| Ramchandra PN | |
| Birth Place: | Udupi, Karnataka |
| Occupation: | Film director, producer and screenwriter |
| Spouse: | Sushma PN |
Ramchandra P. N. is a filmmaker making feature films, short films, documentaries and TV programs. in India. He is a Tuluva based in Mumbai.
Ramchandra Perampalli Neckar was born in the town of Udupi in the erstwhile undivided Dakshina Kannada District (now Udupi District) in the coastal area of the state of Karnataka in southern India, in 1965. His father worked in the Life Insurance Corporation of India; his mother was a housewife. Ramchandra PN completed his education in various schools and colleges in Kota, Kundapura, Mumbai, Manipal, Dharwad and Udupi. He is a commerce graduate from Mangalore University.
Ramchandra PN's initial foray into the arts got kindled during his college days in Poornaprajna College, Udupi. After unsuccessful attempts at learning disciplines as varied as the guitar, drawing and the traditional performing art of Yakshagana, he got involved in theatre as an actor as well as a back stage worker in various plays directed by Kannada theatre directors from Coastal Karnataka like B. R. Nagesh, Udyavara Madhava Acharya, Ramdas and R. L. Bhat. Meanwhile, he horned his still photography skills, thanks to a Pentax still camera donated to him by his uncle. He then attuned his creative instincts by attending various theatre workshops conducted by renowned Kannada theatre personalities like Chidambar Rao Jambe and Gangadhar Swamy. For a couple of years, he along with his friends led by theatre activist Udyavara Nagesh Kumar founded a mime troupe that performed in various festival celebrations, in and around the town of Udupi.
But Ramchandra PN's real calling was films. He was an active member of the now-defunct Chitra Samudaya, a Film society that was active in Udupi whose secretary owned a 16 mm projector. By the time he was in his twenties he had already seen classics like The Seventh Seal, Bicycle Thieves, Pather Panchali, Rashomon and Ghatashraddha. At the age of nineteen, he along with his cousin and their friends made a short film called Happy Birthday with a VHS camera loaned by a friend whose father worked in the Middle East. Since they had no editing facilities then, they shot the film in the editing order.
Ramchandra PN's growing interests in films took him to Mangalore, Heggodu and Bengaluru where he attended various film appreciation courses conducted by the likes of K. V. Subbanna, Satish Bahadhur, P.K. Nair, Nirad Mahapatra, Hariharan, Girish Kasaravalli and Abdul Rehaman Pasha. Finally, in 1987 dropping out from his Law and Charted Accounting studies, he joined the Film and Television Institute of India, Poona to do a three-year course in Film Direction and Screenplay Writing. His diploma film Gotala was screened in the then Bombay Short and Documentary Film Festival, held in the early 1990s.
After graduating from Film and Television Institute of India (FTII), Ramchandra PN thought he would settle down in Bengaluru, the capital of his home state Karnataka. Thanks to a cousin, he sneaked into the mainstream Kannada film industry and worked in the Kannada super star Vishnuvardhan's bilingual film called Police Dada; where he was the 8th assistant to the Hindi film directors Ramsay brothers. But after a schedule of filming, Ramchandra PN found out that commercial mainstream cinema was not his cup of tea.
He came to Mumbai in 1991 and got himself involved in the Television serial Surabhi a cultural show that was experimenting with the TV magazine format, produced by anchor Siddharth Kak. Over the next ten years, as a freelancer, he directed more than hundred short documentaries for this cultural show, subjects mainly pertaining to his home state of Karnataka – on Gangubai Hanagal, Mallikarjun Mansur, Shivaram Karanth, B.V. Karanth, Vijaynath Shenoy's Hastha Shilpa, the Hampi Ruins, the Hoysala Temples, Mysore Ganjifa, the professional stage actresses of Mariyammanahalli, cock fights, the Electronic tampura, the Lokur Joint family in North Karnataka, the Coastal Buffalo race of Kambala among others.
Ramchandra PN has been residing in Mumbai since 1990. Over the years he gradually ventured into other TV programs, feature films, documentaries and short films in English, Hindi, Kannada, Marathi, Bengali, Kutchhi and Tulu languages.
