| Poraali | |
| Native Name: | |
| Director: | Samuthirakani |
| Producer: | Sasikumar |
| Starring: | |
| Music: | Sundar C Babu |
| Cinematography: | S. R. Kathir |
| Editing: | A. L. Ramesh |
| Studio: | Company Productions |
| Released: | [1] |
| Runtime: | 145 minutes |
| Country: | India |
| Language: | Tamil |
Poraali is a 2011 Indian Tamil-language action thriller film directed by Samuthirakani and produced by Sasikumar.[2] The film stars Sasikumar, Allari Naresh, Swati Reddy, Niveda Thomas, Vasundhara, Soori and Ganja Karuppu.
Poraali was released on 1 December 2011 and became a commercial success at the box office.[3] The film was dubbed in Telugu as Sangharshana and remade in Kannada as Yaare Koogadali.[4] [5]
Ilangkumaran "Kumaran" and Nallavan escape from a mental asylum on a rainy night and settle down in Chennai at Pulikutti's house under funny circumstances. Kumaran and Nallavan find a job at Indian Oil petrol bunk and their good nature receive good friends, where they soon organize a service. Kumaran meets his neighbour Bharathi, who dislikes him first, but falls for his kind-hearted nature. Nallavan also meets Tamizhselvi at the petrol bunk and falls in love with her. Things change when Pulikutti advertises Kumaran and Nallavan's service in a magazine with their photos.
It is revealed that Kumaran is actually being hunted by his relatives. Kumaran had faced a tough time in his childhood because his relatives were eyeing on his property. Kumaran’s relatives confined his mother to a room after claiming that she is mentally ill. While Kumaran’s father marries another woman, Kumaran's grandfather gets poisoned by the relatives and decides to sell a piece of land, but they learn that Kumaran’s signature is a mandatory for the deal. The relatives soon brands Kumaran as mentally ill and gets him admitted to a mental asylum by bribing the asylum doctors. However, Kumaran manages to escape after receiving encouragement from a kind-hearted doctor to start a new life and escape from the asylum with Nallavan, who was also admitted there.
Kumaran and Nallavan manage to escape from their relatives, where they reveal their past to Bharathi and Tamizhselvi. Kumaran's friend Pichai arrives in Chennai and reveals to Kumaran that they can donate the land to the government. Kumaran donates the land, which leaves his relatives enraged. Kumaran and Nallavan leave the city with Bharathi and Tamizhselvi, but the relatives chase after them. With Bharathi's encouragement to fight back, Kumaran and Nallavan fight the relatives and brutally thrash them. After thrashing them, Kumaran, Nallavan, Bharathi and Tamizhselvi return to their home and resume their peaceful life.
| Poraali | |
| Type: | Soundtrack |
| Artist: | Sundar C Babu |
| Released: | 6 November 2011 |
| Recorded: | 2011 |
| Genre: | Feature film soundtrack |
| Length: | 20.36 / 19:27 |
| Language: | Tamil / Telugu |
| Label: | Vega Music T-Series |
| Producer: | Sundar C Babu |
| Prev Title: | Thoonga Nagaram |
| Prev Year: | 2011 |
| Next Title: | Markandeyan |
| Next Year: | 2011 |
The soundtrack and background score were composed by Sundar C Babu.
Poraali received positive reviews from critics.
Sify gave 4/5 stars and wrote "Poraali has its heart in the right place, and Sasikumar’s charismatic, alluring appeal lifts this film considerably"[6] The Times of India gave 3.5/5 stars and wrote "After following up with the equally likable Pasanga, Sasikumar and his team came up with Naadodigal and Easan that did not quite match up to their earlier works. Poraali also falls in the same league. A tough struggle is called for if they want to live up to the promise they displayed in their first two films."[7] Pavithra Srinivasan of Rediff gave 3/5 stars and wrote "The director manages to infuse enough humour and heart into Poraali to make it work and is a worth a watch"[8]
NDTV wrote "Shifting his ambience, bringing in multi characters and issues, the script may seem a tad loosely etched at times unlike his earlier Naadodigal, but Samudrakani manages to get his grip back on the narration, knotting it all up into a fairly engaging whole."[9] Malathi Rangarajan of The Hindu wrote "Samuthirakani's Naadodigal was an engaging running game. Poraali is a different kind of chase, but again absorbing enough."[10] News18 wrote "The film is for those who would like to get entertained without bothering about finer elements and reasoning."[11]