| Pierre Jean van der Ouderaa | |
| Birth Name: | Pierre Jean van der Ouderaa |
| Birth Date: | 1841 |
| Birth Place: | Antwerp, Belgium |
| Death Date: | 1915 |
| Occupation: | Painter and lithographer |
| Education: | Royal Academy of Fine Arts of Antwerp |
Pierre Jean van der Ouderaa (1841–1915) was a Belgian painter and lithographer of religious subjects, genre scenes, portraits, and landscapes.[1]
Pierre Jean van der Ouderaa was born in Antwerp on 13 January 1841. He enrolled at the age of fifteen at the Royal Academy of Fine Arts of Antwerp, and studied, successively, under Jacob Jacobs, Jozef Van Lerius, and Nicaise de Keyser.
In 1865 he came second in the Grand Prix de Rome, and was awarded a three year travel bursary, funded by the Belgian government, to study the paintings of Raphael in Italy. He produced the portrait of Julius II, after Raphael (1865) during this period.
In search of the exotic, he accompanied Albert Cogels (1842–84) on a trip to Algiers, Tunis, Oran and Spain. Upon returning to Belgium in 1869 he devoted himself to history painting. He produced "romantic fantasies" in the style of Hendrik Leys and de Keyser, and the large-scale historical compositions for which he became known. Works from this period include Tanchelin's Sermon (1870) and the Last Resort (1885). In 1890 he painted the Academic triptych Jean Berchmans Lying in State for Antwerp Cathedral.
He died in Antwerp on 5 January 1915, in his seventy-fourth year. His daughter Clotildis was a flower painter.[2]