Ten years into doing television, Ramchandra PN found himself in the crossroads of his career for he had not yet made his feature film – the very purpose for which he joined FTII in the first place. Taking advantage of the newly developing digital technology, in the year 2004, with the help of his assistant Surendra Kumar Marnad and friend Mohan Marnad he ventured in producing and directing the first digital feature film in Tulu language called Suddha (The Cleansing Rites). This no-cost film went on to win the Best Indian Film at the 2006 Osian's Cinefan Festival of Asian and Arab films that was held in New Delhi. In 2007 it won a modest exhibition Grant from the Hubart Balls fund under which Ramchandra PN went around with a mobile projector, a portable screen and a sound system to screen the film in more than 100 places in the remote villages of the Tulu-speaking districts of Coastal Karnataka.
In 2008, he shot his second feature Putaani Party (The Kid Gang) – this time in Kannada language and in the district of Dharwad in North Karnataka. This film was produced by The Children's Film Society of India. This film won the Best Children's film at the 2009 National Film Awards.
Ramchandra PN has completed his third feature Haal E Kangaal, in Hindi language and is screening it in alternative venues all over India.[1]
Besides, he also conducts academic workshops in various film schools in India like the FTII, Poona & L. V. Prasad Film Institute, Chennai.
The Bangalore edition of the newspaper The Hindu had described the film Suddha – The Cleansing Ritesas follows.
"The allure of the 105-minute Tulu film is mainly due to its impressive technical accomplishments. Camerawork by Sameer Mahajan uses light and shade superbly and captures the mood and feel of the story. The interiors of the typical rural house – with peeling walls and old-world appendages – which stand as mute witness of the breaking family have been shot with care and sensitivity."(Source: The Hindu)[4]
| Year | Title | Cast | Language |
|---|---|---|---|
| 2019 | Bunnu K. Endo Maye (The Maya of Bunnu K. Endo)[5] | Chitrra Jetliy, Vinnay Vishwaa | Kannada, Hindi |
| 2015 | Haal E Kangaal (The Bankrupts)[6] | Niraj Sah, Hemant Mahaur | Hindi |
| 2009 | Putaani Party – The Kid Gang | Ranjita Jadhav, Sharad Anchatgiri, Pavan Hanchinaal, Jayalakshmi Patil, Bhavani Prakash | Kannada |
| 2005 | Suddha – The Cleansing Rites | Subhash Padivaal, Sai Prakash, Asha Marnad | Tulu |
| Year | Title | Cast | Language |
|---|---|---|---|
| 2018 | Double Life[7] | Saumesh Bangera, Aneesh Pandelu, Ratika Kamath, Santosh Shetty | Hindi |
| 2015 | Tiku Tiku Director (The fragile director) | Vidhan Kothari, Satvika Khandgaonkar, Samridh Tandon, Sharman Gupta | Hindi |
| 2012 | Khana Khazaana (The treasure meal) | Resh Lamba, Vikas Shukla, Khusboo Upadhaya, Anurag | Hindi |
| 2011 | Mister and Mistress | Hindi | |
| 2008 | Babe se date (Date with a babe) | Kunal Khotari, Sagarika Sawhney, Nikhila Nanduri | Hinglish |
| 2006 | Mani Bhai Pass Hogaye? (Did brother Mani succeed?) | Sudhir Choudhary, Rasika Duggal, Shinjini Raval, Oroshikha Day | Hindi |
| 2004 | Out of Tune | Anil Pande | Hinglish |
| 2003 | Heart Troubles of Ramchand Yavathmal Tiruchinapalli Azamghar | Anil Pande | Hinglish |
| 1991 | The Hot Shot | Vinay Edekar, Manisha Kamath | Only music |
| Year | Title | Producer | Length | Language | About |
