| Quimper Cathedral | |
| Fullname: | Cathedral of Saint Corentin, Quimper |
| Country: | France |
| Founded Date: | 1239 |
| Denomination: | Roman Catholic Church |
| Dedication: | St. Corentin of Quimper |
| Status: | Cathedral |
| Functional Status: | Active |
| Architectural Type: | Church |
| Style: | Gothic |
| Diocese: | Quimper (–Cornouaille) and Léon |
| Bishop: | Laurent Dognin |
Quimper Cathedral, formally the Cathedral of Saint Corentin (French: Cathédrale Saint-Corentin de Quimper, Breton: Iliz-veur Sant-Kaourintin), is a Roman Catholic cathedral and national monument of Brittany in France. It is located in the town of Quimper and is the seat of the Diocese of Quimper and Léon.[1] Saint Corentin was its first bishop.[2]
The cathedral is notable in that, unlike most other Gothic cathedrals, it slightly bends in the middle to match the contours of its location, and avoid an area that was swampy at the time of the construction.
According to legend King Gradlon met Saint Corentin on the mountain Mėnez-Hom and was so impressed by the strength of his religious faith that he invited the hermit to become Bishop of Quimper.
The cathedral replaced an old Roman church which had a chapel attached to it called the "Chapelle de la Victoire" where Alain Canhiart was buried in 1058. It was in 1239 that the first part of the cathedral was built when Bishop Rainaud commissioned the building of the choir, but it was not until the coming of Duke Jean V at the beginning of the 15th century that momentum gathered and the choir was covered with crisscross vaulting. Further work on the building was completed throughout the 15th and 16th centuries, but in 1620 the cathedral would be seriously damaged by a devastating fire; the bell tower was burned and the populace saw a green devil in the flames.[3] The French Revolution and the subsequent Terror put a halt to progress in rebuilding, but after the Concordat of 1801, restoration of the cathedral followed as well as some additional construction. Throughout the 19th century, numerous restorative projects were completed, such as repairs, work on the stained glass, and consecration of a new altar.
When the cathedral was completed the choir was out of line with the nave, having a slight curve to the left, this to avoid disturbing the older chapel which contained the tomb of Alain Canhiart. Thus the cathedral has an odd shape, and rather imaginatively some have likened the top part of the cathedral's inclination to the left as suggesting Christ's head leaning to the left when he hung on the cross.
1886 saw the introduction of the relic of Saint Corentin's arm into the chapel.
Quimper cathedral is one of the seven cathedrals and basilicas covered by the Tro Breizh pilgrimage.
There are several portals to the cathedral: the three north portals, the south portal (known as the Porche de la Vierge) and the west portal.
There are three portals on the cathedral's north side. On the far right is the "Porche des Baptêmes", which leads to the north nave. The portal comprises a double door separated by a trumeau. The "Porche de la Chandeleur" is located at the northern end of the transept and was built between 1475 and 1479 by the mason Pierre Le Goaraguer and his son Guillaume. The single door is surmounted by a triangular pediment and the arch's external voussures are decorated with carvings of acanthus leaves. The third portal, situated between the "Porche des Baptêmes" and the "Porche de la Chandeleur", is small and in earlier times gave access to the ossuary and cemetery; it is no longer used.[4]
The west façade of the cathedral comprises two great spires and a magnificent portal with a series of angels decorating the arch's voussoirs. On the trumeau is a statue of Christ giving a blessing whilst holding a globe and treading on a grimacing demon. Before 1793, the sculpture on the trumeau had been an equestrian figure in granite of Jean V but that was destroyed in that year.[5] At the top of an arch between the two spires there is a statue of the legendary King Gradlon. The first stone of the western facade was laid on 26 July 1424 by Monseigneur Bertrand de Rosmadec in the presence of a representative of Jean V, the Duke of Bretagne. Both within and without the triangular pediment above the voussoirs, are many crests and mottos including the crest of the helmeted lion of Montfort holding a standard bearing the words "Malo au riche duc!", the battle-cry of Breton dukes, the arms of Jean V, the Duke of Bretagne's three sons, the crest of Jeanne de France, Guillaume de Rosmadec, Bertrand de Rosmadec, the barons of Névet with the motto "Pérag?" "Pourquoi?" and the motto of the nobles of Bodigneau and Clohars-Fouesnant "À l'aventure!", whilst on the right and near a helmet decorated with valances is the motto of the nobles of Guengat "Léal à ma Foy" and the arms of the nobles of Quélenec.[4]
