justice Analysis", Journal of Women's History | 2010 |
| "Layering the Lenses: Toward Understanding Reproductive Politics in the United States", Journal of Women's History | 2013 | |
Editor
| Title | Year |
|---|
| Abortion Wars: Fifty Years of Struggle, 1950-2000 | 2000 |
| Welfare: A Documentary History Of U.S. Policy And Politics | 2003 |
| Telling Stories to Change the World: Global Voices on the Power of Narrative to Build Community and Make Social Justice Claims | 2008 |
| Interrupted Life: Experiences of Incarcerated Women in the United States | 2010 | |
Art installations
Solinger creates art exhibitions associated with the theme of her books and installs them at college and university galleries. She uses art together with her scholarship to enrich opportunities for public education and interrupt the curriculum. She has produced art installations working with sculptors, photographers, and other activists since 1992.[2] Her exhibitions have traveled to over 140 college and university galleries since 1992.[6]
- "Wake Up Little Susie: Pregnancy and Power before Roe v. Wade"[3]
- "Beggars and Choosers: Motherhood is Not a Class Privilege in America"[7] - This exhibition, associated with the theme of Beggars and Choosers, made a visual claim for the legitimacy of all mothers and the importance of defending reproductive rights. The mothers in the photographs rejected or ignored the coercive politics of motherhood. This exhibition clarified the full meaning of reproductive rights: the right to decide to curb one's fertility as well as the right to decide to become a mother. It opened at the Birmingham Civil Rights Institute in 2002 and traveled to campuses up until late 2008.[8]
- "Interrupted Life: Incarcerated Mothers in the United States"[9] - This exhibition focuses on raising public knowledge—and public outrage and activism—about the incarceration system in this country. It is a collection of paintings, photographs, and installation pieces. It opened at the California Institution for Women in 2006 (the first time an outside art exhibition opened in a prison).[9]
- "Reimagining the Distaff Toolkit" This exhibition features approximately thirty-five pieces of art. Each work of art features a tool that was important for women's domestic labor from the 18th century through World War II. The artists have placed objects such as a dressmaker’s figure, pots, pans, baskets, rolling pins, darning eggs and rug-beaters at the center of their works.[10] According to Solinger, “Many of these old tools facilitated… repetitive labor and evoke the various cultural histories of women’s unpaid, often diminished and disrespected status within the household and society. But in the 21st century, at a moment when ‘old tools’ have become aestheticized and expensive, we can look again and see their costly beauty."[11]
Awards
In 1992 she won the first Lerner-Scott Award given by the Organization of American Historians for Wake Up Little Susie[5] and in 2000 she received the Catherine Prelinger Award.[12]
References
Sources
External links
Notes and References
- Web site: Tucker. Judith. Is Motherhood a Class Privilege in America?:An interview with historian Rickie Solinger, author of "Beggars and Choosers". The Mothers Movement Online. 15 March 2014.
- Solinger. Rickie. WAKEUP/Arts and Interrupting the Curriculum. Women's Studies Quarterly. Fall–Winter 2007. 35. 3/4. 276–279.
- Web site: UW-Green Bay lecture offers a look at poor women. University of Wisconsin-Green Bay. 16 March 2014.
- Web site: Zella. Robbin. Reimagining the Distaff Toolkit Domestic Tools Subject of Contemporary Art Exhibit AT Housatonic Museum of Art. Housatonic Community College. 16 March 2014.
- Web site: Lerner-Scott Prize Winners. Organization of American Historians. 12 March 2014.
- Web site: Feminisms for the 21st Century. Union College: Women's and Gender Studies. 14 March 2014.
- Web site: Beggars and Choosers: Motherhood Is Not a Class Privilege in America. Open Society Foundations: Movie Walls 9. 14 March 2014.
- Web site: BEGGARS AND CHOOSERS: MOTHERHOOD IS NOT A CLASS PRIVILEGE IN AMERICA — PHOTOS OF MOTHERS AND CHILDREN ON THE MARGINS OF SOCIETY AT THE GODWIN-TERNBACK MUSEUM AUGUST 25-SEPTEMBER 27, 2008. The City University of New York: Queens College. 14 March 2014.
- Interrupted Life: Incarcerated Mothers in the United States. 2. 25–26. NWSA Journal. 20. The Johns Hopkins University Press. 16 March 2014. 2008-09-11. Solinger. Rickie.
- News: Fowler-Decatur. Erika. Opening Reception for Reimagining the Distaff Toolkit on Thursday at the Handwerker Gallery. 20 March 2014. Intercom. 2011-01-25.
- News: Rickie Solinger to speak at Housatonic Museum of Art. 20 March 2014. The Bridgeport News. 2012-09-29.
- Web site: Catherine Prelinger Award. Coordinating Council for Women in History. 12 March 2014.
