Raskolnikow (film) explained

Raskolnikow
Director:Robert Wiene
Producer:Robert Wiene[1]
Screenplay:Robert Wiene
Starring:
Cinematography:Willy Goldberger
Studio:Neumann-Film-Produktion GmbH
Distributors:-->
Country:Germany

Raskolnikow is a 1923 German silent drama film directed by Robert Wiene. The film is an adaptation of the 1866 novel Crime and Punishment by Fyodor Dostoyevsky.[2]

The film is characterised by Jason Buchanan of AllMovie as a German expressionist view of the story: a "nightmarish" avant-garde or experimental psychological drama.[3] It premiered at the Mozartsaal in Berlin.[4]

Cast

Reception

In a retrospective review by Tim Pulleine in the Monthly Film Bulletin that the film was "a conventional prestige opus of the day."[5] Pulleine opined that the dramatisation of the novel was "tolerably effective, barring a few lapses into excessive histrionics (Marmeladov's expiatory confession of alcoholism might have looked extreme in a temperance melodrama)." Pulleine also found that the "most basic problem [...] is that the set designs create a rebarbative dichotomy within the film, since-apart perhaps from the sequences taking place on the stairway leading up to a pawnbroker's flat-the performers are not spatially integrated into the settings but remain obstinately on a separate plane of stylisation."

Bibliography

Notes and References

  1. Web site: Raskolnikow. Filmportal.de. 7 February 2020.
  2. Monthly Film Bulletin. Raskolnikov. British Film Institute. June 1979. 46. 545. Pulleine. Tim. 135.
  3. Web site: Buchanan . Jason . Raskolnikow . Allmovie . 29 June 2013.
  4. Uli & Schatzberg p.100
  5. Monthly Film Bulletin. Raskolnikov. British Film Institute. June 1979. 46. 545. Pulleine. Tim. 136.