|---|---|---|---|---|---|
| 2016 | The Unbearable Being of Lightness[8] | Sonk Films | 45 mins | English | Dalit Issues |
| 2015 | Lohit Diary[9] | Films Division | 75 mins | Hindi/English/& 16 other dialects | Life in Lohit Valley in Arunachal Pradesh |
| 2013 | Gudigeri Company[10] | Sonk Films | 25 mins | Kannada | Live in a professional Theater troupe |
| 2012 | [11] [12] | Films Division | 93 mins | Hindi/English/Kannada | Biography of BV Karanth |
| 2012 | Rice and Rasam (Anna Saaru)[13] | P.S.B.T.-FD | 52 mins | Kannada | Professional theatre troupes in Karnataka |
| 2012 | A Pinch of Salt | Films Division | 52 mins | Gujarati/English | Education among the Agaria community children |
| 2011 | Miyar House[14] | Sonk Films | 76 mins | Kannada/English | dismantling of a century old house |
| 2010 | Floating Healers | Films Division | 52 mins | Bengali/English | A medical boat in Sundarbans |
| 2009 | Nuts and Bolts | Sonk Films | 29 mins | Kannada | Governance reach in Rural India |
| 2008 | Despite Distortions[15] | Sonk Films | 4 mins | Hindi/Tulu | A migrant rag-picker |
| 2008 | The Untouchables | UNESCO | 10 mins | Kannada | The Koraga community |
| 2007 | Makkala Panchayat (The Kid Power) | FTII-UNDP | 30 mins | Kannada | A children's self-governing Body |
| 2006 | Shaky souls, Empty Chairs, Testing Times | Sonk Films | 41 mins | Hindi/English | Compulsory Testing of HIV |
| 2005 | Bharatha Uvacha (Thus spoke Bharatha) | Films Division | 20 mins | Hindi/English | Ancient Indian treatise on theatre 'Natyashastra' |
| 2003 | Virus No. One | Sonk Films | 10 Mins | Hindi/English/Gujarati | Home care in HIV patients |
| 2002 | Kodavas – The Worrier race | Films Division | 10 mins | Hindi/Kannada | Kodava Community |
| 2002 | My Banjara Diary | Cinema Vision India | 50 mins | Hindi/English | Banjara community |
| 2001 | Gently down the stream | Gayatree Telesofts | 30x2 mins | Hindi/Gujarati/Maliyaali | Traditional ship building |
| 2000 | Voices from Mini Tibet | Films Division | 10 mins | Hindi | Tibetan settlement in India |
| 1999 | Siri Festival | Films Division | 10 mins | Hindi/Kannada/Tulu | Possession syndrome in religion |
| 1998 | Sarvodayagrama | Films Division | 10 mins | Hindi/Kannada | School run on the principles of Acharya Vinoba |
| 1996 | Durga Pooja | Dziga Collective | 40 mins | Bengali/Hindi | Bengali community in Mumbai |
| Year | Title | Channel | Language | Segments/Episodes | Notes |
|---|---|---|---|---|---|
| 2005 | Chacha Chaudary | Sahara TV | Hindi | 30 x 70 episodes | Children's serial |
| 2002 | Mr & Mrs Kumara Park East | ETV – Kannada | Kannada | 30 x 10 episodes | Sitcom |
| 2001 | Swamy Swamy | ETV – Kannada | Kannada | 30 x 53 episodes | Detective comedy |
| 2000 | Tele Tubbies | Pogo TV and BBC World | English | 4 x 25 segments | Children's show |
| 2000 | Swara Sadhana | Doordarshan | Hindi | 30 x 26 episodes | Musical show |
| 1999 | Sahara Skits | Sahara TV | Hindi | 4 mins x 10 segments | Comic show |
| 1997 | India Anjaana | Home TV | Hindi | 5 mins x 10 segments | Cultural Magazine |
| 1996 | Naukar Hamara | Doordarshan | Hindi | 12 mins x 26 episodes | Sitcom |
| 1995 | The First Edition | Doordarshan | English | 23 mins a week x 6 months | Current affairs |
| 1991–2000 | Surabhi | Doordarshan | Hindi | 4 mins x 100 segments | Cultural magazine |
Ramchandra reviews films for Upper Stall [16]