Ray Albano Explained

Ray Albano
Birth Name:Raymundo Albano
Birth Date:1947 1, df=yes
Birth Place:Bacarra, Ilocos Norte, Philippines
Death Place:Manila, Philippines
Occupation:Curator, painter, poet
Nationality:Filipino
Alma Mater:Ateneo de Manila University

Raymundo "Ray" Albano (1947–1985)[1] was a Filipino curator, art critic, writer, poet, painter, and scholar who served as museum director of the Cultural Center of the Philippines from 1970 until his death in 1985.[2] [3] [4]

Biography

Raymundo Albano was born in Bacarra, Ilocos Norte on 27 January 1947. He studied at the Ateneo de Manila, earning a bachelor's degreein 1968 with the distinction of receiving the John Mulry Award for Literary Excellence.[5] Shortly after, he held his first one-man exhibition at Joy T. Dayrit's Print Gallery. He exhibited thereafter with the Luz Gallery, the ABC Galleries, and Sining Kamalig. He was named among the recipients of the first Thirteen Artists Award by the Cultural Center of the Philippines in 1970. In 1974, he won an Honorable Mention in the Tokyo Biennale of International Prints. In 1977, Albano received a grant as Artist-in-Residence under the Fulbright-Hayes Fund International Exchange of Scholars at the University of the Pacific, Stockton, California, USA.[6]

Paintings

Raymundo Albano's works are often credited as precursors of conceptual art in the Philippines along with the work of his contemporary Roberto Chabet. His paintings are mostly abstractions that incorporate found objects. Several pieces are in the collection of the Metropolitan Museum of Manila, the Cultural Center of the Philippines, Singapore Art Museum, and the National Museum of Fine Arts of the Philippines, aside from prestigious private collections.[1] [6]

Curator

Albano was the curator of several exhibitions showcasing the art from the Philippines such as the Philippine Collection for the Asian Art Festival held at the Fukuoka Art Museum, Japan, and the Philippine Sceneries Show in Beijing, China. Albano succeeded Roberto Chabet as Museum Director of the Cultural Center of the Philippines (CCP) in 1970.[7] He introduced the exhibition of multimedia works during his tenure at the CCP and also personally designed several exhibition posters. He is a founding partner of Finale Art File, one of the oldest contemporary art galleries in Manila.

Poetry

Ray Albano started writing poetry in the 1950s as a high school student in San Sebastian College, where he wrote for the school paper. In Ateneo he contributed poems to Heights, the university's literary journal. According to curator and scholar Patrick D. Flores, Albano is considered to be in the league of Filipino modernists, Aurelio Alvero, Hernando R. Ocampo, and David Medalla. The poet Emmanuel S. Torres wrote about Raymundo R. Albano's poetic style as "at once abstractive and pictorial—not as posture but as fluent assertion of a fully achieved sensibility."[6]

Recognition

Ray Albano is currently the subject of a number of exhibitions that examine his influential role as a pioneering artist-curator in the Philippines. He has been featured in a retrospective exhibition at the Vargas Museum in 2017 and at a special exhibition at the Art Fair Philippines in 2019.[8]

Illness and death

Ray Albano suffered from frequent asthma attacks and scoliosis for most of his life and had to walk with a limp. His unusual posture earned him the monicker "The Quasimodo of the Cultural Center" which he self-mockingly referred to himself. He died in 1985 at the age of 38.[1] [6] [7] [9]

Bibliography

Raymundo Albano's curatorial work, artworks, and literary pieces are used and discussed in the followings scholarly texts:

See also

Notes and References

  1. Web site: Marcelo . Sam . Ray Albano: Homo ludens, a playful man . Business World . 20 February 2019 . 18 June 2020.
  2. Web site: De Veyra . Devi . The persistent giants and karmic allies of Ray Albano . news.abs-cbn.com . ABS-CBN . 19 June 2020.
  3. Web site: Marcelo . Sam . Ray Albano: Homo ludens, a playful man . Business World . 20 February 2019 . 18 June 2020.
  4. Book: Shabbir Hussain Mustafa, Seng Yu Jin . Suddenly Turning Visible Art and Architecture in Southeast Asia (1969–1989) . November 2019 . National Gallery Singapore . 9789811406522 . 312 . 12 June 2020.
  5. Web site: De Veyra . Devi . The persistent giants and karmic allies of Ray Albano . ANCX . ABS-CBN . 18 June 2020.
  6. Web site: Albano . Raymundo . Texts . Philippine Contemporary Art Network . PCAN . 18 June 2020.
  7. Web site: Bentcheva . Eva . From Ephemeral Experiences to Lasting Legacies: Discourses on Experimental Art in the Philippines during the 1960s and 1970s . Tate . 18 June 2020.
  8. Web site: Santiago . Katrina . Play, collaboration, critique: The genius of Ray Albano . https://web.archive.org/web/20190314074116/http://cnnphilippines.com/life/culture/arts/2019/3/5/ray-albano-profile.html . dead . 14 March 2019 . CNN Philippines . CNN . 18 June 2020.
  9. Bentcheva . Eva . Conceptual Slippages: Reading between the Lines of the Roberto Chabet Archive. . Southeast of Now: Directions in Contemporary and Modern Art in Asia . October 2019 . 3 . 2 . 13–44 . 10.1353/sen.2019.0023 . 18 June 2020. free .