| The French Minister | |
| Native Name: | |
| Director: | Bertrand Tavernier |
| Music: | Philippe Sarde |
| Cinematography: | Jérôme Alméras |
| Editing: | Guy Lecome |
| Distributor: | Pathé |
| Runtime: | 113 minutes |
| Country: | France |
| Language: | French |
| Budget: | $10.6 million[1] |
| Gross: | $5.6 million [2] |
The French Minister (French: link=no|'''[[Quai d'Orsay]]''', or by metonymy the Ministry for Europe and Foreign Affairs (France)) is a 2013 French comedy film directed by Bertrand Tavernier. Based on Quai d'Orsay, a comic strip by Christophe Blain and Abel Lanzac, the film takes an initially comedic look at the French Foreign Ministry under Dominique de Villepin but moves into more serious territory as France, in co-operation with Germany, opposes the 2003 Invasion of Iraq.
It was screened in the Special Presentation section at the 2013 Toronto International Film Festival.[3] [4] In January 2014, the film received three nominations at the 39th César Awards,[5] with Niels Arestrup winning the award for Best Supporting Actor.[6]
After graduating from the École nationale d'administration, which trains France's leaders in the public and private sectors, Arthur Vlaminck lands a job as speechwriter in the Foreign Ministry. Existing senior advisers do not welcome a talented newcomer who may become a competitor but his abilities are recognised by the Minister and, most important, by Maupas, the career official heading the department. That said, coming up with the right words for the constantly changing world situation and the constantly changing reactions of the Minister proves no easy task. He gets hastily written drafts past Maupas, and past other senior advisers who rubbish them, only to find that the Minister's needs have changed. The film ends in February 2003 with a re-enactment of the actual speech by Dominique de Villepin to the UN Security Council, at which he contradicted claims by Colin Powell and Donald Rumsfeld and argued passionately for disarmament of Iraq but not invasion.
The film includes scenes shot in Berlin near the Reichstag, Dakar as a fictional African country, and the United Nations Building in New York.