| Recovering the Satellites | |
| Type: | studio |
| Artist: | Counting Crows |
| Cover: | CountingCrowsRecoveringTheSatellites.jpg |
| Alt: | A green cover with a crude drawing of a star and the name of the album and artist's names scrawled on it |
| Recorded: | January–March 1996, Hollywood, San Francisco and The Sound Factory, Hollywood |
| Genre: | Alternative rock |
| Label: | Geffen |
| Producer: | Gil Norton |
| Prev Title: | August and Everything After |
| Prev Year: | 1993 |
| Next Year: | 1998 |
Recovering the Satellites is the second studio album by American rock band Counting Crows, released on October 15, 1996, in the United States. Released three years after their debut album (and two years of worldwide touring), it reached No. 1 in the United States and was a top seller in Australia, Canada, and the UK as well. The album featured founding Counting Crows members Adam Duritz, David Bryson (guitar), Charlie Gillingham (keyboards), Matt Malley (bass), as well as new additions Ben Mize (drums) and Dan Vickrey (guitars).[1] Multi-instrumentalist David Immerglück played on the album as a session musician as well. Counting Crows brought in producer Gil Norton for Recovering the Satellites. (The track "Miller's Angels" was produced by Marvin Etzioni.) Three singles were released from the album, with "A Long December" being the best charting, reaching number 6 on the US Radio Songs chart[2] and number 1 in Canada. The album itself peaked on the top spot of the Billboard Hot 200 album chart and has been certified double-platinum in both the US and Canada.
As with their debut album August and Everything After, the band recorded this album by renting a large house and using the acoustics of that space for unique sounds.
Vocalist Adam Duritz recorded two songs on piano with friends of his in Soul Rebels Brass Band that he could not figure out how to sequence with the rest of this album. "Chelsea" would end up being a bonus track on and "Good Luck" was presumed lost for several years, until in the early 2020s, HBO contacted Geffen Records to make a documentary on the band and they found the original masters of these recordings as well as video performances.[3]
Writing for Rolling Stone, Anthony DeCurtis gave the album four out of five stars. He said that the band's second album develops the sounds of August and Everything After and that they "largely achieve their serious ambitions". He praised Adam Duritz's lyrics and called the album "deeply satisfying". Andy Gill from The Independent gave the album a more negative review. He criticized Duritz's song-writing as "self-pity[ing]" and called him a "classic solipsistic soul-barer, he just won't shut up about himself". He called the album "bland" with "obvious" influences (including R.E.M., Bruce Springsteen and Lynyrd Skynyrd). Gill had some praise for producer Gil Norton's work on the album.
In a review for Entertainment Weekly, Ken Tucker also had negative feelings about the album, and gave it a "C" grade. He criticized Duritz's "yowling" and "moans" and called Counting Crows a "pastiche of its influences". The Los Angeles Times concluded that "there are precious few of the killer pop hooks that made such songs as 'Mr. Jones' and 'Round Here' irresistible despite their lack of originality."
In a review for AllMusic, Stephen Thomas Erlewine called the album a "self-consciously challenging response" to their successful debut album. He described the songs as "slightly more somber" than those on the first album but "more affecting". He noted an occasional "pretentiousness" on the album but praised "A Long December" as particularly articulate.
All tracks written by Adam Duritz unless otherwise indicated