| Pyromania | |
| Type: | studio |
| Artist: | Def Leppard |
| Cover: | Def Leppard - Pyromania.jpg |
| Alt: | A target aims at a building that is expelling out flames, with the target showing a magnified view of it. |
| Recorded: | January–November 1982 |
| Studio: |
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| Genre: |
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| Label: | Vertigo |
| Producer: | Robert John "Mutt" Lange |
| Prev Title: | High 'n' Dry |
| Prev Year: | 1981 |
| Next Title: | Hysteria |
| Next Year: | 1987 |
Pyromania is the third studio album by English rock band Def Leppard, released on 20 January 1983[1] through Vertigo Records in UK and Europe and through Mercury Records in the US. The first album to feature guitarist Phil Collen who replaced founding member Pete Willis, Pyromania was produced by Robert John "Mutt" Lange. The album was a shift away from the band's traditional heavy metal roots toward a more radio-friendly sound, finding massive mainstream success. Pyromania charted at No. 2 on the Billboard 200,[2] No. 4 on the Canadian RPM Album chart and No. 18 on the UK Albums Chart.[3] Selling over ten million copies in the US, it has been certified diamond by the RIAA.[4]
The album followed a relatively unconventional method of recording: the bass parts followed by guitars were recorded to a click track provided by a Linn LM-1 drum machine, with the drums being added last in the process. This gave the flexibility to re-record and re-write parts of a song as they went along in the studio.[5] [6] The album was partially recorded with original guitarist Pete Willis, whose rhythm guitar tracks appear on all songs. On 11 July 1982, Willis was fired for alcohol abuse and replaced by guitarist Phil Collen, who contributed solos and guitar parts not yet recorded by Willis.[7] "I had all the fun stuff, none of the heavy lifting..." Collen remembered. "Pete and Steve [Clark] had done these amazing rhythm guitar beds, and it was a joy to whizz around and play solos over the top... Mutt [Lange] was going, 'Just have fun: be a lead guitarist, go nuts."[8] On the original LP release, Willis is visible in the background of the photograph of singer Joe Elliott, while Collen has his own photo as a new full-time member.
The album can be seen as a transitional one between the heavy metal sound of Leppard's first two albums and the radio-friendly direction of later releases.[9] It featured rockers such as "Rock! Rock! (Till You Drop)", "Stagefright" and "Die Hard the Hunter" as well as the Top 40 hits "Photograph", "Rock of Ages" and "Foolin'".[10]
With its melodic hooks and heavy MTV exposure, Pyromania became a massive success, and was a major catalyst for the 1980s pop-metal movement. The album sold six million copies in the US in its original release (about 100,000 copies per week for much of the year). It has since sold over ten million there and been certified diamond. In 1989, it was re-released by audio fidelity company Mobile Fidelity Sound Labs as part of their Ultradisc series.[11]
"Photograph", "Rock of Ages" and "Foolin'" became top 40 singles on the Billboard Hot 100 in the US, with "Photograph" peaking at No. 13 and "Rock of Ages" at No. 16. "Photograph" (6 weeks) and "Rock of Ages" (1 week) both topped the Billboard Top Rock Tracks while "Foolin'" and "Too Late for Love" made the Top 10. "Comin' Under Fire", "Billy's Got a Gun" and "Action! Not Words" made the top 40 of the Top Rock Tracks chart.
In Canada, "Rock of Ages" charted highest at No. 24, while "Photograph" and "Foolin'" reached No. 32 and No. 39, respectively. At CHUM-AM in Toronto, one of Canada's largest audience Top 40 stations at the time, "Rock of Ages" never reached its Top 30 countdown; whereas 70 km away in Hamilton, at the CKOC-AM Top 40 radio station, it peaked at No. 2. It also topped the chart at many album-oriented rock stations such as Q107 in Toronto. "Rock of Ages" also charted the highest in the UK at No. 41 compared to No. 66 for "Photograph".[12]
Pyromania has received mostly positive reviews, being commonly considered, along with its follow-up, Hysteria, one of the band's finest efforts to date, and one of "Mutt" Lange's best productions. David Fricke of Rolling Stone praised Leppard for putting "much-needed fire back on the radio", producing sophisticated music "more emotionally charged than most of the synthesized disco that passes for 'modern music'" over the airwaves; adding that the band "may not be highly original, but they mean what they play" and "Lange's artfully busy mix" easily covers up any fault.
AllMusic reviewer Steve Huey stated that Pyromania was "where the band's vision coalesced and gelled into something more." He described the songs as "driven by catchy, shiny melodic hooks instead of heavy guitar riffs, although the latter do pop up once in a while", and added that "transcendent hard rock perfection on Pyromania was surprisingly successful; their reach never exceeded their grasp, which makes the album an enduring (and massively influential) classic." Sputnikmusic staff reviewer, equally enthusiastic, thoroughly recommended the album, "filled with tight musicianship, infectious melodies and anthemic choruses" "to pretty much anyone... No matter what their taste in music is." Ultimate Classic Rock described the album as a “set of slick, hi-fi rockers ornamented with poppy synthesizers and towering vocal harmonies”, in which Def Leppard was “laying the groundwork for their world domination and inspiring a wave of copycats."[13]
In contrast, Canadian journalist Martin Popoff considers Pyromania the beginning of Leppard's "creative degeneration" and criticizes Lange's "painstaking approach to detail" that strips the album "of its sweat and grit", making it sound "phony".
"I remember meeting Phil Lynott..." recalled Joe Elliott. "We'd delivered Pyromania and, with us sharing a label with Lizzy, he'd heard it. He put his hand on my shoulder and said, 'I heard your album – it's the reason I've split the band. I can't compete with that.' The crappiest backhand compliment I've ever had. I wish I had been brave enough to shove him up against the wall and say, 'Well, make a better album then!' But I just said, 'Oh,' and scuttled off."[14]
In 2003, the album was ranked No. 384 on Rolling Stone
| Peak position | |
| Australian Albums (Kent Music Report)[22] | 70 |
|---|---|
| Finnish Albums (The Official Finnish Charts)[23] | 30 |
| Japanese Albums (Oricon)[24] | 70 |