| Project A-ko | |||||
| Native Name: |
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| Director: | Katsuhiko Nishijima | ||||
| Producer: | Kazufumi Nomura | ||||
| Story: | Katsuhiko Nishijima Kazumi Shirasaka | ||||
| Starring: | Miki Itō Michie Tomizawa Emi Shinohara Asami Mukaidono | ||||
| Music: | Richie Zito Joey Carbone Toru Akasaka | ||||
| Studio: | A.P.P.P. Soeishinsha | ||||
| Distributor: | Shochiku | ||||
| Runtime: | 84 minutes | ||||
| Country: | Japan | ||||
| Language: | Japanese | ||||
is a 1986 Japanese animated science fiction action comedy film.[1] The film focuses on 16-year-old Japanese teenage schoolgirl A-ko, who defends her best friend C-ko, as they face off against their fellow classmate and rival B-ko while the Earth faces the threat of an alien invasion.[2] It was directed by Katsuhiko Nishijima with Yuji Moriyama did animation direction and character design.[3] The film project initially started as part of the Cream Lemon series of original video animation, but later became its own film. The film staff said they were motivated to produce a fun exciting film in contrast to the more serious anime films being produced at the time. Additionally, the film includes a variety of references and parodies a number of other works of anime from the 1970s and 1980s.[4]
The film was largely well received by critics who praised the humor, and action and considered it an anime classic. Outside of Japan, the film was seen by many fans of anime which served as an introduction to the medium.[5] The film was followed up by several sequels and a spin-off first with Project A-Ko 2 in 1987.[6] The original 35mm film negatives were once thought lost until they were recovered in 2021.
An alien spaceship crashes into Graviton City, wiping out the entire population and leaving a massive crater where the city is rebuilt 16 years later. High school students A-ko Magami, a perky, fun-loving red-haired, sailor-suited teenage girl, and her best friend C-ko Kotobuki, a bubbly, carefree optimist, enter a new year of school as transfer students at the all-girls Graviton High School. Although A-ko possesses superhuman speed and strength, she considers herself an average teenager. She mostly worries about getting to school on time, due to her habit of chronically oversleeping her alarm clock each morning. The pair catch the unwanted attention of B-ko Daitokuji, a rich, snobbish, spoiled, and brilliant fellow student.
B-ko develops an obsession in regards to C-ko, and is determined to win her over. B-ko's attempts to win C-ko over fail, however, and remembering that she was A-ko's rival back in kindergarten, B-ko creates a series of mecha piloted by her team of female followers to attack A-ko each morning. After losing each new and more powerful mecha, she eventually creates and dons the "Akagiyama 23", a powered suit that looks like a bikini. B-ko quickly escalates the fight across the school with no restraint.
Trench-coated spy "D" has been monitoring A-ko and C-ko each morning and reporting back to a large spacecraft as it approaches Earth. The aliens' conclusion is that they have located a lost princess whom they have been looking for. The aliens finally reach Earth and begin an all-out attack against the Graviton military, which is outmatched by the alien technology. A-ko and B-ko's own fight continues across the big city even as the military and aliens do battle. C-ko is abducted in the middle of this confrontation by "D", who is revealed to be a member of the Lepton Kingdom of Alpha Cygni, an all-female race of aliens. C-ko is their princess.
Witnessing the abduction, A-ko and B-ko set aside their differences. Infiltrating the spaceship, A-ko confronts D and the ship's alcoholic Captain Napolipolita, while B-ko rescues C-ko. B-ko then reneges on the truce and opens fire on A-ko, D, and the Captain, destroying the ship's navigation system. The vessel lands, precariously perched on top of the city's Military Command Tower (actually the remains of the previously crashed ship). Having survived the crash, both A-ko and C-ko find themselves on top of an unconscious B-ko.
