For other uses see Yamato Takeru (disambiguation).
| Consort: | Miyazu-hime |
| Spouse: | Miyazu-hime, |
| Issue: | Emperor Chūai |
| Father: | Emperor Keikō |
, originally, was a Japanese folk hero and semi-legendary prince of the imperial dynasty, son of Emperor Keikō, who is traditionally counted as the 12th Emperor of Japan. The kanji spelling of his name varies: it appears in the Nihon Shoki as 日本武尊 and in the Kojiki as 倭建命.
The story of his life and death are told principally in the Japanese chronicles in Kojiki (712) and Nihon Shoki (720), but also mentioned in Kogo Shūi (807) and some histories like the (721). One of his sons became Emperor Chūai, the 14th Emperor of Japan.
His history is uncertain but based on the chronicles his life can be calculated. He was born circa 72 and died in 114. Details are different between the two books, and the version in Kojiki is assumed to be loyal to the older form of this legend.
Prince Takeru slew his elder brother . His father, the emperor Keikō, feared his brutal temperament. To keep him at a distance, the father sent him to Izumo Province, today the eastern part of Shimane Prefecture, and then the land of Kumaso, today Kumamoto Prefecture. However, Takeru succeeded in defeating his enemies, and in the latter case, he achieved this by cross-dressing as a maid attendant at a Kumaso drinking party to get close to the chieftain and stab him to death. One of the enemies he defeated praised him and gave him the title Yamato Takeru, meaning The Brave of Yamato. But Emperor Keikō's mind was unchanged.
Keikō sent Yamato Takeru to the eastern land whose people disobeyed the imperial court. Yamato Takeru met his aunt Princess Yamato-hime, the highest priestess of Amaterasu at Ise Grand Shrine (in Ise Province) and grieved, "my father wishes I would die?" Princess Yamatohime-no-mikoto showed him compassion and lent him a holy sword named Ame no Murakumo no tsurugi (Kusanagi no tsurugi), which Susanoo, the brother god of Amaterasu, found in the body of the eight-headed great serpent, Yamata no Orochi. Yamato Takeru went to the eastern land. He lost his wife Oto tachibana-hime during a storm when she sacrificed herself to soothe the anger of the sea god. He defeated many enemies in the eastern land, and legend has it that he and a local old man composed the first sedōka in Kai Province with Mount Tsukuba (now in Ibaraki Prefecture) as its theme. On his return he blasphemed a local god of Mount Ibuki, which sits on the border of Ōmi Province and Mino Province. The god cursed him with disease and he fell ill.
The story above is found in the Kojiki. In the Nihonshoki version, the father and Yamato Takeru keep a good relation. Prince Takeru was also a god slayer who killed many evil deities, including the deity of the pass of Ashigara.
According to traditional sources, Yamato Takeru died in the 43rd year of Emperor Keiko's reign (景行天皇43年).[1] The possessions of the dead prince were gathered together along with the sword Kusanagi; and his widow venerated his memory in a shrine at her home. Some time later, these relics, including the sacred sword were moved to the current location of Atsuta Shrine.[2]
Yamato Takeru is believed to have died somewhere in Ise Province. According to the legend, the name of Mie Prefecture was derived from his final words. After death, his soul turned into a great white bird and flew away. His tomb in Ise is known as the Mausoleum of the White Plover. A statue of Yamato Takeru stands in Kenroku-en in Kanazawa, Ishikawa.
Owing to the legend of Yamato Takeru's death, he is worshiped as Otori-sama (The Great Bird). Otori shrines exist throughout Japan, and every November a festival is held on a day of the Rooster known as Tori no Ichi, literally "Market of the Bird". Worshipers pray for prosperity and vendors sell charms on shrine grounds known as kumade, which are miniature rakes adorned with auspicious objects like Maneki-neko or rice. Hanazono Shrine and Otori Shrine in Asakusa, Tokyo are famous for their large-scale Tori no Ichi. Larger Tori no Ichi can span multiple days and are referred to numerically as Ichi no Tori, Ni no Tori etc.
Anthropologist C. Scott Littleton has described the Yamato Takeru legend as "Arthurian"[3] due to some structural similarities with the King Arthur legend. Common points include the use of two magic swords, of which the first validates the authority of the hero; the leadership role of a war band; the death to an enemy after giving up the sword to a female figure; a transportation to the after world; and others.[4] Littleton proposed that both legends descend from a common northeast Iranian ancestor.[5]