Richard Dumbrill (musicologist) explained

Richard Dumbrill
Birth Place:Epernay, France
Nationality:British
Known For:Study of the archaeomusicology of the Ancient Near East
Discipline:Musicology
Sub Discipline:Archaeomusicology
Workplaces:University of London
Notable Works:Semitic Music Theory

Richard J. Dumbrill (Epernay 1947) is a British/French archaeomusicologist and composer. He is a relativist musicologist who opposes Universalism and Occicentrism theories in his field.[1]

Dumbrill has studied the archaeomusicology of the Ancient Near East, especially the interpretation of cuneiform texts of Music Theory written in Sumerian, Babylonian and Hurrian.

Career

Dumbrill's interpretation of music theory is based on his knowledge of Middle-Oriental Musicology. He rejects (Pythagorean) ditonism and heptatonism, as a model for Oriental music and particularly rejects the hypothesis of the use of dichords in the Musicology of the Ancient Near East.

Dumbrill offers another interpretation of the Hurrian songs, the oldest music ever written, which was found in northwest Syria at the site of Ugarit. He reconstructed the Silver lyre of Ur (at the British Museum), from Woolley's notes, with Myriam Marcetteau. Dumbrill also reconstructed the Elamite harp of the battle of Ulai, with Margaux Bousquet. Dumbrill donated one of his harps to the Ministry of Culture in Iraq.

Drumbill is the founder, with Irving Finkel of the International Council of Near Eastern Archaeomusicology [2] (ICONEA) at the Institute of Musical Research, School of Advanced Studies, University of London.[3]

Dumbrill has lectured at Harvard and Yale and in Iraq, Beirut, Damascus, Leiden, Rotterdam, Corpus Christi (Cambridge), and Paris.

Works

Books

Reviews

Articles

The Birth of Music Theory https://www.academia.edu/112552291/The_Birth_of_Music_Theory

Semitic Music Theory (2600-500 BC)https://www.academia.edu/38432560/Semitic_Music_Theory_2600_500_BC_

References

  1. Web site: The Truth About Babylonian Music . [Dumbrill quoted [[Curt Sachs]] at the beginning of his paper, The Truth About Babylonian Music, addressing occidentalism in musicology:] ‘In describing non-western music, be it oriental or primitive, one must strictly refrain from misusing incongruous concepts of western music. The terminology that has been learned in music school applies to the harmonic structure of music and is inappropriate, indeed misleading and distorting in descriptions of non-harmonic, non-western music.’.
  2. Web site: ICONEA | INTERNATIONAL COUNCIL OF MIDDLE EASTERN ARCHAEOMUSICOLOGY.
  3. Web site: Richard Dumbrill | Royal Holloway, University of London - Academia.edu. royalholloway.academia.edu.
  4. The Musicology and Organology of the Ancient Near East. Richard. Dumbrill. www.academia.edu.

External links

Babylonian Musicology