Richard Hol Explained

Richard (or Rijk)[1] Hol (23 July 1825, in Amsterdam – 14 May 1904, in Utrecht) was a Dutch composer and conductor,[2] based for most of his career at Utrecht. His conservative music showed the influence of Ludwig van Beethoven, Felix Mendelssohn, and Robert Schumann and the Leipzig school, though as a conductor he offered Dutch audiences the more revolutionary music of Hector Berlioz and Richard Wagner.

Life

Richard Hol followed a course in piano under Jan George Bertelman at the royal conservatory of Amsterdam; after his graduation in 1844 he made a living as piano accompanist. In part on the basis of his choral compositions he was appointed director of the Amsterdamse Toonkunstkoor in 1857. In 1862, when Johannes Verhulst was appointed to the position, Hol removed to Utrecht, where he came to occupy the center of musical life, taking up the post of Ferdinand Kufferath in directing the city concerts (stadsconcerten) and the Utrecht Toonkunstkoor for the remainder of his life. In addition he was organist at the cathedral, 1869–1888.

From 1875 he served as director of the Stedelijke Muziekschool at Utrecht, teaching music theory and history himself. Among his prominent pupils were Johan Wagenaar, who succeeded him as teacher and cathedral organist, Catharina van Rennes, and Hendrika Tussenbroek.

In his last years Hol published pieces in numerous journals and served from 1894 until his death as editor of the organ journal Het Orgel. When the Nederlandsche Toonkunstenaars-Vereeniging was founded in 1875, he served as its first director. Among the many decorations he received was his appointment in 1875 as a corresponding member of the Académie française.

He composed an anthem for Transvaal, in use until the British occupied it in 1887. His posthumous reputation remained largely confined to Dutch audiences and choral singing groups, until his four symphonies began to be recorded at the close of the 20th century.[3] [4]

His vaderlandische legende ("patriotic legend") for chorus, orchestra and organ, De Vliegende Hollander ("The Flying Dutchman"), Op. 70 (1874) was described in 1904 as frequently performed, in Le guide musical, reviewing a concert with a performance of the ballad, in The Hague.[5]

His daughter, Jacoba, was a physical geographer.

Incomplete list of compositions

Symphonies

Operas

Other music with voices

Ballads

Songs and song cycles

Oratorios and Cantatas

Liturgical Music

Organ music

Piano music

Notes and References

  1. Encyclopedia: Bokum. Jan ten. Hol, Richard [Rijk] ]. Grove Music Online. Oxford Music Online, Oxford University Press. 2 October 2013.
  2. For example Grijp, Louis Peter; Bossuyt, Ignace (2001)., Amsterdam University Press. page 513. .
  3. Web site: PDF. 2000. Hol: Symphonies 1 & 3: Booklet Notes. Samama. Leo. Chandos Records. 2008-12-13.
  4. Web site: PDF. 2001. Hol: Symphonies 2 & 4: Booklet Notes. Samama. Leo. Chandos Records. 2008-12-13.
  5. Le guide musical

    . Volume 50, Number 16. (April 17, 1904) page 364.

  6. Library of Congress, Sonneck, Oscar George Theodore (editor) (1912)., page 204.
  7. Confirmed by Web site: Hofmeisters Monatsberichte. 1868. February 3, 2011.
  8. Baker, Theodore; Remy, Alfred (1919). . G. Schirmer. page 408.
  9. Hofmeisters Monatsberichte, 1867, page 16.
  10. Dwight, John Sullivan (1880 volume). . p. 127. Also see Guide Musical reference above - about a quarter-century before 1904, so around 1880.
  11. Web site: Frisius Pseudonym Reference. https://archive.today/20120802042856/http://www.boekbesprekingen.nl/cgi-bin/boek.cgi?boek=699821. dead. 2012-08-02. 2008-12-14.
  12. Web site: Paul van Kuik's Antiqbook listing for Op. 7. 2008-12-14.
  13. Web site: Hofmeisters Monatsberichte. 1855. April 9, 2011.
  14. Web site: Royal Library of the Netherlands. 2008-12-14.
  15. Hofmeisters Monatsberichte, 1881, page 39.
  16. Hof. M. (HMB) 1865, page 199.
  17. HMB 1864, page 98.