Raymond MacDonald | |
Years Active: | 1985 - present |
Website: | https://raymondmacdonald.co.uk |
Origin: | Glasgow |
Instrument: | Saxophone |
Occupation: | Musician and Academic |
Raymond MacDonald is a saxophonist, composer and psychologist with an extensive career in music, cross-disciplinary arts and academia.[1] Much of his work explores the boundaries and ambiguities between what is conventionally seen as improvisation and composition.[2] As a saxophonist and composer, MacDonald has released over 60 CDs, toured and broadcast worldwide and has composed music for film, television, theatre, radio and art installations.[3] He is currently Professor of Music Psychology and Improvisation at Edinburgh University and his recent book, The Art of Becoming: How Group Improvisation Works (co-authored with Graeme Wilson) explores the nature of improvisation. MacDonald has also co-edited five texts and published over 80 academic papers and book chapters.[4]
MacDonald was born in Glasgow (Scotland) to a family steeped in the arts (his father Hamish MacDonald was a renowned contemporary artist) and studied at Glasgow University, where he obtained a PhD in psychology studying the therapeutic effects of music for individuals with learning difficulties.[5] [6] [7] After completing his PhD, MacDonald worked as artistic director for Limelight, a music production company specialising in training and developmental opportunities for people with impairments.[8] [9]
MacDonald’s work is informed by a view of improvisation as a social, collaborative and uniquely creative process that provides opportunities to develop new ways of engaging musically. He plays in many collaborative free improvisatory contexts, and his roots in jazz and pop music can be heard across all areas of his performance and composition.[10] His unique approach of combining music and psychology and incorporating other artistic disciplines has been used to develop collaborative projects and ongoing working relationships around the world.[11] He began his performing career playing guitar in Remember Fun, as part of the indie scene in Glasgow in the late 1980s and moved into jazz playing with saxophone quartet The Hung Drawn Quartet and a jazz trio, Another Hairdo.[12]
MacDonald has collaborated with musicians across the spectrum of international contemporary music, such as Marilyn Crispell (US), George Lewis (US), David Byrne (UK/US), Jim O’Rourke (US), Damo Suzuki (JP/DE), Kang Tae Hwan (KR), Axel Dorner (DE), Tatsuya Nakatani (JP), Tony Buck (AU), Michael Zerang (US), Fred Lonberg-Holm (US) Satoko Fujii (JP) and Natsuki Tamura (JP).[13] His list of UK collaborators is equally extensive, and includes Evan Parker, Nurse with Wound, Fred Frith, Keith Tippett, Barry Guy, Harry Beckett, Keith Rowe, Lol Coxhill, Maggie Nicols, Steve Noble, Steve Beresford, the London Improvisers Orchestra (LIO), and Future Pilot A.K.A. He is a founding member of the Glasgow Improvisers Orchestra (GIO) and co-leads the George Burt-Raymond MacDonald Quartet. He plays with Alister Spence and Sia Xray in Sensaround and has long standing duo partnerships with Marilyn Crispel and Gunter “Baby” Sommer.[14]
MacDonald instigates and collaborates on cross-disciplinary projects and has worked with visual artists, dancers, writers and filmmakers. Cross-disciplinary projects include collaborations with Christine Borland, Simon Starling, Martin Boyce, Douglas Copland, a BBC Radio 3 commission Between the Ears for Burt-MacDonald Quintet (BMacD5), and an ongoing collaboration Scarecrows & Lighthouses with Boyce and David Mackenzie.[15] [16] [17] MacDonald has also worked with Mackenzie on film soundtracks, including Young Adam (2003), Outlaw King (2018) and short film What is Essential? that debuted on Netflix as part of their anthology series Homemade, (2020).[18] [19] Other contributions to music for film and TV include soundtracks for Nicolas Winding Refn's Valhalla Rising (2010), and Scottish Television series Taggert.
