| Real Muthaphuckkin G's | |
| Cover: | Real Compton City G's.jpg |
| Type: | single |
| Artist: | Eazy-E featuring Gangsta Dresta and B.G. Knocc Out |
| Album: | It's On ( |
| Recorded: | 1993 |
| Genre: | G-funk,[1] gangsta rap[2] |
| Length: | 5:32 |
| Label: | |
| Producer: | Rhythm D |
| Chronology: | Eazy-E |
| Prev Title: | Merry Muthaphukkin' Xmas |
| Prev Year: | 1992 |
| Next Title: | Any Last Werdz |
| Next Year: | 1994 |
"Real Muthaphuckkin G's," or "Real Compton City G's" in its radio edit, is a diss track released as a single in August 1993 by American rapper Eazy-E with guest rappers Gangsta Dresta and B.G. Knocc Out. Peaking at #42 on Billboard
Dresta wrote his own verses and ghostwrote Eazy-E's verses, and B.G. Knocc Out wrote his own verse. They performed the song live at 92.3 The Beat Summer Jam in 1994.
In 1991, Dr. Dre left N.W.A and, with Suge Knight, launched Death Row Records. It released Dre's The Chronic, which in 1993 broke gangsta rap onto pop radio. On the album, Dre and guest rapper Snoop Doggy Dogg, a star on the rise at the time, diss Eazy-E in skits, in the single "Fuck wit Dre Day" plus its music video, and, closing the album, in the hidden track "Bitches Ain't Shit."[5] [6]
To seize the moment, Eazy planned an EP, shorter than an album. Its lead single originally slated was "It's On."[7] But an Eazy associate got word of two halfbrothers, both Nutty Blocc Compton Crips, who rapped. Recently released from several years of youth incarceration, Dresta had forged his rap skill through activities inside, whereby his reputation preceded him onto the streets.
Visiting the brothers' house, Eazy's associate found Dresta and took him to the studio, where Eazy told him tales of Dre. Dresta, thereby forming the song concept, wrote all the lyrics for an Eazy and Dresta duet. Yet the next day, Dresta brought to the studio his brother Knocc Out, who, improvising it on the spot, added a verse. And so Eazy's leading answer to Dre became "Real Muthaphuckkin G's."
The three "Real Muthaphukkin G's" rappers, claiming gangster authenticity, mock Dre and Snoop as "studio gangstas" who are in fact from the suburbs, though Dre promotes himself as sharing Eazy's famously tough hometown of Compton, California.[8] Also disputing Dre's masculinity, Eazy alludes to Dre's androgynous styling, by attire and makeup, in the 1980s DJ crew World Class Wreckin' Cru, which, in line with Los Angeles County's hip hop scene until N.W.A, was also an electro rap group,[9] occasionally donning glitzy styling.[10] In the process, Eazy briefly disses Snoop as an "anorexic rapper" who weighs "60 pounds" when "wet and wearing boots."
Back to Dre, Eazy disparages the sentiment that beating a woman makes one a man, as Dre's assault of TV personality Dee Barnes was highly publicized.[11] Further, Eazy refers to the single "Fuck wit Dre Day" as "Eazy's pay day." Dre's contract with Eazy's label, Ruthless Records, left Eazy profiting from Dre's earnings through Death Row.[12]
The music video, written and directed by Eazy-E's longtime Ruthless video director Marty Thomas, was shot in Compton. It opens with aerial shots of Compton streets and scenes of lowriders, gangsters, and the metro Blue Line. There are numerous cameo appearances: Kokane, Rhythm D, Cold 187um, Dirty Red, Krazy Dee, Steffon, H.W.A., DJ Slip from Compton's Most Wanted, Young Hoggs, Blood of Abraham, K9 Compton, and Tony-A.
Once Eazy-E, on camera, raps, "All of a sudden, Dr. Dre is the G thang / But on his old album covers, he was a she-thang," shown is a photo of Dre on a World Class Wreckin' Cru album cover, predating N.W.A, wearing a white, sequined jumpsuit and detectable makeup. Related cover photos appear several times during the video. On the other hand, nearly closing the video, in Eazy's hand, artificially blurred out, is perhaps a pistol while he alleges that if disobedient, Dre would get popped by Suge Knight's Smith & Wesson.
Previously, in Dr. Dre's music video for "Fuck wit Dre Day," actor and comedian Anthony "A. J." Johnson parodies Eazy-E as "Sleazy-E." In the "Real Muthaphuckkin G's" video, A. J. reprises the Sleazy-E role. As Eazy-E's music video opens, still jittering, Sleazy stands roadside, holding up the sign WILL RAP FOR FOOD. But Eazy's posse, including Dresta and Knocc Out, chase him through town, and finally pull him into a van. As the video closes, Sleazy lies, apparently dead, at his original, roadside spot. The clean version's video closes instead with Sleazy, running again, falling flat at a Leaving Compton sign.
Although paid in advance, Johnson failed to appear for his second of two days shooting.[12] Eventually, he publicly confirmed the speculation that he had been threatened by Death Row or by its associates. Johnson explained that Suge Knight had summoned him to his office and threatened him with a gun, eliciting A. J.'s agreement to abandon the video shoot. Johnson informed Eazy of the threat, and recommended fellow comedian Arnez J to replace him in the video.