Phillip Wilson Explained

Phillip Wilson
Birth Name:Phillip Sanford Wilson
Birth Date:8 September 1941
Birth Place:St. Louis, Missouri, U.S.
Death Place:New York City, U.S.
Genre:Jazz, free jazz, blues, funk, R&B
Occupation:Musician
Instrument:drums, percussion
Years Active:1960–1992
Associated Acts:Art Ensemble of Chicago, Paul Butterfield Blues Band

Phillip Sanford Wilson (September 8, 1941 – March 25, 1992)[1] was an American blues and jazz drummer, a founding member of the Art Ensemble of Chicago, and a member of the Paul Butterfield Blues Band.

Biography

Born in St. Louis, Missouri, United States,[1] Phillip Wilson was a third generation musician. His grandfather, Ira Kimball, was a percussionist playing on the riverboats that traveled down the Mississippi from St Louis to New Orleans. His recording debut was with Sam Lazar, noted for having one of the first interracial bands in the St. Louis area.[2] After moving to Chicago, Illinois, he became a member of the Association for the Advancement of Creative Musicians AACM and performed with the Art Ensemble of Chicago.[1]

He joined up with the Paul Butterfield Blues Band in 1967 at a time when the band membership changed greatly, including an added horn section.[1] He recorded three albums with the group. Wilson's song "Love March", written with Gene Dinwiddie, was performed at Woodstock and released in 1970 on the live album from the festival.

Wilson, along with Dinwiddie and fellow former Butterfield Band member Buzz Feiten, formed the jazz-rock band Full Moon in the early 1970s. They recorded a self-titled album which is considered one of the finest early examples of jazz fusion. Wilson was part of the loft jazz scene in 1970s New York, worked as a session musician for Stax Records in Memphis and with Jimi Hendrix at the Cafe Au Go Go and Generation Club in 1968, and recorded with The Last Poets, Fontella Bass, Olu Dara, David Murray, Anthony Braxton, Carla Bley and many others. During the 1980s, he worked extensively with Lester Bowie.[3] In 1985, he and Bill Laswell co-produced the album Down by Law under the group name Deadline. Near the end of his life, he was actively pursuing his music career and had been performing regularly at Manhattan's Lower East Side hot spot Deanna's.

Wilson was stalked and murdered in New York City on March 25, 1992.[1] As a result of the America's Most Wanted television program, Marvin Slater was arrested and later convicted, in 1997 for premeditated murder, and sentenced to 33 1/3 years in state prison.[4] The motive for this murder was not revealed during the trial and is still unknown.

Discography

As leader

As backing musician

With The Art Ensemble
The Rance Allen Group
With Martha Bass, Fontella Bass, David Pearson
With Carla Bley
With Hamiet Bluiett
With Lester Bowie
With Anthony Braxton
With Paul Butterfield
With James Newton

With John Carter

With Julius Hemphill

With Peter Kuhn

With Sam Lazar
With Lightnin' Rod
With Frank Lowe
With Bugsy Maugh
With Roscoe Mitchell
With David Murray
With Juma Sultan's Aboriginal Music Society

References

[5] [6] [7]

Notes and References

  1. Book: The Guinness Who's Who of Jazz. Colin Larkin. Guinness Publishing. 1992. First. 0-85112-580-8. 433.
  2. City of Gabriels: the history of jazz in St. Louis, 1895-1973, Dennis Owsley, Reedy Press, August 8, 2006,
  3. Web site: Phillip Wilson . . 20 November 2018.
  4. http://stljazznotes.blogspot.com/2008/11/phillip-wilson-remembered.html "Phillip Wilson Remembered"
  5. Web site: 2017-04-04. David Sanborn on Phillip Wilson. 2021-03-21. Ethaniverson.com. en.
  6. Web site: Phillip Wilson — Beyond The Blues. 2021-03-21. Moderndrummer.com. en-US.
  7. Web site: Perfect Sound Forever: Phillip Wilson interview. 2021-03-21. Furious.com.