Remy de Gourmont explained

Notableworks:The Book of Masks
Esthetique de la langue française
Le Problème du style[1]

Remy de Gourmont (4 April 1858 – 27 September 1915) was a French symbolist poet, novelist, and influential critic. He was widely read in his era, and an important influence on Blaise Cendrars and Georges Bataille.[2] The spelling Rémy de Gourmont is incorrect, albeit common.

Life

Gourmont was born at Bazoches-au-Houlme, Orne, into a publishing family from Cotentin. He was the son of Count Auguste-Marie de Gourmont and his countess, born Mathilde de Montfort. In 1866 he moved to a manor close to Villedieu near La Manche. He studied law at Caen, and was awarded a bachelor's degree in law in 1879; upon his graduation he moved to Paris.

In 1881, Gourmont was employed by the Bibliothèque nationale. He began to write for general circulation periodicals such as Le Monde and Le Contemporain. He took an interest in ancient literature, following the footsteps of Gustave Kahn. During this period, he also met Berthe Courrière, model for, and heir of, the sculptor Auguste Clésinger, with whom he formed a lifelong attachment, he and Berthe living together for the rest of their lives.

Gourmont also began a literary alliance with Joris-Karl Huysmans, to whom he dedicated his prose work Le Latin mystique (Mystical Latin). In 1889 Gourmont became one of the founders of the Mercure de France, which became a rallying point of the Symbolist movement.[3] Between 1893 and 1894 he was the co-editor, along with Alfred Jarry, of L'Ymagier, a magazine dedicated to symbolist wood carvings. In 1891 he published a polemic called Le Joujou Patriotisme (Patriotism, a toy) in which he argued that France and Germany shared an aesthetic culture and urged a rapprochement between the two countries, contrary to the wishes of nationalists in the French government. This political essay led to his losing his job at the Bibliothèque Nationale,[4] despite Octave Mirbeau's chronicles.

During this same period, Gourmont was stricken with lupus vulgaris.[5] Disfigured by this illness, he largely retired from public view appearing only at the offices of the Mercure de France. In 1910, Gourmont met Natalie Clifford Barney, to whom he dedicated his Lettres à l'Amazone (Letters to the Amazon).

Gourmont's health continued to decline and he began to suffer from locomotor ataxia and be increasingly unable to walk. He was deeply depressed by the outbreak of World War I and died in Paris of cerebral congestion in 1915. Berthe Courrière was his sole heir, inheriting a substantial body of unpublished work which she sent to his brother Jean de Gourmont, and dying within the year. Gourmont and Courrière are buried Chopins tomb in Père-Lachaise Cemetery.

Works

Gourmont was a literary critic and essayist of great importance, most notably his Le Problème du Style.[6] Created in response to Antoine Albalat's The Art of Writing in Twenty Lessons (1899),[7] Le Problème du Style was a source book for many of the ideas that inspired the literary developments in both England and France[8] and was also admired by T. S. Eliot and Ezra Pound in that capacity.

His novels, in particular Sixtine, explore the theme of Schopenhauerian Idealism with its emphasis on individual subjectivity, as well as the Decadent relationship between sexuality and artistic creativity.[9] In 1922 Aldous Huxley translated Gourmont's novel A Virgin Heart.[10]

Gourmont's poetic works include Litanies de la Rose (1892), Les Saintes du Paradis (1898), and Divertissements (1912). His anthology Hieroglyphes (1894), contains his experiments with the possibilities of sound and rhythm.[11] It plunges from perhaps ironic piety to equally ironic blasphemy, reflecting, more than anything else, his interest in medieval Latin literature, and his works led to a fad for late Latin literature among authors like Joris-Karl Huysmans. Pound observed in 1915 that the English Imagist poetic movement derived from the French Symbolistes,[12] Eliot describing Gourmont as the "critical conscience of his generation".[13]

Bibliography

Poetry

Fiction

Theatre

Nonfiction

In English translation

Quotation

Que tes mains soient bénies, car elles sont impures!

Elles ont des péchés cachés à toutes les jointures;

Leur peau blanche s'est trempée dans l'odeur âpre des caresses

Secrètes, parmi l'ombre blanche où rampent les caresses,

Et l'opale prisonnière qui se meurt à ton doigt,

C'est le dernier soupir de Jésus sur la croix.

---Oraisons mauvaises

Further reading

External links

Notes and References

  1. Book: France . Peter . The New Oxford Companion to Literature in French . 1995 . Clarendon Press . 9780198661252 . 353.
  2. Gourmont was Georges Bataille's bedtime reading as a student. Michel Surya, Georges Bataille: an intellectual biography, New York: Verso, 2002, p. 27-28.
  3. Burne, Glen S. (1963). Remy de Gourmont: His Ideas and Influence in England and America. Carbondale: Southern Illinois University Press.
  4. Curtis, Michael (1959). Three Against the Third Republic: Sorel, Barrès and Maurras. New Brunswick: Transaction Publishers, p. 40.
  5. Denkinger . Marc . Remy de Gourmont Critique . PMLA . 52 . 4 . 1937 . 1148 . 10.2307/458509 . 458509. 163530219 . Denkinger refers to the disease as "lupus tuberculeux", apparently lupus vulgaris, which is a form of tuberculosis of the skin, unrelated to systemic lupus erythematosus, the disease now commonly known as lupus.
  6. Gourmont, Remy de (1902). Le Probleme du Style. Paris: Société du Mercure de France.
  7. Web site: Mattix. Micah. 28 May 2014. The Art of Writing Well. 17 Aug 2016. theamericanconservative.com. The American Conservative.
  8. Read, Herbert (1957). The Tenth Muse. London: Routledge and Kegan Paul.
  9. Book: France . Peter . The New Oxford Companion to Literature in French . 1995 . Clarendon Press . 9780198661252 . 353.
  10. https://archive.org/stream/cihm_71634#page/n7/mode/2up A Virgin Heart
  11. Burne (1963).
  12. The Ezra Pound Encyclopedia, Ed., Demetres P. Tryphonopoulos and Stephen Adams. Westport, Conn.: Greenwood Press, 2005, p. 227.
  13. Eliot, T.S. (1928). Preface to The Sacred Wood. London: Methuen & Co.

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