Regina (Lortzing) Explained

Composer:Albert Lortzing
Image Upright:0.8
Librettist:Lortzing
Language:German
Based On:Revolutions of 1848 in the German states
Premiere Location:Berlin State Opera

Regina is an opera in three acts by Albert Lortzing who also wrote the libretto. It was composed in 1848, the year of the revolutions in the German states and during Europe's "Springtime of the Peoples", but it was not premiered until 21 March 1899 when it was performed at the Berlin State Opera. It is a "" (liberation opera) and the first opera which takes place in a factory with workers who strike and chant freedom songs. The first production of the original opera was in 1998 at the Musiktheater im Revier in Gelsenkirchen.

Roles

RoleVoice type
Simon, a rich factory ownerbass
Regina, his daughtersoprano
Stephan, a foremanbaritone
Richard, a foreman and Regina's fiancétenor
Wolfgang, leader of a free corpstenor
Kilian, a clerktenorbuffo
Beate, a housemaidsoprano
Barbara, a peasant womancontralto
a maidservantmezzo-soprano
Workers, francs-tireurs, soldiers, citizens and servants

Synopsis

Act 1

In the beginning of the opera, workers are on strike and demand higher wages and general changes in the society. The foreman Richard, who is betrothed with Regina, the daughter of the factory owner, is able to appease the irate mood of the crowd. Another foreman, Stephan, who is also in love with Regina, joins a free corps that consists of political insurgents and occupies the factory. Moderate and radical workers face each other. A battle begins during which the factory is set on fire and Regina kidnapped.

Act 2

In act 2, Stephan and Regina are in a remote cabin. Regina tries to convince her abductor to change his mind when suddenly a simple employee enters the cabin and is mocked by the soldiers. Stephan leaves together with Regina.

Act 3

The two attain an ammunition dump Stephan intends to use as a hideout. Richard and his men, keen to liberate Regina, approach their hiding place and surround it whereupon Stephan threatens everyone to blow up the ammunition dump. Regina, however, shoots him before he is able to undertake the atrocity. The workers cheerfully chant paeans and songs of liberty. The opera closes with a patriotic song exalting the fight for a united and democratic Germany:[1]

RICHARDRICHARDHail to thee, freedom, adornment of all peoples,For thee we live, for thee we die.Flow, o blood, flow to the ground,O sweet death for the fatherland,O beautiful death of honour.O brightness, o victory, o path of glory!Forward, fatherland, forwardForward, fatherland, forward!

CHOIRO brightness, o victory, o path of glory

Forward, fatherland, forward!Forward, fatherland, forward
RICHARDRICHARDForward, forward, and be united,So that the people will hold all glory!One heart, one mind and one flag,The sign with which we triumphAnd which devastates our foe.O brightness, o victory, o path of gloryForward, fatherland, forward!Forward, fatherland, forwardCHOIRO brightness, o victory, o path of glory!Forward, fatherland, forwardForward, fatherland, forward!
RICHARD UND CHORRICHARD AND CHOIRForward, arm yourself and grab the sword,Let us protect the fatherland with hasty pace.One people, one army, one thunderous fightNow freedom's heyday approaches,The people will not be divided.O brightness, o victory, o path of glory!Forward, fatherland, forwardForward, fatherland, forward!

Reception

Regina is a "Freiheitsoper" (opera of liberty) and the first opera which takes place in a factory with striking workers and protagonists chanting songs of liberty. Although written in 1848, it was not staged until 21 March 1899. Due to political reasons, Regina was edited heavily by Adolph L’Arronge. Whereas the choir sang "Hail to thee, liberty!" in Lortzing's version, for example, L'Arronge changed it to "Long live Blücher!". Later editions were also heavily manipulated in order to fit the respective zeitgeist and the régime in power. The first staging of the original opera occurred on 13 March 1998 at the Musiktheater im Revier Gelsenkirchen, directed by Peter Konwitschny.[2]

Recordings

References

  1. The text of this particular song was written by Friedrich Stoltze whereas the rest of the libretto was penned by Lortzing himself.
  2. http://www.omm.de/veranstaltungen/musiktheater/GE-regina.html Premiere of the original version in Gelsenkirchen, 1998

Further reading

External links