| Rainer Ganahl | |
| Birth Place: | Bludenz, Austria |
| Movement: | Romanticism |
| Known For: | Manhattan Marxism |
Rainer Ganahl (born October 18, 1961, in Bludenz) is an Austrian-American conceptual artist who lives and works in New York. His work has been widely exhibited, including the Kunsthaus Bregenz, Austria; The Wallach Art Gallery, Columbia University, New York; the Gesellschaft für Aktuelle Kunst, Bremen, Germany; and the 48th Venice Biennale. He is the subject and author of several published catalogues, among them, Reading Karl Marx (London: Book Works, 2001),[1] Ortsprache—Local Language (Kunsthaus Bregenz, 1998),[2] and Rainer Ganahl: Educational Complex (Vienna: Generali Foundation, 1997).[3]
From 1986 until 1991, he studied at the University of Applied Arts Vienna (Peter Weibel) and the Kunstakademie Düsseldorf (Nam June Paik). He was a member of the 1990/91 Whitney Museum Independent Study Program in New York City. He was a professor of visual arts at the State Academy of Fine Arts Stuttgart.
Ganahl started his career exploring computer based art, a pioneering field for its time. His first exhibition in this area was demonstrated at Philomene Magers in 1990.
His best known work, S/L (Seminars/Lectures), is an ongoing series of photographs, begun in 1995, of well-known cultural critics addressing audiences.[4] The photographs, taken in university class rooms and lecture halls, not only show the lecturer but also the listeners and students in the audience. In a similar way, he documented his own process of learning an "exotic" language (e. g., Basic Japanese) into an art project.
In his Imported-Reading Seminars held from 1995 onward, the group study of theoretical works from specific countries were documented on video. His exhibition "El Mundo" at Kai Matsumiya was recently listed as one of the top exhibitions of 2014 by the New York Times,[5] and the film was subsequently acquired in the permanent collections at the Whitney Museum of American Art and the Hirschorn Collection at the Smithsonian.[6]
Besides his photographic work and media art, Ganahl has been painting throughout his career, often integrating current news coverage into his pictures.[7]
Ganahl represented Austria at the 1999 Venice Biennale.[8]