| Pier Jacopo Martello | |||||||||||
| Birth Date: | 1665 4, df=y | ||||||||||
| Birth Place: | Bologna, Papal States | ||||||||||
| Death Place: | Bologna, Papal States | ||||||||||
| Resting Place: | San Procolo, Bologna | ||||||||||
| Nationality: | Italian | ||||||||||
| Other Names: | Mirtilo Dianidio | ||||||||||
| Alma Mater: | University of Bologna | ||||||||||
| Children: | 5 | ||||||||||
| Parents: | Giovanni Battista Martello and Margherita Martello (née Giacomini) | ||||||||||
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Pier or Pietro Jacopo Martello (28 April 1665, in Bologna – 10 May 1727, in Bologna) was an Italian poet, playwright and dramatic theorist.
Martello enjoyed a thorough education in grammar and rhetoric under the Jesuits; later he studied theology and law at the University of Bologna; he also read Greek, Latin and French dramas. Under the pastoral name of Mirtilo Dianidio, Martello helped to establish the Arcadian "colony" in his native city of Bologna in 1698. A member of the Bolognese legation in Rome from 1708 to 1716, he was Secretary of the Bolognese Senate from 1717 until his death in 1727.
Martello's early literary productions were lyric poems and several librettos: Il Perseo (1697), La Tisbe (1697), L'Apollo geloso (1698), Gli amici (1699).[1] He started his career as a playwright with translations of tragedies on classical themes from the French. His first original tragedy was La morte di Nerone, written around 1700. Subsequent tragedies include several pieces based on stories from ancient myth or history. A volume entitled Teatro published in 1709 not only contains further tragedies, but also the treatise Del verso tragico. This was followed by a Canzoniere (1710). A friend of Gravina's before the Arcadian schism that Gravina had initiated in 1711, Martello was offended by the preface to Gravina's Tragedie cinque of 1712 in which the latter had taken all the credit for an alleged restoration of Greek tragedy. In his Dialogo della Tragedia antica, e moderna, o sia l'Impostore Martello lashes out at Gravina while examining the differences between tragedy in the early eighteenth century and in ancient Greece. Martello is known above all for having theorized and then used a dramatic line of fourteen syllables (consisting of two settenari), called Martellian verse. The Martellian verse was adopted in some of his writings by Goldoni. Martello was a close friend of Scipione Maffei, Ludovico Antonio Muratori and Carlo Maria Maggi.