A-ko happily awakens the next morning, sore from the previous day's adventures, and walks with C-ko to school in their new uniforms. The girls pass by a disheveled D and the Captain begging for donations to repair their ship. The film ends with B-ko smiling as A-ko appears on the horizon.
| Character | Japanese voice actor | English dubbing actor | |
|---|---|---|---|
| A-ko Magami | Stacey Gregg | ||
| B-ko Daitokuji | Denica Fairman | ||
| C-ko Kotobuki | Julia Brahms | ||
| Ayumi Azumi | Asami Mukaidono | Liza Ross | |
| Captain Napolipolita | Jay Benedict | ||
| Spy D | Marc Smith | ||
| Mari | Daisuke Gōri Sayuri Ikemoto | Anne Marie Zola | |
| Asa | Toni Barry | ||
| Ine | Anne Marie Zola | ||
| Ume | Liza Ross |
The film was directed by Katsuhiko Nishijima who would later go on to direct Agent Aika and Labyrinth of Flames.[7] The music for the film features music and songs composed by Richie Zito and Joey Carbone.[8] Nishijima said that he wanted to make a film that directors Mamorou Oshii and Hayao Miyazaki were not able to make which is a light hearted entertaining film without much deep social commentary.[9] Yuji Moriyama is credited with character design and animation director, and previously worked on the Urusei Yatsura television series, and the films Beautiful Dreamer and Only You.[10] According to Moriyama, the crew of the film had mostly worked on Urusei Yatsura, and felt demoralized after Mamoru Oshii left production of the series, and wished to work on a new project.[11] Moriyama also said that the motivation for making the film was to create a less serious and more entertaining film:
The currents [at that time] were shifting favorably towards more serious works that were loaded with meaning and heavy themes. It was a frustrating time for animators who liked to animate. A-ko was a deliberate attempt to push all that aside, to provide some mindless fun, to make an action-packed film that would be fun to make and fun to watch. I guess you could say it was an animator’s anime. Animators who wanted to animate big action but couldn’t, came together on this project and let it all hang out.”Production of the film included several artists who would later create other popular works, including Kia Asamiya and Atsuko Nakajima.
The title itself is a reference to the 1983 Jackie Chan film Project A, although the film bears no resemblance to Project A; the working title ended up sticking.[12]
Project A-ko was initially planned to be part of the Cream Lemon series of pornographic OVAs, but during the production of the series, it was decided to make it into a more mainstream title.[13] The only sequence animated during its Cream Lemon days left in the revised production is B-ko's private bath scene. In a nod to Project A-ko's origins as a Cream Lemon episode, the owner and several working girls from the brothel in the Cream Lemon episode "Pop Chaser" - where director Katsuhiko Nishijima was one of the animators - can be seen in one of the classrooms A-ko and B-ko crash through during a fight sequence in the film.
Moriyama explains that the names "A-ko", "B-ko", and "C-ko" were initially placeholder names that were kept throughout production rather than being replaced.
The film's format uses a surface plot a high stakes action story, while at the same time making allusions and parodies to a number of other works of anime from the 1970s and 1980s. The classmate Mari alludes to Fist of the North Star, and the character of the Captain Napolipolita is inspired by Captain Harlock. Additionally the forward section of the alien spacecraft looks like the ship "Arcadia" from Captain Harlock. In addition, the series makes homage to American comics as well, as A-ko's parents resemble Superman and Wonder Woman.
Project A-ko contains themes and elements common throughout other anime storylines. Infatuation is a common theme in Japanese anime storylines, where it is typically between a male and a female character. However, in Project A-ko, the female B-ko is infatuated with another female, C-ko, and tries to separate her from A-ko.[14] Though there are hints that the infatuation may be of lesbian in origin, it appears to be platonic in nature. B-ko is primarily motivated her ego and desire to control C-Ko, and acts like a bully throughout the film. The film contains satire of the kind of sentimental attachments females can have for each other in other anime, such as Gunbuster.[15]
The relationship in the film has been described as a lesbian love triangle.
