| Region: | Western philosophy |
| Era: | 19th-century philosophy |
| Richard Avenarius | |
| Birth Date: | 19 November 1843 |
| Birth Place: | Paris |
| Death Place: | Zürich |
| Alma Mater: | University of Zurich University of Berlin Leipzig University |
| Institutions: | Leipzig University University of Zurich |
| School Tradition: | Empirio-criticism (Critical positivism)[1] |
| Main Interests: | Empirical knowledge, philosophy of science |
| Influences: | Kant, Hume |
| Influenced: | Ernst Mach, Anatoly Lunacharsky, Alexander Bogdanov, William James, Josepha Kodis |
| Notable Ideas: | Empirical criticism |
Richard Ludwig Heinrich Avenarius (19 November 1843 – 18 August 1896) was a German-Swiss philosopher. He formulated the radical positivist doctrine of "empirical criticism" or empirio-criticism.
Avenarius attended the Nicolaischule in Leipzig and studied at the University of Zurich, Berlin, and the University of Leipzig. At the University of Leipzig, he received the Doctor of Philosophy in 1868 with his thesis on Baruch Spinoza and his pantheism, obtained the habilitation in 1876 and taught there as Privatdozent. One year later, he became professor at the University of Zurich. He died in Zürich in 1896.
Avenarius believed that scientific philosophy must be concerned with purely descriptive definitions of experience, which must be free of both metaphysics and materialism. His opposition to the materialist assertions of Carl Vogt resulted in an attack upon empirio-criticism by Vladimir Lenin in the latter's Materialism and Empirio-criticism.
Avenarius' principal works are the famously difficult Kritik der reinen Erfahrung (Critique of Pure Experience, 1888–1890) and Der menschliche Weltbegriff (The Human Concept of the World, 1891) which influenced Ernst Mach, Ber Borochov and, to a lesser extent, William James.[2]
He taught Anatoly Lunacharsky and was also influential on Alexander Bogdanov and Nikolai Valentinov.
Avenarius was the second son of the German publisher Eduard Avenarius and Cäcilie née Geyer, a daughter of the actor and painter Ludwig Geyer and a (step-)sister of Richard Wagner. However, there is speculation that her father was the biological father of Richard Wagner too. Richard Avenarius's brother, Ferdinand Avenarius, led the cultural organization Dürerbund and belonged to the initiators of a culture reform movement in Germany. Wagner was Avenarius's godfather.
See John Deathridge, "Introduction" p. XXXIII in Richard Wagner. The Family Letters of Richard Wagner, University of Michigan Press, 1991.