The south portal is part of the "facade mėridionale" or "south facade" and is known as the "Porche de la Vierge" or the "Porche de Sainte Catherine". It has a statue of the Virgin Mary with child in the tympanum, with angels wafting censers on either side. She is seated and below her feet is the bust of an angel with spread wings. The child she holds is gently stroking a bird which he carries. In a niche in one of the buttresses there is a statue of Catherine of Alexandria carved from kersanton.[6] Above the door is a triangular pediment with three ėcussons ("crests or shields") including the crest of the Duchess Jeanne de France surmounted by the "hermine passante" ("passing stoat"), the emblem of Brittany, with the inscription "A ma vie". Also shown are the arms and mottos of Monseigneur de Rosmadec and Guillaume de Rosmadec. Just outside of the pediment are the crests of the Bodigneau family and the family Quėlennec. The voussoirs in the upper part of the portal's arch depict 8 angels playing instruments. The niches in the lower voussoirs are empty.[4] [7]
The cathedral has numerous large stained glass windows, ranging from the 15th to the 19th centuries. The windows depict a variety of subjects, particularly Breton, such as Paul Aurelian, Ivo of Kermartin, Saint Roch, Ronan of Locronan, and the cathedral's patron, Corentin of Quimper. There are also windows depicting French saints such as Louis IX of France and Anselm of Canterbury. Alongside images of Breton and French saints, there are many windows depicting other famous saints, the Virgin Mary, and Jesus.[8]
There are multiple side chapels lining the nave, including the Baptistery, Chapel of Our Lady of Victories, Chapel of the Sacred Heart, Chapel of Our Lady of Lourdes, and various smaller chapels to saints and other Catholic devotions.
There are four marble statues in the cathedral: The statue called "Vierge Mère dite Notre Dame d'Espérance", this by the sculptor Auguste Ottin and dating to 1846; the statue by Buors depicting Sainte Anne; the statue of Sainte Thérèse de Lisieux and the statue of Joan of Arc. The one statue in granite is the carving on the trumeau of the west portal depicting "Christ Sauveur du Monde". There are also statues carved from wood: the sculptor Mingham's Saint Christopher in polychromed wood; a 16th-century group including Sainte Anne and the Virgin Mary with child; the statue of Saint Jean Discalcéat or Santig Du/Santik Du ("petit saint noir") dating to the 17th century. Finally, there are statues in alabaster including the statue of John the Baptist in the Baptistry and the altarpiece representing Sainte Catherine with a sword and skull, Sainte Marguerite with dragon and two abbesses.
The pulpit dates to 1680 and is the work of the carpenter Jean Michelet and the sculptor Olivier Daniel. On the pulpit and pulpit stairway are a series of panels decorated with scenes from the life of Saint Corentin.
It was Monseigneur René Nicolas Sergent who pressed for an altar to match the grandeur of the cathedral and Mon.Boeswilwad, the architect-in-chief of "Monuments Historiques" was put in charge of the project. He commissioned the goldsmith Placide Poussielgue-Rusand to create the altar. Poussielgue-Rusand also worked on the altars in the Sacrė-Coeur, Sainte Anne and Saint Pierre chapels as well as the elaborate reliquary said to contain the arm of Saint Corentin. Poussielgue-Rusand's altar was in fact exhibited at the 1867 Exposition Universelle and was gifted to the town of Quimper by Napoleon III. The altar is consequently known as the L'autel d'Or or the autel Napolėon. This main altar was consecrated by Monseigneur René Nicolas Sergent in 1868.
Seven of the tombs in the cathedral are listed. These are:-
Amongst the tombs unlisted are:-
Part of the cloisters are preserved on the south side of the cathedral together with some old tombstones from an earlier burial ground. The nearby Breton Museum has also placed some pieces of sculpture in the space between the museum and the cloisters.[9] One of these sculptures is a "statue gėminėe" featuring John the Evangelist and Saint Peter taken from a calvary which had stood at Coat-Quėau in Scrignac. It is carved from granite and dates to the 16th century. Sculptors employed on calvaries at that time used the technique of the "statue gėminėe" when carving pieces for the crosspieces of crosses and would carve two back to back figures from one piece of stone. The figures from Scrignac show how the two figures are in fact carved from the one piece.
