| A Red, Red Rose | |
| Type: | Song |
| Composer: | Peter (Pietro) Urbani (1797)Niel Gow (1799)Traditional (1821) |
| Other Name: | My Love Is Like a Red, Red Rose |
| Text: | Robert Burns |
| Language: | Scots |
"A Red, Red Rose" is a 1794 song in Scots by Robert Burns based on traditional sources. The song is also referred to by the title "(Oh) My Love is Like a Red, Red Rose" and is often published as a poem. Many composers have set Burns' lyric to music, but it gained worldwide popularity set to the traditional tune "Low Down in the Broom"
My love is like a red red rose
That's newly sprung in June;
O my Love's like the melodie
That's sweetly play'd in tune;
As fair art thou, my bonnie lass,
So deep in love am I;
And I will love thee still, my dear,
Till a' the seas gang dry;
Till a' the seas gang dry, my dear,
And the rocks melt with' the sun;
And I will love thee still, my dear,
While the sands o' life shall run.
And fare thee well, my only Love
And fare thee well, a while!
And I will come again, my Love,
Tho' it were ten thousand mile.
In the final years of his short life, Burns worked extensively on traditional Scottish songs, ensuring the preservation of over 300 songs, including "Auld Lang Syne". He collaborated with James Johnson on a folk music collection called the Scots Musical Museum (published in six volumes between 1787-1803). Burns also contributed to George Thomson's five-volume A Select Collection of Original Scottish Airs for the Voice (1793–1841).[1]
Burns intended "A Red, Red Rose" to be published in Thomson's collection. In 1794, he wrote to Alexander Cunningham that he and Thomson disagreed on the song's merits, "What to me appears to be the simple and the wild, to him, and I suspect to you likewise, will be looked on as the ludicrous and the absurd."[2]
At the time, Thomson's publishing project was rivaled by the Italian musician Pietro Urbani who called his anthology A Selection of Scots Songs. Burns and Urbani spent three days together in 1793, collaborating on various songs. Burns recalls, "I likewise gave (Urbani) a simple old Scots song which I had pickt up in this country, which he had promised to set in a suitable manner. I would not even have given him this, had there been any of Mr Thomson's airs, suitable to it, unoccupied." Urbani began to boast of a partnership with Burns on the Scots Songs anthology. Burns called this a "damned falsehood", and ended their friendship.
Nevertheless, Urbani was the first to press with "A Red, Red Rose" in 1794, publishing it in the second book of his anthology.[3] In his book, Urbani coyly refers to Burns without naming him, "the words of the RED, RED ROSE were obligingly given to him by a celebrated Scots poet, who was so struck by them when sung by a country girl that he wrote them down and, not being pleased with the air, begged the author to set them to music in the style of a Scots tune, which he has done accordingly."
Burns is best understood as a compiler or a redactor of "A Red, Red Rose" rather than its author. F.B. Snyder wrote that Burns could take "childish, inept" sources and turn them into magic, "The electric magnet is not more unerring in selecting iron from a pile of trash than was Burns in culling the inevitable phrase or haunting cadence from the thousands of mediocre possibilities."[4]
One source that is often cited for the song is a Lieutenant Hinches' farewell to his sweetheart, which Ernest Rhys asserts is the source for the central metaphor and some of its best lines.[5] Hinches' poem, "O fare thee well, my dearest dear", bears a striking similarity to Burns's verse, notably the lines which refer to "ten thousand miles" and "Till a' the seas gang dry, my dear".[6] A ballad originating from the same period entitled "The Turtle Dove" also contains similar lines, such as "Though I go ten thousand mile, my dear" and "Oh, the stars will never fall down from the sky/Nor the rocks never melt with the sun".[7] Of particular note is a collection of verse dating from around 1770, The Horn Fair Garland, which Burns inscribed, "Robine Burns aught this buik and no other".[8] A poem in this collection, "The loyal Lover's faithful promise to his Sweet-heart on his going on a long journey" also contains similar verses such as "Althou' I go a thousand miles" and "The day shall turn to night, dear love/And the rocks melt in the sun".
An even earlier source is the broadside ballad "The Wanton Wife of Castle-Gate: Or, The Boat-mans Delight", which dates to the 1690s.[9] Midway through the ballad, Burns' first stanza can be found almost verbatim: "Her Cheeks are like the Roses, that blossoms fresh in June; O shes like some new-strung Instrument thats newly put in tune." The provenance for such a song is likely medieval.[10]
Pietro Urbani was the first composer to score Burns' poem in 1794. Like most of the pieces in Scots Songs, it is orchestrated for a small chamber ensemble of 2 violins, viola, and harpsichord. Unlike most other settings of the poem, Urbani puts it in, which creates certain metrical problems that results in missplaced stresses. At one point, Urbani even has to add a word to fit his chosen meter. Though his is the original setting of "Red, Red Rose", it is little known and rarely performed.[1]
Burns specified the melody that he had in mind for "Red, Red Rose" in a letter to James Johnson, "The tune of this song is in Niel Gow's first Collection & is called there 'Major Graham'-it is to be found page 6th of that Collection."[11] Niel Gow's A collection of Strathspey Reels appeared in 1784. He later published two more collections. "Major Graham" is so similar to an earlier song called "Miss Admiral Gordon's Strathspey" that one writer referred to Gow's tune as a "palpable plagiarism".[12]
Johnson dutifully set "A Red, Red Rose" to Gow's "Major Gordon" as per Burns' instructions and published it as song number 402 in the fifth volume of Scots Musical Museum in 1797. This tune bears striking similarities to the eventual melody which would make the song famous, and "Major Gordon" is often mislabeled as the source. Johnson also included an "Old Set" version of "Red, Red Rose" as song number 403.[13] It has been suggested that it is the "Old Set" version which contains the actual melody Burns heard sung in the country.
Johnson's setting of "A Red, Red Rose" has been recorded by Jean Redpath.
George Thomson finally did get around to publishing "A Red, Red Rose" as song number 89 in the fourth volume of his Original Scottish Airs, which appeared in 1799. Thomson attributes the melody to William Marshall, calling it "Whishaw's Favorite".[14] Marshall's tune is actually called "Mrs. Hamilton of Wishaw's Strathspey", and it was published in the composer's Early Scottish Melodies.[15] Thomson's choice yielded similarly clumsy results as Urbani's, requiring alterations and additions to Burns' text to fit Marshall's melody.