BaracudaRaymond MacDonald & Neil Davidson | Iorram Records, 2021 | |
ContentmentRemember Fun | Firestation Records, 2021[30] | |
SassRaymond MacDonald & Gordon MacLean | FMR Records, 2020 | |
Two Down to Eight Raymond MacDonald & Giles Lamb | Absentia Sound Works, 2020 | |
Return To Y’Hup – The World of Ivor Cutler Citizen BravoRaymond MacDonald & Friends | Chemikal Underground, 2020 | |
Seas in CitiesRaymond MacDonald and George Burt | Tob Records, 2019 | |
HeartNoiseSensaround | hellosQuare Recordings, 2019 | |
Energy BeingGlasgow Improvisers Orchestra & Maggie Nicols | FMR Records, 2019 | |
Sound HotelAlister Spence & Raymond MacDonald | Alister Spence Music, 2018 | |
Songs Along the WayRaymond MacDonald & Marilyn Crispell | Babel Label, 2018 | |
Parallel Moments Unbroken Glasgow Improvisers Orchestra | FMR Records, 2018 | |
Near & FarRaymond MacDonald & Jer Reid | Gruff Wit Records, 2018 | |
The Word For It NowGlasgow Improvisers Orchestra | FMR Records, 2017 | |
GIO SevensGlasgow Improvisers Orchestra | Tob Records, 2017 | |
Cast of ThousandsRaymond MacDonald & Graeme Wilson | Creative Sources Recordings, 2016 | |
Travelog Sensaround | hellosQuare Recordings, 2016 | |
Isotropes Sensaround | hellosQuare Recordings, 2015 | |
Parallel MomentsRaymond MacDonald & Marilyn Crispell | Babel Label, 2014 | |
Artificial LifeGlasgow Improvisers Orchestra with George Lewis | FMR Records, 2014 | |
Schweben – Ay, but can ye? (with Glasgow Improvisers Orchestra & Barry Guy) | Maya Recordings, November 2012 | |
Stepping Between the ShadowsAlister Spence & Raymond MacDonald | Rufus (RF95), April 2012 | |
Improcherto (with Glasgow Improvisers Orchestra, Evan Parker & Lol Coxhil) | Iorram Records, January 2012[31] | |
Linn Flax(with David Stackenas) | Iorram Records, January 2011[32] | |
Buddy(The Raymond MacDonald International Big Band with Jim O'Rourke & Toby Hall) | Textile Records, November 2010 | |
Cities(with Satoko Fujii, Natsuki Tamura, Neil Davidson & Tom Bancroft) | Nu-Jazz Europe, January 2008 | |
Street Level(with Peter Nicholson) | Iorram Records, 2009[33] | |
Metamorphic Rockwith Glasgow Improvisers Orchestra & George Lewis | Iorram Records, January 2009[34] | |
Other Voiceswith Aoife Mannix | Nu-Jazz Europe, 2009 | |
Constant WeaveRaymond MacDonald & George Burt | Iorram Records, 2009 | |
CarnivalRaymond MacDonald & Neil Davidson | Iorram Records, 2008 | |
Separately & TogetherGlasgow Improvisers Orchestra & London Improvisers Orchestra | Emanem, 2008 | |
FalkirkGlasgow Improvisers Orchestra & Barry Guy | FMR Records, 2007 | |
Delphinius & LyraGünter 'Baby' Sommer & Raymond MacDonald | Clean Feed Records, 2007 | |
Dark in Light CornersRich in Knuckles | Creative Sources Recordings, 2007 | |
AporiasRaymond MacDonald, Tatsuya Nakatani, Neil Davidson, Peter Nicholson & Nick Fells | Creative Sources Recordings, 2007 | |
One BlokeGeorge Burt Raymond MacDonald Quintet | Textile Records, 2007 | |
FlapjackRaymond MacDonald & Neil Davidson | FMR Records, 2006 | |
Boo Hoo FeverGeorge Burt - Raymond MacDonald Sextet | Leo Records, 2007 | |
Listen BigRich in Knuckles | ISIS Music, 2005 | |
The Great Shark HuntGeorge Burt - Raymond MacDonald Septet | FMR Records, 2005[35] | |
Which Way Did He Go?Glasgow Improvisers Orchestra & Maggie Nicols | FMR Records, 2005 | |
Hotel DilettanteGeorge Burt - Raymond MacDonald Quintet | Textile Records, 2005 | |
A Day for a ReasonGeorge Burt - Raymond MacDonald Sextet with Keith Tippett | Tob Records, 2005 | |
AsylumGiles Lamb & Raymond MacDonald | Deluge & Guitary, 2005 | |
Munich & GlasgowGlasgow Improvisers Orchestra & Evan Parker | FMR Records, 2004 | |
Pop CornGeorge Burt - Raymond MacDonald Octet | FMR Records, 2004 | |
Coxhill StreetGeorge Burt - Raymond MacDonald Quartet with Lol Coxhill | FMR Records, 2002 | |
TsunamiGeorge Burt - Raymond MacDonald Quartet | FMR Records, 2001 | |
Train JourneysRemember Fun | Matinee, 2001 | |
Hey There You HosersHung Drawn Quartet | HDQ, 2001 | |
Big Brothers George Burt - Raymond MacDonald Quartet | BMacD, 2000 | |
Oh HelloGeorge Burt - Raymond MacDonald Quartet | BMacD, 1998 | |
A Train in the DistanceHung Drawn Quartet | HDQ,1995 |
Get while the getting is good Compilation | Aufgeladen und Bereit, 2006 | |
Secrets from the Clock HouseFuture Pilot AKA | Creeping Bent, 2006 | |
The Electronic Bible Chapter One Compilation | White Label, 2004 | |
Lead us not into TemptationDavid Byrne | Thrill Jockey, 2003 | |
Salute Your SoulFuture Pilot AKA | Geographic, 2003 | |
You don't need darkness Compilation | Geographic, 2002 | |
Séance at Hobbs LaneMount Vernon Arts Lab | Topcities, 2001 | |
Tiny Waves Mighty SeaFuture Pilot AKA | Geographic, 2001 | |
Be-Bop to Hip-Hop Compilation | Demus, 1996 | |
The Rise of the Phoenix Compilation | Optimum, 1989 | |
Airspace Compilation | EGG Records 1989 | |
A Lighthouse in the Desert Compilation | EGG Records 1989 |
Between 2000-2012, MacDonald worked in the Psychology Department at Glasgow Caledonian University where he led the Glasgow Caledonian Music Psychology Research Group. Since 2012 he has held the position of Professor of Music Psychology and Improvisation at Edinburgh University and was Head of The School of Music between 2013 and 2016. He was editor of the journal Psychology of Music between 2006 and 2012.[36] He runs workshops and lectures internationally on issues relating to composition, improvisation, music education, health and wellbeing and musical communication.