| Ressources humaines | |
| Director: | Laurent Cantet |
| Producer: | Caroline Benjo Carole Scotta |
| Starring: | Jalil Lespert |
| Cinematography: | Matthieu Poirot-Delpech |
| Editing: | Robin Campillo Stephanie Leger |
| Distributor: | Haut et Court |
| Runtime: | 100 minutes |
| Country: | France United Kingdom |
| Language: | French |
| Budget: | € 1.1 million[1] |
Human Resources (French: '''Ressources humaines''') is a 1999 French-British comedy-drama film directed by Laurent Cantet.[2] As the title implies, the subject of the film is the workplace and the personal difficulties that result from conflicts among management and labour, corporations and individuals. It stars Jalil Lespert. Most of the other actors are non-professionals. It won the César Award for Best First Feature Film and the César Award for Most Promising Actor at the 26th César Awards.
In Gaillon, Normandy, "good son" Franck returns to his hometown to do a trainee managerial internship in the Human Resources department of the factory where his anxious, taciturn father has worked on the shop floor for 30 years. At first, Franck is lauded by both friends and family for breaking through the glass ceiling and becoming "white-collar". But very soon hidden envy and rivalries erupt. Franck forms a friendship with Alain, a young worker whom his father has mentored. This mentoring in the blue-collar workforce is contrasted with the cagier, trust-less mentoring Franck receives in the white-collar world from his own supervisor, Chambon.
Franck discovers that his boss is going to use Franck's field study on the proposed 35-hour workweek to justify downsizing - and that Franck's father is among those to be let go. This leads to a confrontation between the trainee and management, between the workers and the owners, and ultimately between son and father. In the emotional climax, Franck confronts his father and accuses him of imbuing him with a legacy of shame at being blue-collar.
Human Resources received generally positive reviews from critics. On Rotten Tomatoes, the film has a rating of 97%, based on 32 reviews.[3] On Metacritic, the film has a score of 78 out of 100, based on 25 critics, indicating "generally favorable reviews".[4]
Stephen Holden of The New York Times wrote, "As schematic as it becomes, Human Resources never loses its poignant human dimension. It is so beautifully acted that the cast, especially the nonprofessional actors playing the embattled factory workers, seems plucked from the streets of a provincial French town."[2] Sight & Sound described the film as "generous, sensitive and innovative. It is a film in which, in the widest possible sense, the personal is political."[5] Mick LaSalle of the San Francisco Chronicle said it "is a rare film about the class and educational divide that can happen even within families",[6] while Lisa Schwarzbaum of Entertainment Weekly called it "a compelling, cant-free drama about clashing class systems and challenged family relationships that's all the more engrossing for its organic, near-documentary style", and gave the film an "A-" grade.[7]