Piano Quintet (Franck) Explained

César Franck's Piano Quintet in F minor is a quintet for piano, 2 violins, viola, and cello. The work was composed in 1879 and has been described as one of Franck's chief achievements alongside his other late works such as Symphony in D minor, the Symphonic Variations, the String Quartet, and the Violin Sonata.

The work was premiered by the Marsick Quartet, with Camille Saint-Saëns playing the piano part, which Franck had written out for him with an appended note: "To my good friend Camille Saint-Saëns". A minor scandal ensued when at the piece's completion, Saint-Saëns walked off stage leaving the score open at the piano, a gesture which was interpreted as mark of disdain.[1] That manuscript is now in the French: [[Bibliothèque nationale de France]] The published form issued by Hamelle in 1880, carries the simpler dedication "French: À Camille Saint-Saëns".

The work has been described as having a "torrid emotional power", and Édouard Lalo characterized it as an "explosion".[1] Other critics have been less positively impressed: Philosopher Roger Scruton has written of the quintet's "unctuous narcissism".[2]

Structure

There are three movements:

  1. Molto moderato quasi lento – Allegro
  2. Lento con molto sentimento
  3. Allegro non troppo ma con fuoco

The music has a cyclical character whereby a motto theme of two four-bar phrases, used 18 times in the first movement, recurs at strategic point later in the work.[3]

Notes and References

  1. Book: James M. Keller. Chamber Music: A Listener's Guide. 2011. Oxford University Press. 978-0-19-538253-2. 200–.
  2. 10.1017/S0265051700009384. The Aesthetics of Music by Roger Scruton. Oxford: Clarendon Press, 1997. £35.00, 530 pp. 2009. Spencer. Piers. British Journal of Music Education. 15. 2. 216–218.
  3. Book: Basil Smallman. Basil Smallman. The Piano Quartet and Quintet: Style, Structure, and Scoring. 1996. Oxford University Press. 978-0-19-816640-5. 99.