During a screening of the film in 1993, Michael Flores explains the relationship as part of Japanese culture and common in Japanese television and film. "In Japan, women are separated from men until they are about 18 or 19, and women form tics and have love affairs with each other before they go on to be interested in men. It's treated matter-of-factly in Japanese films and TV shows. "That's what I mean about understanding a society through its popular culture," he adds."If you didn't know that, you'd wonder why these women would be fighting over another woman.[16]
Additionally, it is common for anime and manga stories to include women who are independent and often powerful physical warriors, and A-ko is another example of this. Other examples include Battle Angel Alita and Ghost in the Shell.[17]
The destruction and rebuilding of the city of Tokyo is a common theme throughout Japanese media (including the Godzilla franchise and Akira). In Project A-ko, the Gavitron City is modeled after Tokyo and is rebuilt after the catastrophic destruction of the crashing space ship at the beginning of the film.[18]
The film was released to theaters by Shochiku-Fuji on June 21, 1986, alongside a shorter film titled Going on a Journey: Ami Final Chapter. Pony Video distributed the film via VHS and LaserDisc later in the year. The film's soundtrack was released on LP, CD, and cassette through Polystar Records on May 25 of the same year. "Dance Away" by Annie Livingston was released as a single simultaneously with the album, with the background music track "Spaceship in the Dark" as the B-side.[19] A Japanese-language version of "Dance Away" and "Follow Your Dream" by was released a month later.[20]
Outside of Japan, the many fans of anime would watch the film without subtitles and serve as an introduction to anime films. Project A-ko was Central Park Media's first video release in 1991 alongside Dominion Tank Police and MD Geist.[21] They later released a dubbed version produced by Manga Entertainment to VHS in 1992. Both Project A-ko and Dominion Tank Police were later shown in America on the Sci-Fi Channel during a "Festival of Japanese Animation".[22]
The album was released in the U.S. in 1994 by Central Park Media under their MangaMusic label and later included as a bonus disc the "Collector's Series" DVD in 2002.
In 1996, a CD-Rom package called "Anime Hyperguide: Project A-ko" was released, including artwork, interviews with the creators.[23]
After releasing Project A-ko on DVD in its original widescreen video format, Central Park Media later released a "Collector's Series" version in 2002, which features remastered video and coloring, a large number of A-ko related extras, commentary and interviews by many of the Project A-ko staff, and a free Project A-ko soundtrack CD. Central Park Media has released the three OVA sequels in a single-disc DVD collection, Project A-ko: Love and Robots:
In May 2011, Eastern Star released a newly remastered R1 Project A-ko DVD. It contains many of the extras of the original CPM release, minus the soundtrack CD.[24] Discotek Media released the film on Blu-ray in December 2021. Originally, the footage for the film was to be sourced from the laserdisc release using the Domesday Duplicator to capture the footage at a higher quality than previous releases,[25] with a technology called AstroRes being used to upscale the footage and restore it to a higher quality.[13] The film was instead sourced from the original 35mm film negatives, which were previously thought lost.[26] The film negatives had been stored in a film laboratory but a clerical error had resulted in confusion as to where it was.[13]
The film has largely been praised reviewers who consider it a classic for fans of Japanese anime.[27] [28] The film is considered to be a cult film in the west.[29] The film's humor was praised, with Hyper magazine saying that the film hits with its "cheesy" humor.[28] Reviewer Joe Bob Briggs praised the film, citing the more adult subject matter compared to Saturday morning cartoons and crazy action, giving it four out of four stars. He placed the film alongside others such as Gunbuster and which feature scantily clad women in science fiction adventures causing a lot of mayhem.[30] J-Fan praised the English dub calling it one of Manga Entertainment's best dubs saying it is a "near perfect example of the genre. Highly recommended."
GameFan writer Shidoshi considers the film a "must see" film for any serious anime fan, saying it rises above being a mere parody and stands on its own as a work. He also says that it is the best film in the series, with the sequels being the sort of work that the film set out to mock.[27]
Game Zone magazine saying: "Low on violence, but high on humour and girly fight scenes ".[31]
Writer James Swallow in Anime FX said "Like more readily labelled 'classics', PROJECT A-KO and its sister OAVs were an archetype, and as such deserve a place in anime academia. But forget all that and watch 'em because they're funny."
Max Autohead in Hyper magazine said "Project A-ko is an anime that had me in stiches with its fast hitting cheesy humour It’s original and fresh and is so immersed in trash anime culture that any Manga patriot would be proud."
Afterwards, the film spawned a series of sequels which were original video animation (OVA) starting with Plot of the Daitokuji Financial Group in 1987, followed by Cinderella Rhapsody in 1988 and then FINAL in 1989. After this original series, a spin-off entitled A-ko the Vs (1990) was created and released in the OVA format. In this two-part series (a "Grey side" and "Blue side"), A-ko and B-ko are partners hunting monsters in an extraterrestrial environment, with no relationship to the previous series. Central Park Media released it as Project A-ko: Uncivil Wars.[32] The film also spawned an American produced comic series, and a tabletop role playing game.