| Real Estate | |
| Type: | studio |
| Artist: | Real Estate |
| Cover: | Realestatealbum.jpg |
| Recorded: | 2008–2009 |
| Studio: | Rear House , Yeah Buddy HQ |
| Length: | 39:14 |
| Label: | Woodsist |
| Producer: | Real Estate |
| Next Title: | Reality |
| Next Year: | 2009 |
Real Estate is the debut album by American indie rock band Real Estate, released on on Woodsist.[1]
Future Real Estate founders Martin Courtney, Matt Mondanile and Alex Bleeker had already played music together in various permutations as students at Ridgewood High School in Ridgewood, New Jersey. While studying in different colleges, they kept in touch and would send each other songs that they had worked on individually. Courtney's demos were impressive enough to inspire them to form another band after graduating and returning home to Ridgewood in 2008. They were joined on drums by Etienne Pierre Duguay, who had formed a band called Predator Vision with Mondanile in Northampton and also played with Mondanile, Courtney and Bleeker as the backing band for Julian Lynch. The quartet jammed in the basement of Courtney's parents' house, and when Bleeker moved to Philadelphia, the other three continued working on music. Eventually Bleeker returned, and after playing guitar since high school, he was asked to play bass to make it easier to sing for Courtney, who had played bass throughout high school and had recently picked up guitar to write songs.[2]
Most of Real Estate's debut album was recorded from January until June 2009 at Yeah Buddy HQ in Glen Rock, New Jersey, a studio operated by the band's childhood friend Sarim "Sam" Al-Rawi. "Suburban Dogs" was recorded at Courtney's mother's house, while "Fake Blues" was recorded at Courtney's apartment.[3]
The artwork for the album comes from Italian architect Paolo Soleri's model for his 'Hexahedron City', from his 1969 book Arcology: The City in the Image of Man published by the MIT Press. The book details Soleri's architectural concept arcology, a vision of architectural design principles for very densely populated habitats.[4]
Real Estate received largely positive reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 15 reviews, which indicates "generally favorable reviews".[5] Pitchfork labeled it "Best New Music".